Amid Chaos, Stories Matter Even More

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Imagine if we lived in a world where there were no stories–no stories to write, to tell, to read, to enjoy, to make us laugh and to make us cry. Where would we as humans be? How could we live? What would we know and understand about our lives?

Writing stories matters. But for those stories to matter, they need to be conceived and written.  That’s where writers and creatives come in. The world–as chaotic and uncertain as it may be–needs us.

If you’ve ever stopped to wonder why you’re putting yourself through the emotional and physical turmoil of writing stories, think about all the good you’re doing for the world, for your audience, and most importantly, for yourself.

Tiffany Yates Martin said it best in the latest issue of Writer’s Digest (print version, so no link is available to the article.) We may feel overwhelmed by the chaos happening around us to the point that we can’t find the motivation to write. Yet that is exactly when writing stories matters the most. 

Yates Martin outlined five reasons that stories matter through turbulent times:

  • Stories offer solace and hope. Stories offer comfort, especially during times of unrest. They not only offer an escape from our troubles and worries, Martine writes, they remind us of what’s important and what’s worth fighting for.
  • Stories connect us in a divided world. Because stories provide insight into the human condition through alternative perspectives, we can learn to understand the universal longings and struggles that others experience. We might understand what motivates people we might disagree with, and perhaps see them as just as complex, flawed and wounded as we are.
  • Stories make sense of the senseless. Our world is often messy and complex. Stories can help us make sense of the chaos by offering logic and cohesion. It may offer a big-picture view that we may not have considered.
  • Stories give a voice to the voiceless. Stories can highlight the injustices and oppression that others might experience, and thus heighten our awareness of it. Consider The Diary of Anne Frank which put a human face on the plight of Jews during the Nazi regime.
  • Stories can change the world. Stories can broaden and impact people’s views, which in turn can spark needed change. For example, Uncle Tom’s Cabin fueled the abolitionist movement that ended slavery. While our own writing won’t necessarily change society on a grand scale, it might change individuals in some way by providing inspiration and insight that they might not have had before.

While Yates Martin speaks about the collective reasons for writing stories, there are personal ones too. We all have our personal reasons for writing and telling stories. I’ve compiled my own list of reasons below:

  • Writing stories presents a new challenge to my skillset. I’ve always been a competent business writer, but writing fiction is a totally different animal. It wasn’t enough to be a good writer and string a series of sentences to create a cohesive thought. The question I wanted to answer for myself was: Could I become a good storyteller? Storytelling requires a different skillset than business journalism. Learning how to tell a good, compelling fiction story was a new challenge.
  • Writing stories calms me and keeps me grounded. With so much turmoil and uncertainty in the world, writing stories gives me a safe space away from all that. When I can put those disruptive news stories out of my mind, I can focus on what really matters to me–my writing.
  • Writing stories is one thing I can control. With everything happening around us–from weather-related disasters to social and political strife–it can feel like the world is out of control or that we have no control over our environment. And in many cases, we can’t. I may not have control over the unsettling changes taking place in our world, but I do have control over the stories I write. I can control the direction of the plot, the narration, the dialogue, the way the characters may grow and change. I can control how the story ends–usually in a peaceful, happy way.
  • Writing stories allows me to give free rein to my imagination. Otherwise, those brilliant ideas dancing in my brain will only remain trapped there. By writing them down, I’m bringing them to life.
  • Writing stories enables me to communicate a message to others. This is usually through the story’s theme or a character’s words of wisdom. I might be too afraid to speak for myself, so through stories, I can let a character do the talking for me.

The next time you feel tempted to walk away from your desk and give up on your story, or if you have trouble finding the motivation to write, think about why you do this. Why do you write stories? Why are you writing this particular story? Because writing stories not only can change the world, it can change you. 

Writing Advice from Agents and Published Authors

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It’s the dog days of summer, and I’ve gotten a bit lazy. The last thing I want to do this week is research and write a new and lengthy blog post.

Still, there is so much valuable insights and advice to share about the writing process. So this week, I’ve compiled some of the best tips from literary agents and published authors as they shared with the editors of Writers Digest magazine. After all, we can all use a little bit of help, no matter where we are in the writing process.

Enjoy! And have a safe holiday weekend.

