Authors with Irish Roots to Add to Your Reading List

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No doubt you’ve heard of Oscar Wilde, Bram Stoker and Jonathan Swift. Besides being well-known for their published work, they share something else in common: they were all born in Ireland.

There are many other talented authors, screenwriters and playwrights who have produced notable works from Maeve  Binchy to Roddy Doyle. Most were born in Ireland, while others were born elsewhere but make their homes there now.

With St. Patrick’s Day around the corner, it seems fitting to profile a few of these Irish authors, both past and present, who have given us a glimpse of life and love on the Emerald Isle.

Admittedly, I’ve only read a few of these authors, while others I’m willing to explore. There’s something for everyone here, whether you’re a fan of the classics or prefer more contemporary themes. While they represent a wide variety of genres and writing styles, they bring wit and intelligence to their work and provide an insider’s view of Ireland.

Authors I’ve read:

* Frank McCourt. Though born in Brooklyn, N.Y., McCourt and his family moved to Ireland when he was four years old to the town of Limerick where his mother grew up. He recounts his childhood in Angela’s Ashes. Unable to find work in Ireland, his father became an alcoholic, forcing the family to live in poverty. In his father’s long absences, McCourt, the oldest of four siblings, took it upon himself to look after the family, often stealing food and taking on odd jobs to survive. It’s a sad and compelling story that won McCourt a Pulitzer Prize.

* Maeve Binchy. I remember reading Binchy’s first novel, Light a Penny Candle, many years ago. I barely remember it now, but It was my introduction to women’s fiction. Binchy went on to publish 16 novels and numerous short stories, many set in Ireland. She’s known for writing about Irish life after World War II, often with themes dealing with the conflict and tension between urban and rural life.

* Lucy Foley. Okay, I know Foley wasn’t born in Ireland, but her book The Guest List makes my list because of its setting on a secluded island off the coast of Ireland. Written from the points of view of five different characters, readers are taken on a suspenseful journey that unfolds between two timelines—the night of the murder of one of its characters, and the few days leading up to that moment. One of the best page turners I’ve read in long time.

Authors on my reading list:

* Tana French. Though born in Vermont, French now makes her home in Dublin, and she has become known as a leading lady of psychological thrillers in the same vein as Ruth Ware and Megan Abbott. Her first novel In the Woods, is probably the best known and is the first in the Dublin Murder Squad series which contains six books, all taking place in Dublin. She’s also published several standalone novels of psychological suspense.

* Marian Keyes. Born in Limerick, Keyes writes contemporary fiction that tackles some darker issues like alcoholism, depression, cancer, grief and domestic violence. According to her profile on Wikipedia, her stories are often written with a light, humorous tone and feature strong female characters who overcome challenges to find lasting happiness and hopeful futures. Her first novel, Watermelon, was published in 1995.

* Emma Donoghue. Born in Dublin and now living in Canada, Donoghue has made a name for herself writing historical fiction featuring lesbian characters. Her best-known work, Room, became a feature film. Donoghue wrote the screenplay for that film and was nominated for an Academy Award for Best Adapted Screenplay. Her latest novel, Learned by Heart, explores the relationship between diarist Anne Lister and Eliza, an orphaned Indian heiress during their time at a boarding school in 1805.

* Cecelia Ahern. Since 2004, Ahern has published 18 novels of contemporary fiction. Her debut novel, P.S. I Love You, was published when she was 21 and was later adapted to film starring Hilary Swank. Her stories feature characters at transitional points in their lives, dealing with loss or who feel lost and powerless themselves.

* Tricia O’Malley. I enjoy a little magic with my romance, so O’Malley’s work appeals to me, though I have yet to read any of her novels. She has published several series: the Althea Rose Mysteries, romance with a touch of mystery; Siren Island, feel-good romances with a touch of fantasy; Mystic Cove series, combining magic and romance with Ireland as its backdrop; and The Enchanted Highlands, set in Scotland.

Other notable Irish-born authors, not on my reading list, but other readers might enjoy:
Roddy Doyle – novelist, children’s author, playwright, and screenwriter. His novel, The Commitments, was turned into a film of the same name in 1991.
Sally Rooney – The only millennial writer on this list, she’s just getting started with three award-winning books published so far: Conversations with Friends, Normal People, and Beautiful World, Where Are You?
Frank Delaney – writer of historical fiction set in selected areas of Ireland.
Edna O’Brien – novels often take a bleak view of the despair and plight of women in contemporary society

Of course, we cannot forget the classics:
Oscar Wilde –The Picture of Dorian Gray
Jonathan Swift – Gulliver’s Travels
James Joyce – Portrait of an Artist as a Young Man
Bram Stoker – Dracula

Do you have a favorite Irish-born author or book about Ireland? What did you enjoy most about it? What other authors would you recommend?

