In Search of Your True Writing Voice

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It’s not easy transitioning from a career in business communications to fiction writing. The hardest part about the transition is finding your voice. In business communications, the writing voice is impersonal, detached and, well, business-like. Communications are focused on the needs of the company or client that you’re writing for. Your personal voice is absent.

When you begin to write fiction, on the other hand, it’s imperative to find your writing voice because your story and characters are all extensions of yourself.

Finding your writing voice matters for several reasons. It establishes consistency throughout your body of work. It gives your writing personality. Finally, it helps readers know who you are. You can’t hide behind your words; you have to learn to write from the heart. That’s how readers will find you and keep coming back to you.

According to the NY Book Editors blog, a writer’s voice is a combination of three factors: the writing style, perspective and tone.

Style is the character of the writing; the words and phrases you use and how you express your ideas. Style is developed by years of practice and experimentation. It also helps to read the works of different authors from different genres to sample their writing style. Over time, you pick up bits and pieces from authors you admire. Style may be short, abrupt sentences or long sweeping poetic ones. However you develop your style will eventually become your hallmark, editors say.

Perspective is how you choose to view a situation and relay what’s happening. Perspective is drawn from your history of experience and knowledge of the situation. For example, when a car accident occurs on a busy street corner, one witness standing on the sidewalk will have a different perspective of the accident than the passenger in one of the involved vehicles and the policeman who arrives to investigate it will have yet a different perspective.

Tone is the attitude or feeling about the story that you’re telling. It can be serious or sad, or it can be humorous and upbeat. Tone gives readers a clue about how to feel about what’s happening in the story.

It can take years to find and refine your writing voice. Here are a few ways to help you find it.

1. Spend time alone with your thoughts. Be aware of the ideas, notions and imaginings going through your head. Note the conversations you have with yourself internally.  Notice your own feelings too. Do you feel cheerful, optimistic, sad, guilty or fearful? What is the source of those feelings? Where are they coming from? It might help to learn meditation to be fully present with yourself.

2. Keep a journal. Most writers do keep a journal. It helps them take stock of their experiences. If you prefer, carry a small notebook in your pocket or purse so you can jot down ideas and observations as you go about your day.

3. Write letters. If you’ve ever written a personal letter to someone, you know how difficult it can be to find the right  words to express how you feel. The practice of writing letters helps you access what you’re feeling in your heart. Writing from the heart is the key to finding your writing voice.

4. Read different authors. When you read different genres and authors, you expose yourself to different ways of storytelling. We naturally pick up bits and pieces along the way from other writers, especially ones whose works we admire. Over time, you will synthesize different styles to form your own.

5. Freewrite. As I’ve described in previous posts, freewriting is the practice of writing nonstop for several pages about anything that comes to mind. There are no right or wrong answers to what you put down on paper. It’s simply a fast, easy way to access parts of your subconscious that you may have kept hidden, even from yourself. You never know what shows up on those freewritten pages. When you go back to re-read what you’ve written, the writing will most likely be sloppy, but you may find hidden gems of heart-felt emotion. That’s where your voice will emerge.

If you want to explore this topic more, I highly recommend the book Writing from the Heart: Tapping the Power of Your Inner Voice by Nancy Slonim Aronie.

Finding your true voice as a writer does not happen overnight. It takes practice and dedication to access those parts of you that readers will appreciate.

How to Read Multiple Books at a Time

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March is National Reading Month. Here’s to a celebration of reading.

I suppose one benefit of self-isolation during this unprecedented COVID-19 pandemic is being able to catch up on your reading — that is if you don’t have a gig to go to.

With more time on your hands, and perhaps more books awaiting your attention on your bookshelf, it may be an opportune time to “divide and conquer.” One quick and easy way to do that is by reading more than one book at a time.

Whether or not you want to tackle this challenge depends on several factors: how many books are already on your TBR list, how soon you want to get through them, and whether you have the time to indulge in this activity.