Advice from published authors:

“….. write the thing that you feel urgently compelled to write. Write the thing that you feel drawn to write, and write it in a way that only you can do it and trust your instincts.
Brandon Taylor, author, The Late Americans

“There’s no need to plan everything out beforehand. Part of the fun is setting up high stakes without knowing the outcome. This way you’ll be right there with your protagonist, struggling to come up with solutions, even as the walls close in deliciously around you.”
Julia Bartz, novelist, The Writing Retreat

“But self-doubt is incredibly valuable. If you didn’t ever doubt yourself, you’d be a psychopath. Sometimes doubt is what helps me as a writer say, ‘This isn’t working right.’”
Chuck Wendig, author, Gentle Writing Advice: How to Be a Writer Without Destroying Yourself

“One thing I value about writing and publishing is that it’s not as ageist as some other industries. It’s hard to become a movie star maybe at 50…. It [publishing] is something you can break through at any time. There is room for reinvention, whether that means emotional reinvention, new opportunity, or just room for growth.”
Steven Rowley, author, The Guncle Abroad

“…find as many writer friends as you can because these are the people who will completely, 100 percent understand how difficult it is to break into publishing…Reach out and find your community.”
Jesse Q Sutano, author, Dial A for Aunties

“Understand that your book is a product that needs to garner broad support… Make sure you have a core group of diverse test readers who will give you honest feedback. It doesn’t mean they’re always right, but if half of our test readers think the beginning of your book is slow, you probably need to revise it.”
Pamela Samuels Young, author, Anybody’s Daughter

“…when people ask me my advice about these things, I say, write a novella, write a short story. Be wild and free and be able to accept failure by your own terms before you commit to spending three or four or five years on something that might fail.”
Ian McEwan, author, Atonement

“You need to give yourself permission to be bad when you are drafting… This is where you need to embrace the suck. Let yourself be bad. It’s okay. Everybody’s first drafts are bad. My first drafts are terrible, but once you have a bad first draft down, you can fix it. You can edit it, you can polish it up….”
Kate Quinn, author, The Diamond Eye

“There are so many things you can worry about when you’re writing that are all irrelevant… The important thing is a book that you write is your book and it’s you, and you put yourself into it and don’t listen to any of the interference from anywhere else in the world.”
Lisa Jewell, author, The Night She Disappeared

“I’m a big believer in being in a workshop or class, working with other writers, which is not to say to just take anybody’s advice. When you’re in a classroom or a seminar, it makes you write because you know you’re going to go there Thursday. It kind of forces you to do the work.”
Alice Hoffman, author, Practical Magic

“But the thing I always say to writers is that you never should forget the lame that made you want to write this. It is better to have a strangely proportioned beast that burns and is alive and stalks across the page than a perfection proportioned corpse on the page. That is what you run into the danger of. It’s possible from too much feedback [and] too much confusion that you wind up taking out whatever is at the heart of your work.”
Jean Kwok, author, Girl in Translation

“Find a way to make your writing process a discipline in the way that musicians practice their instrument.”
Tommy Orange, author, There There

“Characters live in the moments of quiet we often rush to yell over, so take some time to let them be heard.”
Mazey Eddings, author, A Brush with Love

“If you want to make a living as a writer, approach it like a business from the start. You wouldn’t open a corner store without a business plan—don’t just wing it for your author business!”
Jessie Kwak, author, Ghost Pirate Gambit

“The biggest thing is to read a lot so you can innately understand story structure. This even comes from watching movies and TV, and thinking about why it was great and what points did it hit and what aspects of it resonated with you….”
Alyssa Cole, author, One of Us Knows

Advice from literary agents:

“Share your work with multiple readers. Consider their feedback, especially their questions. Heed only the advice that resonates. Save a few readers for subsequent drafts so they can have fresh eyes to catch anything you or your regular readers might miss.”
Jennifer March Soloway, Andrea Brown Literary Agency

“As an agent, I want to fall under your spell. I want to read past my bedtime, be haunted by your work, be captivated, lifted, [and] spirited away by your story. If your work can deliver this magic, it makes me envision all of the opportunities we can conjure together to make the ultimate connection to the readers.”
Rachel Letofsky, CookeMcDermid Agnecy

“Remember you are interviewing the agent as much as (if not more than) they ae interviewing you. Bring a list of questions and don’t be afraid to ask tough ones.”
Kesia Lupo, The Bindery Agency.

“A rejection does not mean that your writing sucks. It simply means it’s not a good fit for that particular agent. You need to find your match, someone who clicks with your book in a unique way that’s not unlike dating.”
Rachel Beck, Liza Dawson Associates

“Know what kind of writer you are: a sprinter or a marathoner, and let yourself be that kind of writer. Don’t be afraid you’ll forget your great idea. If it’s a great idea, it’ll stick to your ribs no matter how much you try to shake it off.”
Liz Parker, Verve Talent and Literary

“The key to success is being delusional enough to think that what you write is necessary, but humble enough to listen to informed feedback.”
Michael W. Bourret, Dystel, Goderich & Bourret, LLC

“Remember that ideas are cheap! You are more than one project, and there is inspiration everywhere if you look for it.”
Molly Ketcheson, Wolfson Literary Agency

“Being able to say what your novel is about in one or two sentences really helps. It’s not a question about what ‘happens’ in a novel, but it’s a question about what the heart of the novel is.”
Catherine Cho, Paper Literary

“Writing should be fun. If you’re getting to a place where it’s not anymore, take a break and let yourself fall in love with your writing again.”
Saffron Dodd, Ash Literary