Making an Emotional Impact on Readers

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When I think back to the best books I’ve ever read, the ones that stand out most have made an emotional impact on me. They have made me feel something that I didn’t feel before. It doesn’t happen often, but when it does, it’s magic. And isn’t that what we want to create with our writing? Magic. Wouldn’t it be nice to make readers feel something when they read your work?

That something can be anything—joy, anger, surprise. Some books I’ve read have put a huge smile on my face, like The Messy Lives of Book People by Phaedra Patrick. Others have left me feeling sad but hopeful, like The Book of Ruth by Jane Hamilton and The Nightingale by Kristin Hannah. Yet others leave me feeling introspective, like The Truth about Forever by Sarah Dessen. 

While each of these books represent different genres, the one thing they have in common is the presence of empathy. Some would call that heart. Without heart, without empathy, what kind of story do you have? A story that isn’t memorable.

How do these authors create this literary magic? Why do their books touch my heart and soul when so many others don’t? There are five things that these stories have in common.

They craft an engaging plot. Not only do these best stories begin with a compelling premise, they take me on a journey with more twists and turns than a roller coaster ride.  Note how many twists occurred toward the end of The Nightingale that, at times, shocked and saddened me (and many other readers, I’m sure). Those plot twists were even more dramatic to me because I bought into the story from the very beginning. I had connected with the characters, and I saw what was at stake for them. With rising stakes, the story built momentum toward a dramatic conclusion.

They create relatable main characters. If I can’t connect with the main character, I’m not likely to follow along on their journey. Creating meaningful and relatable characters takes skill. Authors need to understand everything about them—what they look like, what they think, their habits and hobbies. Even if they aren’t the most likeable people, there is something about them that makes me want to root for them, like Ruth in The Book of Ruth, who was smarter and more observant than people in her life gave her credit for. There is usually something they desire, something they feel is lacking in their lives, like love, success, respect, or wealth. Put them into difficult situations with rising stakes, and I can’t help but follow them on their journey. When I can see the complexity of a character’s personality, complete with their strengths, flaws and desires, I can relate to them more easily

They bring us inside the character’s world view. There are moments when the lead character pauses to reflect on the world around them and what they have experienced. Through their thoughts, I’m able to see how the character was changing and growing. Dessen is especially adept at this, often bringing me inside her character’s head so I could see the world through her eyes, often written with an emotional depth and empathy far beyond her character’s teen years.  

They provide vivid sensory details and imagery.  Through vivid sensory details and imagery, these authors created a world for me to experience along with their characters. I saw what they saw, whether that’s the deep blue of the ocean or the various shades of green in the forest. I could taste the crispness of the apple, smell the sweetness of freshly baked cookies just out of the oven, or hear the roar and whistle of the wind during a storm. These details, gave me a sense of place as if I was there with the characters. It’s another way I connected with the characters.

They provide a satisfactory ending. There is nothing more disheartening than to spend hours reading a book that doesn’t resolve all the conflicts to the readers’ satisfaction. When I’ve spent so much time with a story, I want to see the pay off at the end. When it doesn’t come, I feel cheated. In the best books I’ve read, the author tied up loose ends in a way that made sense to the story. It may not have been the happiest of endings, but at least, it provided some hope for the characters’ future. And that makes reading the story worthwhile.

The best books are ones you want to keep reading, even after the story ends. The best ones touch you in some emotional way, and that’s what makes them memorable and shareable.

What about you? What books have left an emotional mark on you? How did the author accomplish that?

10 Signs Readers Connect with a Story

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Over the weekend, I stayed up past my regular bed time to finish a book I’d been reading. That doesn’t happen often. Usually, after reading a chapter or two, I’m ready to hit the sack.

But this book, The Truth about Forever by Sarah Dessen, made me want to keep reading until the end. With about 40 pages left to read and the climax fast approaching, I didn’t want to wait until the morning to find out how the story ended. So I kept reading.

That experience made me wonder about reader engagement. Are there certain signs or behaviors that show readers are engaged with your story? I thought about my own reactions when I read. I started to notice the differences between how I feel about a story that truly engages my heart and mind and ones that fail to connect with me.

There’s a lesson to be learned here for aspiring writers. When writing your own stories, think about how you want your readers to react to them. What do you want them to remember about your story? How do you want them to feel when they finish reading it?  

So how do you know your story is connecting with readers? Here are the signs I’ve noticed in my reading experience. Which of these reactions resonate with you?

