Six Scary Good Books and Why They Still Haunt Me

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With all the reading I do (roughly 30 books per year), I occasionally come across titles that give me the chills and haunt me long after I finish reading them. I’m not talking about horror stories either, which I don’t read anyway as a rule. I get scared easily. It doesn’t take much for me to go from being a chilled-out baby boomer to an anxious insomniac. The smallest gruesome details, even in the most literary of published words, can leave an indelible mark on my imagination.

While I try to avoid reading those types of stories with some element of horror, every now and then, I do read one with a difficult-to-read scene (The Book of Ruth) or I challenge myself to read out of my comfort zone (In Cold Blood). Other times, a book I’m reading has kept me awake at night, the suspense so great I was afraid to sleep.

I’ve scoured my reading lists from the past few years to curate a list of the best, most haunting reads, just in time for Halloween season. These books haunted me in ways I didn’t expect and left a lasting impression.

Why did these titles make my “scary” list?

  • They might have contained a gruesome scene of brutal violence that I could not unsee in my imagination. 
  • Some scenes only hinted at violence, just enough to feed my own fears and prod my imagination to fill in the blanks.
  • Some stories contained scenes that kept playing over and over in my head, preventing me from falling asleep at night.
  • The story presented a sad, dark view of our future that felt real and viable.

Here is my short list of books that have haunted me over the years. Your own list of scary or haunting books may be different. What is the same is the way these stories make you feel and the lasting impressions they make on your psyche.

In Cold Blood by Truman Capote
I don’t usually read true crime, but I had heard so much about ICB that I challenged myself to read it. This is considered the premiere example of true crime, and Capote does it with tremendous empathy for the villains. The story doesn’t feel exploitative or flashy either, and the facts are presented in a way that helps you understand the mindset of the murderers and the events that led up to their crime. That is what made this book so haunting, helping readers understand that there’s more to a crime than meets the eye.

Mexican Gothic by Silvia Morena-Garcia
This title is the closest thing to horror that I’ve ever read. I had heard a lot about it and I was curious about what the story was about. Morena-Garcia gives a Mexican spin on traditional gothic horror. Well-written with a likeable main character who behaved with greater maturity than her 21 years. The story was packed with a lot of gruesome and paranormal details that were both fascinating and horrifying at the same time.

The Book of Ruth by Jane Hamilton
I still cannot stop thinking about The Book of Ruth, which I read about five years ago.
Though this book is a work of fiction and not horror or true crime, it could easily have been one of them because of the way Hamilton presented the sequence of events. She also included back stories for the two people the main character Ruth was closest to – her mother and her husband. As the story progressed, the reader could see the growing tension and animosity between those two characters up until their final confrontation. This book haunted me in two ways: the brutal violence Ruth witnesses and her capacity to forgive in the end.

A Deadly Game of Magic by Joan Lowery Nixon
Nixon was a popular young adult novelist of the 1970s and 1980s, and I remember reading a few of her stories when I was younger. While the set-up for A Deadly Game wasn’t original – four teens seek shelter in an apparent abandoned house during a storm – Nixon turned their experience into a gripping, spine-tingling page turner around an evil magician who may or may not still be alive. There was no clear sign of violence, no actual blood and gore. But Nixon leaves enough clues, including a guillotine set that the magician had used for his tricks, to make readers use their imagination to fill in the  blanks. Sometimes that can be more scary than seeing the horror on the page. This one gave me a few sleepless nights.

One By One by Ruth Ware
This was the first of Ware’s psychological thrillers I read, and what an introduction it was. The story centers around a group of work colleagues who are trapped in an isolated chalet in the Swiss Alps, and one by one, they keep disappearing. The pacing and multiple points of view kept me guessing about what would happen next. The tension was so fraught that I had difficulty sleeping at night. Casual readers of suspense or Ware fans might say that I’m overreacting, that this was not one of her best works. But for me, there was something about the way she weaved in the story elements and tension that kept me looking over my shoulder.

Never Let Me Go by Kazuo Ishiguro
I shake my head every time I see this title described as magic realism. Sure there is a “special school,” but the specialness has nothing to do with magic. I would describe this story as dystopian much like the Handmaid’s Tale. The story centers around an imagined society that raises orphaned children for a very dark purpose – to be sacrificed to help other people live. As readers see these children grow up and knowing what their future holds, leaves me feeling haunted in ways traditional crime novels do not. 

What do you think? Are there any books that have haunted you? What types of stories scare you?  

Protagonists Behaving Badly

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Remember to check out the latest writing prompt on my website!

I’ve noticed an interesting trend in the books I’ve been reading lately. More and more, I’m reading stories with protagonists who aren’t the most likeable people on earth.