Experts says reading multiple books shows a reader’s virtuosity and their multitude of literary interests. It also shows their wealth of knowledge and curiosity about the world.

For most of the rest of us, reading multiple books is a circus act, like stepping along a high wire, trying to maintain your balance while clutching a book in each hand and perhaps one on top of your head. Or like a clown who starts out juggling two or three items and keeps adding another item to juggle until he can no longer keep them all in the air.

Are you a multiple book reader? Or do you prefer reading them one at a time, with occasional breaks to read something else when you get bored with the first title?

But aside from the circus analogy above, there are several tips and tricks for reading multiple books without losing your sanity — or your balance.

1. Read different genres. This makes the most practical sense. Reading multiple books is easy to accomplish when one book is fiction and another is non-fiction.

2. Read different books in different places. According to Bookriot, setting aside different spaces for different reading materials can help you make progress through your personal library. For example, you might read something light and breezy on your commute to and from work and save the heavier, more serious topics for evening reading.

3. Read different mediums. For example, you might read a lengthy 800-page novel on your Kindle while a novel of 250 pages might be lighter to carry around.

4. Take frequent breaks. Switching between two or three titles allows you to take a break from reading a heavier-themed book so you can come back to it later with fresh eyes.

5. Think big and small. If you’re reading multiple books, vary the length of the books you’re reading, suggests Genie in a Novel blog. So you want to tackle the 1037-page Gone with the Wind? It may take a while to get through it, so supplement your reading with other titles with fewer pages and lighter topics.

6. Explore the benefits of reading. Reading multiple books enables you to enjoy the multiple benefits of reading, writes The Fussy Librarian. You can further your education with nonfiction or historical textbooks, explore the world with a travel book and feel inspired with a self-help book or a book of poetry. 

7. Have a reading buddy or join a book club. Either option can help you access different genres and authors that you might not have considered. While you’re reading with the group, you can only supplement with one or two of your personal choice on the side.

Want to read more about how people read multiple books? Check out this NPR program.

What about you? Do you read one book title at a time, or do you read multiple books? How do you manage them all?

For the love of reading: 20 quotes by women

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It’s been a difficult few weeks, and my brain cannot seem to function properly these days. I haven’t written much this week. So…since March is National Reading Month as well as Women’s History Month, in place of a regular post, I’m sharing a list of quotes by women about the love of reading. Please enjoy and be safe wherever you are.

The world was hers for the reading. – Betty Smith

Reading is a discount ticket to everywhere. – Mary Schmich

In books, I have travelled, not only to other worlds, but into my own. – Anna Quindlen

Reading is the sole means by which we slip, involuntarily, often helplessly, into another’s skin, another’s voice, another’s soul. – Joyce Carol Oates

She read books as one would breathe air, to fill up and live. – Annie Dillard

I can survive well enough on my own – if given the proper reading material. – Sarah J. Maas, author YA fantasy

Some say life is the thing, but I prefer reading. – Ruth Rendell

Reading one book is like eating one potato chip. – Diane Duane

A well-read woman is a dangerous creature. – Lisa Kleypas, The Wallflower Christmas

Read a thousand books, and your words will flow like a river. – Lisa See

Literature is my Utopia – Helen Keller

I love the solitude of reading. I love the deep dive into someone else’s story, the delicious ache of the last page. – Naomi Shihab Nye

Some books are so familiar that reading them is like being home again. – Louisa May Alcott

Books are the mirrors of the soul. – Virginia Woolf

You can’t buy happiness, but you can buy books and that’s kind of the same thing. – Anonymous

Wherever I am, if I’ve got that book with me, I’ve got a place I can go and be happy. – J.K. Rowling

One of the many gifts that books give readers is a connection to each other….Books cultivate empathy. – Sarah Jessica Parker

Books are a form of political action. Books are knowledge. Books are reflection. Books change your mind.  – Toni Morrison

I think that when you can escape into a book, it trains your imagination to think big and to think that more can exist than what you see. – Taylor Swift

Reading and writing have always pulled me out of the darkest experiences of my life. Stories have given me a place in which to lose myself. They have allowed me to remember. They have allowed me to forget. They have allowed me to imagine different endings and better possible worlds. – Roxanne Gay, author of Bad Feminist

Which of these quotes are your favorite? Or do you have one of your own that inspires you?

