Tips for Finding an Editor for Your Manuscript

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Whether you’re just starting to write a novel or you’re on your fifth revision, at some point you’ll wonder if you need another pair of eyes to review your work. Perhaps you are stuck with a dead-end plot or you’ve been rejected by numerous editors or agents who weren’t impressed with your manuscript.

Maybe you’re on your tenth attempt at rewriting your current work-in-progress, and the story still isn’t quite coming together the way you imagined. Then it may be time call in an editorial expert to review your work. Having someone else review it and give you feedback might give you insights about where the story has gone astray.

According to writer and editor Susan De Freitas during an online workshop “Maybe It’s Not Your Plot,” there are eight telltale signs that it may be time to consult with a professional editor.

  1. Your novel is overwritten. You’ve written way more words that are required for your genre. For example, you’ve written 140,000 words for a story that should only be 80,000. As much as you love your own story, it’s filled with too many unnecessary scenes that don’t push the plot forward.
  2. Too many drafts or versions of the same story. Most novels typically go through an average of five to seven drafts, but you’re working on the tenth and the story still does not seem finished.
  3. You got lost in the world building. You’ve immersed yourself in a whole new world you created for your characters that you forgot about the plot and the characters.
  4. There’s no clear ending to the story. Every time you think of an appropriate ending, you draw a blank.
  5. The first draft is complete, but you’re not sure how to begin revising it.
  6. You didn’t plot out your story in advance so you “pantsed” your way through the first draft.  Now you have to figure out how to structure what you’ve written into a cohesive plot, but you don’t know how or where to start.
  7. You received a lukewarm response from your beta readers or critique partners, but you’re still not sure what’s wrong with the story.
  8. You’ve submitted it to agents and editors who have expressed little interest in publishing your story.

Once you realize that you need an editor, you’re not sure where to find a good editor. It helps to understand the four different types of editing that you might need.

  • Developmental editing (sometimes called story editing) which looks at the overall structure of your story.
  • Line editing looks at how the story is presented, such as language, pacing and how chapters end or begin.
  • Copy editing looks at spelling and grammar as well as the story’s timeline.
  • Critique/assessment reviews the manuscript and provides feedback about the story arc. It’s not as intensive as a full developmental edit, which can cost more money.

To find an editor for your work-in-progress, begin by asking for referrals. If you belong to a writer’s group or take writing classes, ask fellow writers, classmates and teachers for referrals. You can also search member organizations like the Editorial Freelancers Association to find someone who specializes in your genre. You can try searching the acknowledgment page in your favorite novels where authors usually thank their editorial team, then do a search for that editor’s background and previous work. Most editors have their own website and will describe at length the services they offer and pricing. If none of these ideas work, there’s always Google.

Before hiring an editor

There are several factors to consider when hiring an editor, said romance editor Jessica Snyder during her online workshop “How to Find Your Perfect Editor.” First, consider how much experience they have in your genre. If you’re writing a science fiction novel, your best bet is to hire someone who has edited other sci-fi novels. Someone who typically edits literary novels probably won’t be the best fit.

Ask for a sample edit. Provide the editor with a chapter and see how they review your work. What kind of suggestions do they offer? Are they positive and provide encouragement? Or are they too negative? Consider their communication style to see if it meshes well with your own.

Also ask about the editor’s process. How do they communicate criticism? What kind of timeline do they work with? Most editors require several weeks to review your novel or they may be backlogged with other projects and may not get to your manuscript right away. Pack your patience.

Cost is also a big consideration for many writers, especially those who want to self-publish. Know your budget ahead of time. Does the editor offer payment plans? How do they handle things like refunds and disputes?

If you’re on a tight budget, Snyder said it might be best to opt for a simple story assessment and copy editing pass by two different editors to keep costs down.

After reviewing the editor’s comments

Take a deep breath before reading through your edited manuscript. Feedback can often bring about strong emotional responses. You don’t want to respond to the editor with snarky comments or knee-jerk reactions. Remember, this is only one person’s assessment of your work.

Editors are guides in your writing process. Their suggestions are meant to help you create a better, stronger story structure and improve your ability to meet readers’ expectations in your chosen genre.