I’m not sure if it’s the types of books I’m reading, or that my self-study of writing has made me more aware of characters behaving badly. Perhaps I’m letting my moral compass dictate which characters I should and should not like. In any case, over the past year and a half, I’ve come across numerous protagonists with questionable habits and decision-making capabilities. Some of them I wouldn’t want to hang out with, let alone share a glass of wine.

I don’t necessarily like the term “unlikeable” in this sense. It implies that the character has no redeeming qualities, which is often not true. In you’re familiar with the Save the Cat storytelling method, writers are encouraged to give even the most awful villains some positive trait to balance out their personality. For example, after your character robs a bank and stabs a bank teller, he might come home and play with his two German Shepherds, a scene that shows his softer side.

Writing an unlikeable or unreliable protagonist isn’t necessarily a bad thing. Their flawed personalities might create chaos for the people around them and for themselves. Without their flaws, you wouldn’t have a story arc, an interesting, well-founded protagonist or conflict and tension that can keep readers reading.

Unlikeable protagonists can still be people we root for in the end. They can still earn our respect, even our compassion. It’s not always easy, but it can be done.

By my count, there are at least seven types of unlikeable protagonists (known in publishing as the anti-hero, which conjures up the song by Taylor Swift.) These characters simply get in their own way. I’ve listed them below along with a corresponding example.

1. Protagonists who don’t act their own age. These Immature characters act more like bratty teenagers than the mature adult they should be. Their behavior and decision making sets them up for trouble.

Example: The Girl I Was by Geneva Rose

2. A clingy protagonist or one involved in a co-dependent relationship. These individuals are so closely intertwined with another person that they lose sight of who they are and who the other person is. They’re so afraid of the future that they cling to the other person. Yet, they don’t recognize how the relationship has stifled their own existence.

Example: One Italian Summer by Rebecca Serle.

3. Protagonists with an addiction. Characters with an addiction to drugs and/or alcohol can find themselves in all sorts of trouble because their addition often clouds their perceptions and judgment. At their harshest moments, it can be difficult to feel anything for them. But of course, that is the basis of their conflict. Can they begin to resolve their conflicts despite the impact of their addictions?

Example: The Woman in Cabin 10 by Ruth Ware.

4. Protagonists who are unwilling to change their ways despite the truths they have faced. In a typical character arc, the character should experience some growth from point A to point F. But sometimes, the character doesn’t change much, no matter what they have learned or experienced in the story. Rather than embrace the changes that the plot begs them to accept, there is some aspect that scares them so much that they run and return to their old way of life.  

Example: Vanishing Acts by Jodi Picoult

5. A protagonist with an obsessive personality. After tragedy strikes or a personal crisis, the protagonist focuses all their time and attention on fighting a cause or in caring for another person. But when that character becomes so obsessed with that they lose sight of their own needs or the needs of other people in their lives, it can create unbreakable bonds. Only when a crisis occurs with other characters do they realize that their life is out of balance.

Example: Handle with Care by Jodi Picoult

6. A protagonist who treats others with disdain and arrogance. It’s hard to like someone who treats others like they’re dirt. At first glance, they may not have any redeeming qualities. Yet, if you look more closely, they usually do, and it’s usually buried under a veneer of anger or sadness or loneliness. Take, for example, Carrie Soto might be standoffish and arrogant around her competitors, but you have to admire her work ethic, her single-minded determination to win every tournament, and most important, her devotion to her father.

Example: Carrie Soto is Back by Taylor Jenkins-Reid

7. A character who takes advantage of the good, kind nature of a friend or loved one. These individuals have learned to live off of others, whether it’s because they grew up in poverty and never had enough growing up, or they believe they’re entitled to other people’s possessions. In other cases, they are starved for love and affection and believe they can get it by needing the help of others. Their neediness and manipulation can cause a lot of strife between characters. Sometimes the friendship survives.

Example: Best Friends Forever by Jennifer Weiner

By observing these characters’ struggles, we learn to empathize with these flawed characters. After all, we all have our own demons to slay. Why shouldn’t your own protagonists have them too? Let them reflect the people you meet in the real world, people who have their own private struggles, whether it’s dealing with grief, an addiction, job loss, a divorce, or a health crisis. That’s what makes these unlikeable characters a little more likeable—their relatability.

Writing experts offer a few suggestions for making these characters work well in your stories, despite their flaws.

1. Make them relatable. Give them problems to overcome, with their flaws acting as barriers to their resolution.

2. Give them redeemable qualities. Allow their humanity to show through. Give them a quality people will respect. For example, the playground bully who goes home every day and plays with his dog.