Want to read more quotes about reading? Check out these other sites:

101 Quotes about Reading — She Reads
Best Quotes about Reading — Oprah the Magazine

What’s Next on Your Reading List?

Great American Read
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March is National Reading Month

Reading a book is much like going on a journey. You travel along with the narrator or protagonist through numerous ups and downs they experience, which hopefully concludes with a happy ending.

But then, you are faced with a new dilemma: what should you read next? Do you pull a title from your TBR list (to be read)? Or do you search the nearby Little Free Library for something that grabs your interest? Or do you go somewhere else?

There are several ways you choose the books you read. You might go by the author. You’ve read their works before and want to read others because you know it will be a satisfying reading experience.

Maybe genre is more important to you. For example, mystery fans will gravitate toward other mysteries and thrillers, even if they haven’t read the author before.

Then there’s the third option for choosing books: the plot. When you read the inside flap or back cover, you get an idea of who your protagonist is, what conflicts they’ll be facing and perhaps, the possible payoff. You start reading with the promise of a strong compelling plot line and hope for another satisfactory conclusion.

There are a number of ways I choose what books to read. Usually, it depends on my mood. One day, I might be in the mood to read a memoir, then next I might be in the mood to be swept away in a romantic suspense novel. Since I like reading a variety of genres, it sometimes makes it difficult to choose what type of book I want to read next.

Sometimes, rather than choosing the book, I simply browse my shelf and let the book choose me. Here are a few other ways I choose a book to read.

* Someone mentioned the book in conversation. When a friend describes a book they’re reading and their voice is filled with wonder and enthusiasm, I usually see it as a sign that I should check it out too. When someone loves what they read, they’ll happily share their book choice with others.

* I avoid reading book reviews. Book reviews are meaningless to me because they tend to over analyze the story. I think to myself, “You got that much out of that story?” I have never been convinced to read a book based on a review. I prefer recommendations from people I actually know and respect who have already read the book.

* It’s an author I’ve read before. This is perhaps the number one reason people choose certain books to read. If the author has an extensive list of books they’ve published and I’ve already enjoyed reading some of those titles, I am more likely to read other titles by them. Several years ago, I read Kristen Hannah’s Winter Garden based on a recommendation from a Facebook friend. I loved that book so much, I’ve read several other titles of Hannah’s since then.

* I pay attention to book titles. Some titles automatically draw me in because they exude an air of mystery and intrigue. Once in a bookstore, I came across a title in the discounted section with a simply designed book cover – plain orange with classic, somewhat ornate writing. The Places Between Us had no book summary or marketing blurb on the back side or inside the front cover, so I had no idea what the book was about, which only added to its mystery. Strangely, I kept pacing past it. After glancing in its direction several times, I finally picked it up and read the first few pages. I wound up buying it, and it became one of the most fascinating reads, worthy of a book club discussion.

* I find authors or book titles I’ve always wanted to read. For me, that includes some old classics that I never read when I was younger. To Kill a Mockingbird had been on that list for several years. Only after its author Harper Lee passed away did I finally pick it up to read.

* I avoid current national best sellers. I’m sure there are some quality books among the current best sellers, but not all of them. I’d rather choose a book because I’m interested in the plot.

* I look for an intriguing plot or character. Recently, I read What Alice Forgot by Liane Moriarity.  The plot line is what intrigued me most, though admittedly, I also wanted to check out Moriarity’s work since I had seen her name on bookstore shelves. The main character, Alice, heads to the gym one morning and wakes up in the hospital, only to learn that it’s ten years later, and she can’t remember anything that’s happened to her over that ten-year span. She can’t understand why her relationship with her sister is so strained or why she is recently separated from a husband she adores. The plot compelled me to pick up the book and keep reading, so I could find out how Alice pieces together memories from that missing time in her life.