  • I keep turning the pages to find out what’s next. Sometimes that means staying up late past my bed time to finish reading a book. Especially if I’m getting close to the end of the book and I want to finish it. It’s that feeling of unfinished business that prevents me from turning off the light. So I keep turning the pages until I get to The End.
  • I mark the pages with memorable passages. Some of the books that are the most engaging tend to have moments of profound insight. When I find a passage that’s especially poetic and insightful, I use a post-it note to tab those sections, just in case I want to go back and read them. That way, I can find them more easily.
  • I want to find out more about the author. Where are they located? Did they obtain an MFA? How many other books did they write? After reading Dessen’s book, I did a Google search about her and read summaries of her other books, making note of which ones I want to read.
  • I refuse to give the book away—at least not right away. After I’ve read my favorite books, they tend to sit on my shelf for several years sometimes. A part of me wants to stay connected with the story for as long as possible. By giving the book away, I feel like I might forget the story. So I hold onto it until I’m ready to part with it, usually when I need to make space for other books.
  • I share my experience with other readers. I gladly refer the book to someone else who’s looking for an engaging read. I might even take a photo of the cover and share it with my friends on Facebook. Or I might write about it here on my blog. If the book is that good, it’s a shame to keep it to yourself. I have to let other people know about it.
  • I tell myself that this is the type of story I want to write. I observe how the writer has weaved the plot points, developed the characters and created suspense. There’s a lot I can learn from observing how they developed their story. Add to it some emotional insight or message that resonates with me, and I’ve found the formula for success. I know then that that’s the type of story I want to write.
  • I constantly think about the story and the characters when I’m not actively reading it. I could be doing some house cleaning or going for a walk, but I may still think about certain scenes that somehow stay with me.
  • I occasionally think about the book long after I’ve read it. It could be six months later or several years later, and I’m still thinking about the story. Perhaps that is the greatest level of engagement—longevity. I will always remember how I felt reading the ending of The Nightingale, even though I read it about five years ago. Some books simply have staying power.
  • The book touches my emotions in some way. When I get to the end of a story, I check in with myself. How do I feel about how the story ended? Satisfied? Surprised? Disbelieving? When I finished reading The Messy Lives of Book People by Phaedra Patrick (which is still sitting on my book shelf), I recall having a big smile on my face. The book gave me such joy, and the journey the author took me on was satisfying in so many ways. Patrick resolved all the plots in a way that not only made sense, but made me feel good. That’s a mark of a smart story teller.
  • I develop a relationship with the main character. When I can connect with the main character, I have more at stake in the story—the protagonist’s story. I’m a bit partial to first person POV, and Dessen used it effectively to bring emotional depth to her main character. I felt her pain and her joy. I saw what she saw and experienced what she did. When I connect with the main character, I want to keep reading to make sure they find their happily ever after.

    What about you? What signs do you see in your own reading experience that show you are truly engaged with the story?

Measuring Your Progress as a Writer

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A writer-friend recently asked “How do you know you’re making progress as a writer?”

I’m somewhat baffled by this question because I’ve never stopped to ask myself that same question. I’ve never thought about my own “progress.” I simply assumed that writing is about continuous improvement, that the more you write the better you’ll get.

But I don’t think there’s a clear cut answer to my friend’s question. It’s difficult to answer.  After all, what does progress really mean?

Progress can mean different things to different people. For some, progress means how their writing is improving. Writing progress is subjective, which makes it harder to measure. What is good writing for one person may not be that way for someone else.

For others, progress means how close they are to reaching some end goal, like finishing a manuscript. That’s easier to measure because it’s an actual, tangible result.

Here are a few questions to ask yourself regarding your writing progress:

* Am I writing every day, or at least on a regular basis?
* Do I have a clear idea of my end goal for my work-in-progress? Can I visualize what it will look like?
* How does your current writing compare to earlier efforts?
* Are you satisfied with the results so far? What would you like to do differently?

With these responses in mind, If you’re as baffled as I am by this question, here are a few suggestions for gauging your progress as a writer.

  1. Define what you mean by progress. What does it look like to you? Are you trying to reach a certain goal with your writing, such as a work count per day or complete an essay within a week? Or are you trying to measure the improved quality of your writing?
  2. Visualize the end result. What does your end goal look like? Visualize what you want to achieve. If you want, create a visual to inspire you. Sketch a picture or make a collage. Then put those pictures on a bulletin board or somewhere where you can see it every day. Let the picture inspire you to keep working toward your goal.
  3. Create a timeline. On that timeline, mark the starting date of your writing, whether that’s for a particular project or your overall practice. Also mark the ending date of that project. In between, mark periodic points which can designate review point. For example, you might have a timeline from January to December with each month marked off in between. Each month, you can compare where you are currently on your project with where you were the previous month.
  4. Mark the milestones. Celebrate every small victory. Whether that’s completing a chapter in your latest work-in-progress, finishing a writing course, or meeting your daily writing goals for an entire month, do something to commemorate the occasion.

For example, if you’re trying to monitor how often you write, use a calendar and put a star on each day that you complete a writing session. By the end of one month, see how many stars you’ve earned. If there are stars on only half of those days, then you know you have work to do.