Also remember that editors aren’t perfect. Their edits are only suggestions. You don’t have to accept all of them if you feel strongly about something. But do keep an open mind or be willing to change your mind. Most suggestions editors make do make sense in the overall scheme of the story. If an editing comment is unclear, ask for clarification.

Most of all, remember that not all feedback is correct or appropriate. You know your story best, so use your best judgment about what edits will work with your story. I’ve had instructors and fellow writers offer feedback to my work which didn’t fit the story that I imagined. In those situations, I didn’t follow their suggestions because I didn’t feel they understood my story. But I always politely thanked them for their comments. Always respond to critiques from editors with compassion and kindness. The next time you find yourself stuck with an overwritten novel or one that garnered a lukewarm response from readers, a professional editor can steer you on the right track toward publication.

Why Writers Need an Editor

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Many writers say getting a novel’s first draft down on the page is the easy part. It’s the rewriting and editing afterward that presents the biggest challenge, especially for beginning writers. Even after rewriting and editing it several, you may feel there’s something lacking in your manuscript. Most editors agree it’s at this point that writers may need to hire a professional editor.

Recently I attended a webinar called “Maybe It’s Not Your Plot” presented by author and book coach Susan DeFreitas. She says the problem with most manuscripts isn’t about what happens (the plot) but about WHY it happens, which is tied to character arc. She explains the role of character arc best on her blog.

DeFreitas outlines the six steps of a character arc, which I have shared below:

  • The protagonist has an internal issue to overcome, a mistaken belief about their world that will be challenged as the story unfolds.
  • Connected to this internal issue is the protagonist’s backstory, which explains how the misbelief originated.
  • There are conflicts and challenges that push the protagonist to view their misbelief in a different light.
  • The protagonist resists making necessary behavioral changes that fit the new belief. They want to go back to the way things were when the story began.
  • Change occurs incrementally to show how the protagonist fights against themselves.
  • The moment of truth occurs around the climax. The protagonist must face a hard truth, discover what’s been missing or didn’t understand.

Character arc is what drives the story and provides the emotional quotient that readers want to experience. But it’s also where most writers struggle with their story. This is when they tend to reach out to professional editors for advice on how to move forward.

According to DeFreitas, writers might need to hire an editor because:

  • The story is overwritten. There are too many words. A well-crafted novel should contain roughly 80,000 to 100,000 words. Romance novels require less than that while some science fiction or fantasy novels can run more than 100,000. Generally speaking, if your novel is too long, you’ll need to cut word count and scenes. Since you might be reluctant to do the cutting yourself, an editor can help you sort through the extra copy to determine what to keep and what to discard.

  • You have a million drafts. Perhaps after working a story multiple times, it still has not jelled the way you imagined. Or you have so many drafts that the story no longer resembles the one you started out writing.

  • You’ve gotten lost in world building. This is especially true for speculative fiction and sci-fi novels where alternate world is key to the story. You can get so caught up in the details of this other world that you lose sight of the plot and character development.

  • You have no clear idea how to end the story. You may have started off strong with your writing but by the middle of the story, you have no idea how to get to the end. I’ve found it helpful to write the ending before I begin writing the beginning so I know how the story will proceed. An editor can provide tips on how to visualize the ending of your story.

  • You can’t figure out how to revise your manuscript. This is especially true for pantsers who write their story organically with no initial planning. Once the scenes from inside your head are written, you may realize that the story heads off in different directions. You feel stuck on how to fix things. An editor can help you scale back your ideas and formulate a revision plan moving forward.

  • You received lukewarm response from beta readers. The good news is you’ve completed your manuscript. The not-so-good news is that your beta readers gave it a lukewarm reception. They politely offered feedback, which you gladly accepted. But you want more than that from them. You want them to feel enthusiastic for your work. A lukewarm response is a warning sign that something is off about your manuscript.

  • You’re not getting responses from publishers or agents. If you’ve reached this step, congratulations. You’re much further along than most aspiring novelists. Only problem is editors and agents aren’t responding to your novel at all. That should tell you that they either have not gotten around to reading it yet, or that it wasn’t worth their time to respond to you. You want to create excitement for your manuscript, and when a book editor or agent is excited about your novel, they’re more likely to get behind it.

 Editing your own manuscript is never easy. But working with a professional book editor can give you a better understanding of the revision process.