* I consider bookstore staff recommendations. If unsure what to read next, you can always ask your favorite bookstore employee, or check out the bookstore’s staff recommendations section, if they have one. These folks are avid readers themselves and are happy to share their favorite books with you.

* I refrain from depending on book club choices. Sure, a title might be an Oprah Book Club choice, but don’t make that the main reason for choosing a book. Choose it because the title or plot intrigues you, someone you know recommended it, or your local bookshop owner recommended it. 

Remember, it’s helpful to develop your own criteria for choosing books to read. At the same time, don’t be afraid to experiment with new authors or genres. Every now and then, it can be fun to read something outside of your comfort zone. You never know when you discover new talent. 

No matter how you go about choosing a book, it’s exciting to know that we have so many choices available to us, more than we’ve ever had before. Half the fun of reading is deciding what to read next.

How to Get More Out of Your Reading Experience

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March is National Reading Month. It’s a good time to read a book. 

If you’re like me, you have an entire shelf (or two) of books waiting to be read. In fact, at this moment, I probably have about 80 books waiting for my attention. There doesn’t seem to be enough hours in the day to read them all.

Browse the Internet and you’ll find numerous articles how to read more books. That’s an admirable goal. But I prefer to focus on quality. I’d rather take my time to enjoy the process of reading rather than power through each book just to ramp up my numbers.

Add to that the growing number of responsibilities in our lives. It’s difficult to enjoy a book when your mind is distracted by everyday concerns. What should I make for dinner? I need to call a babysitter for Saturday night. How am I going to pay my property tax bill? You get the idea.

If you want to get more out of your reading experience, here are a few tips and tricks you can try.

Set aside a private place for your reading. Is there a corner of your home where you like to curl up with a book? If not, make a space for yourself with a comfortable chair and good lighting away from noise and distractions. Loving pets and favorite beverages are optional.

Avoid speed reading. Reading is not a race or a competition. It’s meant to be savored, like a cup of coffee or a long walk. If you really want to enjoy reading, slow down and take your time to get through your book. When you slow down, you’ll likely notice more details in the story. Speed reading might help you power through more books, but will it help you enjoy what you’re reading?

Browse libraries and bookstore shelves for inspiration. Looking for ideas what to read next? Or do you want to find out what other people are reading? Check out the shelves at the local library or bookstore to find out what’s new and interesting. It’s not necessary to buy anything at that moment. Keep a small notebook with book titles you want to read, or jot the titles down in your smart phone for easy reference later. When you see what else is out there, it can inspire you to keep reading.

While you’re at the library, find a quiet corner and read. It can be from one of the shelves, or your own book that you’ve carried with you. Spending time at the library can inspire anyone to read more.

Participate in reading challenges. If you really want to ramp up your reading game, find a reading challenge to take part of. These challenges give you an opportunity to read different types of authors and genres. It also help you set a goal for yourself. Maybe your goal is to read two or three books a month. That would equate to 24 to 36 books a year. Make sure your goal is reasonable and reachable, however. Check out local libraries, online book clubs and sites like
Goodreads for reading challenges.

Put away electronics. If you really want to enjoy the latest bestseller, turn off the TV and put away your smart phone. You don’t really need them while you read, do you? By eliminating these distractions, you won’t be tempted to engage in non-essential activities and your mind can focus on the book in your lap rather than what’s on the screen.

Set a dedicated reading time. Find a time of day that works best for you, according to Inc. magazine. What time of day works best for you to read? For some, reading before bedtime helps them relax and sleep better. For others, reading a good book over their lunch hour is more convenient. Sometimes, getting up in the wee hours of the morning or when insomnia strikes in the middle of the night provides an opportunity to catch up on some reading. Reading for 30 minutes during that quiet time before the sun rises can help you fall back to sleep.