When you take the time to assess where you are now and how far you’ve come, you’ll know what steps to take next.

Measuring the quality of your writing is a different animal. Quality is more subjective. What reads well for one person may not work for another. Likewise, writers are a notorious difficult bunch, often judging their work too harshly. However, if you’re truly concerned about the quality of your work and whether you’re getting better at expressing your ideas, there are several things you can do to gauge your progress.

1. Compare current and previous drafts. If you’re working on a piece with several drafts, you can read the current version and compare it to the first and rough draft of it. That will tell you if the story is developing the way you envisioned. Or read a recent work and compare it to something you wrote when you first began writing, say five or eight years ago. See how it has changed over time. Is it more descriptive? Does it have the right amount of narrative and dialogue? Is there too much emotion, or not enough?

2. Read your work out loud. By reading it out loud, you’ll notice words or phrases that don’t seem to fit or you’ll stumble over long sentences and tricky phrases. The mistakes will become more obvious. Then go back and revise.

3. Get feedback from an objective party. Hire a professional editor, recruit beta readers or work with a writing coach who can provide insights about the quality of your writing and provide suggestions for improving it.

4. Take a writing class. With an instructor to guide you and classmates to read your work, you’ll get plenty of feedback that can help you refine your writing.

5. Read widely. That means reading a variety of genres and authors which will expose you to different writing styles. You learn to write by reading as much as you can.

If you’re focused on improving the quality of your writing, progress will be difficult to measure. Each project is different, and you may tackle it at different points of your life and bring to it different experiences. So you may write beautifully one day while you might lost your creative mojo the next.

Whether you want to improve the quality of your writing or you want to create a tangible product, one thing remains true: progress occurs when you write as often and as consistently as possible.

So to truly make progress as a writer, keep writing!

How Rituals Can Inspire Your Best Writing  

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Sitting down to write may be the hardest thing to do when you don’t have a clear idea what you plan to write. Or perhaps you have the writing blahs where writing process doesn’t excite you. In those times, it might be helpful to develop a writing ritual.

 Writing rituals are a set sequence of actions that put you in the proper frame of mind for your writing session. They usually involve words, gestures and revered objects or symbols similar to what you might see for a religious or community ceremony, such as a child’s baptism. Simple actions like lighting a candle, listening to a particular piece of music, burning incense or doing a brief meditation can all be part of a ritual.

Most important, rituals set the tone, opening up mental and emotional space so you can write. They’re intended to create mindfulness and spark creativity.

I must confess I do not have a writing ritual. I usually don’t have a problem getting into the proper mindset for writing. But I can see how they can help other writers who may be stuck staring at a blank page.

Who needs writing rituals?
 * People who are stuck in a current work in progress
* People who want to begin a writing practice but don’t know what to write about and fear the blank page in front of them
* People who want to keep creative ideas flowing

Rituals shouldn’t be confused with routines, which are a set of actions designed to move toward a particular goal, such as finishing a chapter or producing a certain number of words on the page. They can involve a set of steps to get your writing session started or setting up your physical surroundings, such as making a cup of coffee or tea, clearing your desk, getting your notes together, and using a particular pen to write, writing at the same time and in the same place every day, etc. Routines deal with the physical surroundings and logistics of your writing sessions and are usually done every day. 

What routines lack, however, is mindfulness. Their focus is on the mundane tasks that make your writing session possible. But rituals bring intention and awareness to the activity, inviting imagination to open up for you.

Rituals are transformational, explains Mason Currey, author of Daily Rituals: How Artists Work (which admittedly I have not read) as interviewed by Vox. “Rituals create and mark a transition towards a different kind of mental and emotional state.” They create a state of awareness that you can’t get from routines.

When I think of rituals, I think of a ceremony. Rituals are often connected to faith or community, like attending church or practicing yoga once a week. While routines are performed every day, I don’t think rituals can or should be done every day, but perhaps once a week or once a month to reclaim your focus. Rituals are separate from your writing routine and should be treated differently.

“Writing rituals help us nurture habits that are essential to our creativity,” writes Nicole Bianchi at The Writing Cooperative. She shares the rituals of some famous authors, including Jack Kerouac and Neil Gaiaman, although by their descriptions they sound more like routines rather than rituals.

When designing your own writing ritual, consider what types of actions will put you in the proper frame of mind to write. What can you do to create the mental and emotional space to write?

Examples of writing rituals:
* You might play a certain piece of music that inspires you and puts you in the mood to write.
* You might enjoy a cup of coffee while staring out the window for 10 minutes, allowing your mind to flow freely.
* You might do some freewriting or journaling if you mind is troubled and prevents you from thinking and writing clearly.
* You might light a candle and sit still in meditation.
* You might do a 10-minute yoga session which can help bring mindfulness into your activities. Yoga can help unlock whatever is stuck within you.

Whether you follow one of these examples or you create one of your own, writing rituals can signal the transition into a more mindful state that prepares you to be your creative best.   Do you agree or disagree? Do have a special writing ritual? How has it helped you with your writing?

Create a Reading Challenge That Truly Challenges You

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It’s usually at the start of every New Year that I look forward to my annual reading challenge. While I aim to read on average 30-34 books, I really try to focus on diversifying my reading interests. I like to challenge myself by reading new authors, different genres that I don’t normally read. By mixing things up, I expose myself to different writing styles which can only make my own writing better.

This year I decided to switch things up by creating a challenge based on monthly themes. I considered each month’s holidays and seasons for potential book themes, then browsed my TBR shelf for books that matched that theme. For example, January is the start of a new year. It has a wintry theme, with cold, snow and wind. It’s hockey season too.

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Selecting books from my TBR shelf that fit these themes was fairly easy. I wound up reading The Ice Queen by Alice Hoffman and The Snow Child by Eowyn Ivey. I’m already looking ahead to February with two more novels based on the month’s themes (Valentine’s Day, President’s Day, Mardi Gras and African-American Heritage month), and I only have to look at my TBR shelf to find those selections. Other options are the local library and the Little Free Library in your neighborhood.

This is one way to complete a reading challenge. The beautiful thing about them is that you can create your own challenge based on your own goals and interests and start it at any time. They can last three months, six months or a full year. They can either be focused on diversifying your reading selections or increasing your reading time. It all depends on what goals you set for your reading challenge.

Since there are so many ways to go about completing a reading challenge, it may be difficult to decide the best one for you. If you’re not sure what type of reading challenge you want to do, check out this nifty quiz at MindJoggle.com. The site also has some cool resources you can use to get the most out of your challenge, such as reading journals and book lists.

The first step for any reading challenge is to set a goal. If your reading goal is to squeeze more reading time into your life, there are several ways to approach this:

* Increase the number of pages you want to read every day. For example, if you usually only read 10 pages, see if you can increase that total to 20 or 25.

* Increase the amount of time you spend reading. If you currently read 15 minutes a day, see if you can increase that reading time to 30 minutes a day.

* Set a goal for the number of books you want to read in a given month. If you’re used to reading only one book, challenge yourself to increase it to two.

On the other hand, if your focus is to expand and diversify the types of books you read, there are ways to accomplish that too.

* Focus on monthly themes. For example, during the month of February, you might read a romance novel (Valentine’s Day), a political thriller or presidential biography (President’s Day) or a novel written by an African-American author (African-American Heritage month). Pick one or two to fulfill the February theme, then do the same for March (St. Patrick’s Day, Women’s History month and the start of spring) and the other months that follow.

* Focus on one genre for a short time period. For example, if you’re used to reading the latest bestsellers, you might do a three-month challenge featuring classic novels that you’ve never read before.   

* Using the monthly system, you can select a book for a different genre each month. For example, in January, you might read a fantasy novel, in February a biography, in March a historical fiction novel, etc.

These are just ideas to get you started thinking about your own reading challenge. When you create a  challenge that fits your interests and schedule, you’re more likely to stick with it.

Here are a few other tips to maximize your reading experience:

1. Start by determining your reading goal. Do you want to increase the amount of time you spend reading in a given week? Or would you rather experiment by reading books in different genres?

2. Think short-term mini-challenges. Sometimes all you need is a three-month challenge to kickstart a reading habit or improve the one you already have. With shorter challenges you can do a deeper dive into specific genres, like mysteries or historical fiction that you probably didn’t read before.

3. Create a reading calendar. Whether you commit to a full one-year challenge or a mini-challenge of three months or six months, use a calendar to choose the books you want to read. Create a mix of longer and shorter books so you don’t get bored with books of the same length. When you see the calendar at a glance and know what books you’ll read and when, it will be easier to stick with the schedule and with the challenge.

4. Join a reading community. To keep yourself motivated, it might help to join a reading community where you can share book reviews and reading experiences with other like-minded book lovers. Check the internet for possible online communities, or visit your local library to see if they have a reading community. (Note: Don’t confuse a reading community with a book club. Reading communities focus on the reading experience, no matter what you’re reading, while book clubs read the same book for the purpose of discussion.)

5. Be consistent with your reading. A little bit each day builds a new habit and will keep you motivated to keep reading. Also be flexible with your challenge. If a book isn’t working out for you, skip it and come back to it later. Switch to something you will stick with. It’s okay to change the schedule as you go along.

6. Beat reading slumps by mixing up formats. It never fails that by late autumn, my reading interest lags and I just don’t feel like reading. Experts suggest changing up book formats with shorter pieces that don’t require as much time or energy. Think short stories, an essay collection or a novella.