Read out loud or take notes. If non-fiction is your thing, sometimes it helps to read the book out loud or take notes to get the most out of your reading experience. Taking notes or reading out loud can help you understand the author’s message, develop new conclusions or increase your focus or concentration. You can get more out of your reading in shorter period of time.

Allow yourself a DNF. Every so often, you start reading a book that is simply not grabbing your attention. In that case, give yourself permission to stop reading it, writes a contributor at BookRiot. There’s no rule that says you have to finish every book you’ve started (although I do try to finish everything I read because you never know when the story might get better toward the end). Life is too short to be spent reading a boring book, especially when there are so many other amazing works out there. So go ahead and allow yourself a “Did Not Finish.”

Re-read old favorites. If you need a break from reading newer releases, go back and re-read a title that you read long ago. It feels self-indulgent to cozy up with a book you loved once upon a time.

Recently, I finished reading A Stranger is Watching by Mary Higgins Clark. The book had been sitting on my shelf after I grabbed it from a Little Free Library, but when I learned Clark had died, I knew it was my next selection. I had read it more than 25 years ago and couldn’t remember the plot. Because so much time has passed, I was able to read it again with fresh eyes and a fresh perspective.

Remember, it’s not the number of books you read that matters or how quickly you get through them. It’s the quality time you spend doing what you love. Follow these tips to enjoy reading more.

 

Preparing for a Writer’s Conference: The Elevator Pitch

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Congratulations! You’ve just signed up for a writer’s conference. Whether you’re attending your first conference or you’ve gone to a couple dozen in your career, there’s always plenty of prep work to do before you go. For one, you’ll need to pack your elevator pitch.

An elevator pitch is a brief description of who you are and what kind of writing you do. Most authors agree the pitch should be no more than 30 seconds long, or about 50 to 100 words. Since you don’t have a lot of time to make your points, you need to make every word and every second count.

But creating a pitch for the first time can be daunting. Even more experienced writers don’t always get it right and have to re-do theirs from time to time, especially as their projects change.

Why is an elevator pitch necessary?

There is some debate among literary agents about the purpose of elevator pitches and whether they are truly necessary. At the Book Ends Literary blog, agent Jessica Faust suggests that authors and would-be authors dump the traditional pitch in favor of real conversation. Some agents don’t want to be bombarded at a conference with pitches. They’d rather get to know you as a person and as a writer. They want to talk about publishing and the latest books you’ve read.

I can understand Faust’s point. Imagine being a literary agent at a conference attended by several hundred people. Would you want to be hounded by all these would-be authors? If that were me, I would want to hide out in a corner just to avoid the rush of people clamoring for my attention.

Still, it’s important to have an elevator pitch ready in case someone asks. Why? Because writers like to hear what other writers are working on, and agents and publishers are always looking for new talent and new book concepts. So when someone asks, “What are you writing?” you can be prepared to answer them, briefly and succinctly.

Moral of this story: don’t dump your elevator pitch altogether, but do keep it in your back pocket.

What should an elevator pitch include?

When you only have 30 seconds to make an impression, it can be challenging to squeeze as much information into your elevator pitch. Opt for the most important points. Avoid giving a chapter-by-chapter account of your story; that will simply take too long. Shorter is better, about 50 to 100 words, but have more points prepared in case you are asked follow up questions.

When you prepare your elevator pitch, here are a few factors to keep in mind:

What genre do you write? – Mention what genre story you are writing. Is it women’s fiction, a memoir or a self-help book? For examples of some great elevator pitches in these three genres, see Bookbub’s Insights blog.

What is your current project? Give a brief summary of your story line, focusing on character and conflict. Then add context for the story – where does it take place in relation to the world we live in. Finally, consider why readers should care about your story.

What have you written previously? Even if you haven’t published anything before, say so. Instead, you can say, “This is my debut novel.”