Remember, reading challenges are meant to help you stretch yourself, learn new things and get out of reading ruts. Most important, have fun with them. That’s what makes them worthwhile.

Tips for Re-Setting a Writing Practice

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It always happens. When the Christmas holidays roll around or client assignments drop in my lap, my writing practice suffers. I haven’t looked at any of my personal writing projects in nearly six weeks, haven’t picked up a pen to draft any new stories or blog content. It frustrates me that I can’t be more productive. But that’s what happens when you’re trying to do too many things at once.

Now that it’s January, it’s time to “get back in the saddle,” as they say. With the decorations put away and assignments completed, I need to get back to work. My work. My writing practice. So how do I reset my routine?

Fortunately, Reedsy offered a timely webinar about productivity, and their experts provides exercises and pro tips that may be helpful in jumpstarting my routine.

Tip 1: Set a year-end goal. Close your eyes and imagine that it’s next Christmas, you’re with your family and friends celebrating some milestone with your writing. Perhaps you finished a draft of a new novel. Or you finally signed on with an agent. How do you feel about what you accomplished? What does the end result look like and feel like? Where do you want to be with your writing? If you can imagine it, you can accomplish it.

Tip 2. Begin with small steps. With the larger year-end goal in mind, think about how to get there. What small step can you take within the next week or month to reach that goal? What small step can you take in February, March, and so on? That small goal might be something like writing for 30 minutes each day, or a word count goal, like 500 words or one page a day. When you put one foot in front of the other, you eventually reach your destination.  

Tip 3: Be consistent with your practice. Make time to write, and write every day if you can. Writing every day sets up a new habit. When I got a batch of assignments in November and December, I neglected that daily habit, and lost momentum. Now it’s a struggle to get back to where I was before the holidays. Don’t let that happen to you. In hindsight, I should have simply scaled back on my writing routine rather than give it up altogether.

Tip 4: Create a ritual before beginning each writing session. The ritual will get you in the proper mindset. It could be something as simple as closing your eyes to imagine the words on the page, saying a short prayer to your creative muse or lighting a candle. However, don’t check emails or the internet before your session, or you will get lost in the mundane details of work and quickly lose your focus.

Tip 5: Be aware of the obstacles and distractions around you. Some obstacles are external and can be easily addressed. Maybe there’s a stack of dishes in the sink or an important phone call you need to make. Reedsy suggests taking 10 minutes to tidy up the kitchen and make that important phone call, otherwise it will bother you enough to prevent you from writing. If the dog needs to go for a walk, maybe have another family member or a neighbor take them out. There are internal distractions too, such as negative self-talk. In those instances, it might be helpful to talk to a friend or write in a journal. Find a way to release those negative thoughts before they poison your writing practice.

Tip 6: Deal with procrastination. This is my own bugaboo problem. Procrastination can kill any brilliant story idea you might have. What is procrastination really but an avoidance tactic? So ask yourself–what are you trying to avoid? Why are you trying to avoid it? Is it the fear that what you write will be horrible (bad news: the first draft usually is). Is it because you have no idea what to write about and you don’t like staring at a blank page? The easy fix for that is writing prompts which can jumpstart your imagination and get ideas flowing again.

I’ve been procrastinating on a novel I’ve been editing/rewriting for the fourth time. It’s been a long slog, and I’m tired of looking at the story. So I’ve been avoiding it because I hate the editing process—of cutting copy and moving scenes around. I’d much rather be writing something fresh and new. My point is procrastination happens to every writer, and it’s usually a sign that you’re avoiding something in your practice that you’d rather not do. Figure out a way to work through what you need to do, then do it.

Tip 7: Change the narrative of your writing life. So what that you may never have been published before. You can be published this year if you work toward that goal. Don’t let past disappointments and failures define who you are as a writer. Focus on your successes and build on them. Focus on the things you can do rather than what you can’t. For example, if all you can do is write 100 words a day, then write 100 words a day. Don’t berate yourself for not writing 1000 words like most other people you might know. You know your circumstances best, so work within those parameters. As Tim Gunn always says, “Make it work!”

Hope these suggestions help you re-set your writing practice. Here’s to a productive and successful 2024. Happy writing!

Favorite Books of 2023

~ The Regal Writer ~ Leave a comment
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Hello readers! Hope the New Year is getting off to a strong start. I’m back from my holiday break feeling refreshed and ready to work toward my writing goals. Hope you are too!

Before I get too deeply into this week’s post, I want to tell you about one small change to my website. As you may know, I post a writing prompt on my site. I tried to post the prompt every week, but frankly, it got more difficult to come up with a situational writing prompt. This year, I decided to post the  writing prompt twice a month, on the 15th and 30th of the month.

Secondly, in the past, the prompts had focused on a situation, such as a surprise guest or an event that takes place during a storm. But this year, the prompt will feature a word or phrase that might conjure up a memory or inspire you to write a scene related to that word.