Keep it snappy. Once you’ve written the key elements of your pitch, edit it so it will grab a listener’s attention.

Practice your pitch. Keep practicing your pitch so it feels comfortable rolling off your tongue. One of the worst things to happen is to sound too rehearsed and canned, or like you are speaking lines for a play. You want to come across as natural as possible.

Here’s a great tip from The Writing Cooperative. When someone asks how they can find out more about you and your writing, don’t just hand out your business card or spit out your website URL. There’s no guarantee that they will ever follow up with you and checkout your website on their own. Instead, say something like “I’ll be happy to give you that information. Do you have an email address I can send it to?” or ask for their business card. This way you can follow up with them after the conference. Be sure you really do follow up with a personal note.

Remember not to hound agents and publishers at conferences. They’re there to enjoy the event just as much as you are. Focus on creating conversation. Inquire how their day is going. Ask what authors they enjoy reading. Ask what sessions they’ve attended. Just get the conversation started.

Then don’t be surprised if they turn the spotlight on you at some point and ask “What are you writing?” Then be ready to give your elevator pitch, naturally and comfortably.

A Writer’s Guide to Networking

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As writers, we often work solo, unless we’re collaborating on a project with someone else. Sometimes it can get lonely in our creative worlds. It’s not easy working in isolation, but it is necessary to create the  work of our dreams.

But writers cannot live by their writing alone. They have to take time to get out to meet people too. But if you’re like me, you’re a bit of an introvert, which doesn’t make it easy to connect with others.

At a recent event presented by the Chicago Writers Association, a panel of local writers and editors shared their tips for building a strong network. Whether you need a break from your writing, need help getting past a sticky plot point, or simply want to connect with like-minded professionals to find out what they’re working on, your network is an important element in your career development.

One thing the panelists agreed on is this: your writing always comes first.

Here are a few of their suggestions for building your network.

1. Be a good literary citizen. Share what you know with others. Either at meetings and workshops or through your social media channels, be willing to help others. Give advice, tell others about a book you’ve read recently, or tell others about a workshop you attended. Build literary karma – by giving freely of yourself to others, people will remember you when you need help from them.

2. Promote other writer’s works. This dovetails nicely from the first point above and adds to your literary karma. If another writer you know just got published, congratulate them on your social media channels. Even if you haven’t read the book yourself, when your followers and fellow writers see the generous spirit of your comments, they are likely to return the favor when you publish yours. Put other people first.

3. Be a joiner. Join two or three groups that resonate most with you. But don’t just become a member; be active too. An easy way for other members to get to know you is to get involved on a committee because it forces you to interact with other members and industry players. For example, volunteer to be on the membership committee to welcome new members or work on event planning.

The panelists also suggest getting involved in two or three groups to gain different perspectives and further expand your social circle.

Conversely, not all writing groups and associations will resonate with you. That’s okay. Attend one or two of their meetings as a nonmember first to get a feel for what they are about. It may take two or three meetings to decide if you want to become a member.

4. Actively attend meetings. Don’t hide in a corner and observe the proceedings. Set a goal for yourself to meet at least two new people at the event. Make conversations with people, and be sincere when you talk to them. Make the conversation about them, and refrain from pushing your personal agenda on them.

To get the conversation started, think of a couple of questions to ask ahead of time. For example, “What book are you reading now?”, “What are you currently writing?”, and “What keeps you awake at night with regard to your writing?”

Remember other attendees are in the same boat as you. They may be as shy and introverted as you are. It might help to seek out individuals who are off in a corner by themselves. They’re likely new to the group too, so start up a conversation. I find it’s easier to approach one person than it is two or three huddled together.

5. Connect on social media. Many publishers, authors, editors and agents are on social media. Follow them and politely engage with them. Share their posts, comment on their stories, and read their blog.

Here’s a great idea and one I plan to implement: send handwritten complimentary notes to them. Thank them for the work they do, for publishing a certain author whose work you enjoyed, or congratulate them on reaching a milestone. It will make their day. Remember, many of these literary professionals work in isolation too, and they want to hear that their work matters. However, be polite and sincere, and don’t push your agenda.

6. Avoid imposter syndrome. For some writers, it can be difficult to admit that they are a writer especially when they haven’t published anything. Avoid of temptation of telling yourself that you don’t belong with other writers because you haven’t published anything. It’s a self-defeating mindset. Whether you are a newbie writer stretching your creative muscles, or you’ve published several books already, you are welcome at all and every networking event. Practice saying out loud “I am a writer. I am a writer.” Keep repeating it until it is deeply ingrained in your soul. So the next time someone asks what you do, you can say with confidence “I am a writer.”

Remember writing is a journey and we are all passengers on the same road. Some of us come with more baggage than others. But that doesn’t mean you are not welcome to the club. You are not an imposter playing at writing. If you write often, even if you haven’t been published, you are a writer and you belong.

Finally and most important, do your writing before your networking. Your writing should always come first. If you don’t do the writing, the networking is meaningless.

Networking is more than collecting business cards. You also have to learn to be a good literary citizen too.

 

Remembering the Queen of Suspense, Mary Higgins Clark

MHC autographSeveral weeks ago, we lost an icon in the literary world. Author Mary Higgins Clark passed away at the age of 92 and her loss will be deeply felt among generations of her loyal readers.

Clark authored 56 books in a career that spanned more than 40 years, which is amazing considering she didn’t get published until she was 43. It took hard work, dedication and persistence to keep writing and keep revising — a lesson for all aspiring authors. In a lovely open letter on Clark’s website, Carolyn K. Reidy, the CEO of Simon & Schuster, Clark’s publisher, writes of Mary’s work ethic and her generosity with her readers.

Clark was one of the first authors whose books I routinely sought out in bookstores or at the library because I always knew they were well written and kept me turning the pages until its satisfying conclusion. I always looked forward to the new releases from her with great anticipation, not unlike the Harry Potter series two decades later.

Clark was also one of the few authors I met during a meet-and-greet at a bookstore near my office many years ago. I remember walking into the bookstore and noting with surprise that there weren’t many people in line to meet her, maybe three or four. Mind you, this was 1991, long before there was social media and cell phones and selfies. They didn’t exist back then, so there was little pre-event publicity other than an ad in the newspaper.

I waited eagerly as she chatted with the gentleman in front of me. She actually took the time to talk and answer his questions. When my turn came, I excitedly told her I loved her stories and wanted to be a writer myself. I can’t remember what we talked about after that, but she patiently signed my book (Loves Music, Loves to Dance) with the line “Happy reading and happy writing” followed by her signature and the date. (See image above.)

It’s hard to believe I have had that book all this time. I never had the heart to donate it or give it away because, well, it was a signed copy and it had my name in it. That made it special to me.

When I heard the news of Clark’s passing, I pulled out the book from my collection and looked at what Mary wrote inside. It warmed my heart all over again. Even better, it inspired me to keep writing and keep working toward my publishing goal. Stopping my work now would be like betraying an old friend.

I think many writers can point to one or two authors who have inspired them to be the writer they wanted to be. For me, it was Mary Higgins Clark as well as suspense writer Joy Fielding, who signed a book copy for me in 1995.

JF autograph 2

If there is a moral to this story, it would be to seek out the advice of other writers who have traveled the road you’re on, especially if they are writers whose works you admire. Ask them questions about their craft, no matter how dumb they may sound. These days, most authors have a website and are on social media, so it’s easier to follow them and keep tabs on what they are doing professionally. Check in with them every so often, but don’t hound them. Check their calendar, if they have one, to find out when they’ll be visiting your town. Then make a point to stop by and say hello. You never know what that meeting might lead you toward.

What about you? Do you have a favorite author that inspired you to become a writer? Have you ever met them in person? Share your story in the comments below.