For example, this week’s word is “bittersweet.” What images come to mind for that word? Perhaps it’s a bittersweet moment in your life? Or perhaps you tasted something that was bittersweet. Whatever that word might mean for you will lead you to your essay or short story. Hope those words/phrases will inspire you to write your best stories.

Now back to this week’s post.

Before we get too far into the New Year, I like to reflect on the books I’ve read over the past year. As usual, I created my own reading challenge to read a variety of genres. I find that reading different genres and writing styles keeps me honest as both a reader and a writer.

That said, 2023 was not the best year for my reading. Sure, I read a variety of stories, from mystery and romance to memoir and nonfiction, but few of impressed me.

What I look for in a novel is good storytelling, an interesting premise, strong, compelling characters, surprising plot twists and a satisfying ending. Below are my favorite books that excelled in those areas.

Before We Were Yours – Lisa Wingate
Told in a dual timeline in the past and present, Before We Were Yours is one of Wingate’s best. I was immediately drawn into the story, and the events of the past and the break-up of the five children was heartbreaking. This book was hard to put down, and the story and its characters stayed with me long after it ended.

The Little French Bistro – Nina George
It’s rare to read a book featuring a main character over the age of 60. This year I read two of them. (See Arthur Pepper below.) Wanting to escape her loveless marriage and boring life in London, Marianne wants to end her life. Rescued by a good Samaritan, she decides to venture out of London, joining up with a tourist group and ending up in a small French town where she meets a cast of characters who open her up to new possibilities for the future and who convince her that her life is only just beginning.

The Guest List – Lucy Foley
This is the first novel I’ve read by Foley, and it won’t be the last. As guests gather on a remote Irish island for a wedding, several of them are nervous about events from the past. The dual timeline didn’t slow down the pace of the story, but it could be confusing at times. Readers see events unfold from the points of view of five different characters, each with a reason to kill the victim. The speedy pacing made this a difficult book to put down.

The Last Thing He Told Me – Laura Dave
Of all the books I read the past year, this one was the most suspenseful. In an interview with Dave I heard last year, she admitted that it took her 12 years to write this book. She kept going back to it ever so often, sure that there was a nugget of a story. It was worth waiting for. A strong female lead character, snappy dialogue and brisk pacing made this a fast, easy read. I’m looking forward to reading more of Dave’s books.

The Curious Charms of Arthur Pepper – Phaedra Patrick
I adored Patrick’s last release, The Messy Lives of Book People, so I figured this novel would be just as good. Arthur Pepper is a 60-something widower who feels lost without his wife. While searching through his wife’s belongings, he comes across a piece of jewelry that belonged to her, which he knows he never gave her. He begins to wonder who is wife really is and what other secrets she may be hiding. In a series of events and journeys, Arthur begins to learn more about his wife, and about himself.

In Five Years – Rebecca Serle
Imagine waking up five years in the future in an apartment that is not yours and next to a man who is not your husband? That is the premise for this engaging novel by Serle, who takes readers on a time travel journey that makes you realize that things aren’t always as they seem. At the start, the story gives the impression of being a lightweight rom-com, only to turn somber at the midpoint. After a few interesting plot twists, the story hints at a happy ending. It’s a rare story that I still think about a whole year after I’ve finished reading it.

Honorable Mentions:
While not my personal favorites in 2023, the following books were worth reading for one reason or another.

Look Again by Lisa Scottoline – suspenseful, strong female lead
While Beauty Slept by Elizabeth Blackwell – a reimagined story of Sleeping Beauty
The Woman in Cabin 10 by Ruth Ware – psychological thriller set on a private luxury cruise ship
Safe Haven by Nicholas Sparks – fun, suspenseful read, perfect for summer
Lessons in Chemistry by Bonnie Garmus – Didn’t love the book as much as everyone else seemed to, but I felt I had to read to see what the excitement was about.

What about you? What were the best books you read in 2023?

10 Gifts for Writers and Creatives

~ The Regal Writer ~ Leave a comment
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Dear Readers,

Merry Christmas! Thank you for reading The Regal Writer this past year. Hope you found inspiration and encouragement from my stories.

If you’re as busy as I’ve been these past few weeks, you probably have found it difficult to find quiet time for your writing practice. But even 15 minutes a day is better than nothing. So even amidst the holiday celebrations and work obligations, hope you can squeeze in some writing time and keep those creative juices flowing.

I’m taking a short break from The Regal Writer for the next month or so to work on several client assignments and enjoy the holidays. Look for fresh content on this blog in early 2024 as well as a new slate of writing prompts.

As a send-off, I’d like to leave you with the following gifts that can help you make the most of your writing practice, both now and well into the New Year.  My gifts to you include:

The gift of time – In our hectic lives, may you always find a few minutes each day to write.

The gift of place – May you always have a quiet place to think, plan, dream and fantasize about your next story.

The gift of abundance – May your mind teem with so many creative ideas that you don’t know where to begin writing them.

The gift of imagination — May every story idea that comes from your imagination reflect a new and interesting way of looking at the world.

The gift of productivity – May you acquire the right tools when you need them to help you stay productive and consistent with your writing practice.

The gift of education – May you find the right books, courses, webinars and conferences to build your knowledge and skills about writing.

The gift of good health — Your health is important. Without good health, you cannot accomplish what you set out to do.

The gift of self-confidence – May you share your writing with calm self-assurance that this is your best effort, and may self-doubt stay away from your door.

The gift of inspiration – May your writing inspire others and bring joy and light to readers. Furthermore, may you feel inspired by your own writing so that you will want to continue with your practice.

The gift of love and friendship – May you be surrounded by people who support you and your writing, and who share your love of the written word.

Remember, writing is a gift too. The more you share that gift with others, the more joy it will bring to them and to yourself.  

Be well, be kind. See you in 2024!

Tips for Designing a Compelling Book Cover for Your Novel

~ The Regal Writer ~ Leave a comment
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Have you ever bought a book solely because you were drawn to its cover? Or are you planning to self-publish and are struggling to find the right balance of imagery and text?

Let’s face it. Some book covers are more interesting than others. But just because it looks good doesn’t mean it will do what it’s supposed to do, which is to sell books.

When produced well, the cover design should not only grab readers’ attention, it should communicate several things to readers, such as:

* show an intriguing focal point
* provide a subtle preview of the plot
* introduce the protagonist
* establish the book’s genre and tone

I’ll tackle each one of these in detail.

An intriguing focal point
When you first look at a book cover, where does your eye automatically go? It might to an image, like the drawing on the cover of Lessons in Chemistry. If the author is well-known, their name might appear larger than the book title. In many cases, it might be the book title itself that in larger print to draw your attention. This may be especially true for newer writers who haven’t earned the name cache of a Stephen King or a Nora Roberts. Comb your shelves for examples. Notice the ones that stand out and which ones don’t. Then experiment by replicating a focal point suitable for your work in progress.

A subtle preview of the plot
The combination of imagery and title should hint at the plot. For example, the cover of The Messy Lives of Book People by Phaedra Patrick features a background image of a closed door surrounded by shelves of books, hinting at the story of a house cleaner tasked with finishing her employer’s last novel behind closed doors. Think about the key point of your story, then select images that present the clearest representation of that point.

An introduction to the protagonist
In addition to hinting at the plot, the cover design should also hint at the protagonist in some way. The image could reflect the person’s face, such as the ghostly image of Coralie Sardie whose story is at the heart of The Museum of Extraordinary Things by Alice Hoffman. It could also hint at their occupation or where they live. In The Hundred-Foot Journey by Richard C. Morais, for example, the image of someone slicing the skin off a piece of fruit with the silhouette of the Eiffel Tower behind it hints at a young man’s journey as a chef in Paris. As with the plot, think of your protagonist’s character and their journey, then choose an image that reflects their story.

The book’s genre and tone
Make sure the cover design is suitable for the book’s genre and establish the right tone. You want readers to recognize the type of story it is at first glance. For a light-hearted rom-com, for example, you might use lighter colors or pastels for the background with some humorous or playful image. On the other hand, mysteries and thrillers are likely to have darker backgrounds with equally darker images, like dripping blood or a bottle of poison.

More tips for book cover designs

1. Keep it simple, almost minimalistic. Covers that are overly complicated and cluttered have difficulty reaching readers. Give the cover some space to allow any images and text to breathe. “Using space wisely draws attention to the elements that you want potential readers to focus on, writes Jessica Bell at Jane Friedman.com.

2. Be unique and distinctive. You don’t want your book to look like every other one on display. Referring to Lessons in Chemistry again, the cover is simple with a single image and bright orange-salmon color that captures the eye. The color stands out because you rarely see it on book covers. If the cover’s goal is to sell the book, think of ways to make the cover stand out while still staying true to the story.

3. Create strong composition. The experts at Self-Publishing School suggests following the rule of thirds. Imagine breaking up the cover into three sections, allowing enough space for the book title, author name and image. Again, check your book shelf for examples. Add patterns and texture in subtle ways so they don’t distract readers.

4. Don’t overlook the back cover or spine. According to the design experts at Ingram Spark, the back cover usually includes a brief book summary, book reviews, an author bio, the ISBN number and bar code. Make sure the book title is clearly marked on the spine so readers can see it when standing upright on a shelf.

Whether you design the cover yourself or work with a professional designer, it’s helpful to keep these tips in mind. When conceived and designed well, your book cover can go far to market your book.