3. Show how they became flawed. Whether it’s through backstory or it’s a part of the novel’s set up, show how your protagonist became the person they are.

4. Sometimes, it’ not about the character’s personality but about their decision making process. It may be that you don’t agree with the decisions they make, whether they’re right or wrong.

Writing and reading about an unlikeable character can be both fun and enlightening. Just don’t take them too seriously; they are only fictionalized people, after all. Remember that all characters are flawed in one sense or another. As readers, we can learn to empathize with their struggles, no matter how likeable they may be.

Favorite Books of 2022

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As 2022 comes to a close, I like to review what I’ve accomplished over the past year, especially what I’ve written and what I’ve read. I began the year with a target of reading 32 books. I’m proud to say that I have met that goal. I’m looking forward to matching or surpassing the same goal of 32 books in 2023. I’m well stocked on books and ready to go.

But first, I’d like to share my favorite reads of 2022. My list consists of a few favorite authors, and a few new names that I’ve always wanted to read. They are presented in no particular order.

My criteria for favorites is fairly simple and straightforward: tell me a good story. Keep me turning the pages. Start with a strong, enticing premise. Give me complex characters that I can sympathize with (most of the time). Give me a satisfactory ending. It doesn’t necessarily have to be a happy one (although I prefer that best) but one that makes sense and ties up all the loose ends to my satisfaction.

What about you? What books landed on your favorites list?

The Husband’s Secret by Liane Moriarty
Is it ever okay to keep secrets from your spouse or family? What would you do if you found a letter from your spouse to be read upon their death, only to find out a terrible, dark secret when you finally do read it many years later while they are still alive? That is the premise for The Husband’s Secret. It’s not one of Moriarty’s more popular novels, but it is one of her better ones. While it takes an impossibly long time for the contents of the letter to be revealed, what follows is an emotional journey showing how the letter impacts different characters in the story.

One By One by Ruth Ware
This is the first novel by Ware that I’ve read, and it likely won’t be the last. From page one, Ware took me on a fast-paced thrill ride up and down the slopes of the mountains in the French Alps. It reminded me a lot of Agatha Christie’s classic mystery And Then There Were None. The short chapters with alternating points of view kept me glued to the story, but there were times when I couldn’t sleep at night.

Vanishing Acts by Jodi Picoult
Picoult has a reputation for tackling some tough social issues in her books, which I appreciate. In Vanishing Acts, one of Picoult’s early novels, a woman’s life is turned upside down when she learns that she may have been kidnapped by her own father when she was a child. The story raises some interesting questions about the passage of time and how time can influence what we remember about key events from childhood. The ending with its quickly developing twists leaves the reader wondering what really happened so long ago, long after the story has ended.

The German Midwife by Mandy Robotham
Set during World War II in Nazi Germany, The German Midwife is a historical fiction novel about a Holocaust prisoner and midwife who is assigned a dangerous task: to serve as the midwife for Hitler’s pregnant mistress. Every day the midwife confronts her own prejudices toward the mistress and her unborn child, but in the end relies on her own common sense and medical training to protect the young mother and infant while risking her own life.

The Family Plot by Megan Collins
In this third book by Collins, a dysfunctional family with a weird fascination for true crime is at the heart of this story. When younger brother Andy is found murdered on their secluded island, his twin sister Dahlia is quick to blame his death on the serial killer that has terrorized residents for years. As it turns out, her eccentric family and the mansion they live in all hold the key to solving the mystery of Andy’s death. Written in first person from Dahlia’s POV brought me into the story along with her.

The Night Circus by Erin Morgenstern
If you’re a fan of magic and magic realism, then The Night Circus is a must read. The circus arrives in town without notice and is open only at night. Underneath the black-and-white striped tents is a unique experience full of amazing sights and smells. Behind the scenes is a fierce competition between two young magicians who have been trained for this purpose. Only problem is they fall in love with each other and that sets in motion a chain of events that threatens the lives of the circus performers and the circus itself.

The Messy Lives of Book People by Phaedra Patrick
This is the first book by Patrick that I’ve read, and I will definitely read others by her. I’m a sucker for any novel involving authors, books or bookstores, and this one did not disappoint. A house cleaner of a famous, reclusive author must carry out her employer’s last wish: to complete the author’s latest novel before her death can be formally announced to her adoring fans. I loved the way Patrick handled the conflicts in the story, and happily resolved all loose ends in a way that made sense and was satisfying.

The Mistletoe Inn and The Mistletoe Promise, both by Richard Paul Evans
Evans has made a career of writing heartwarming Christmas stories. I added both of these to my favorites list because they are also among by favorite Hallmark Christmas movies, although the books include some darker back stories. All the same they are both fast, easy reads that will warm your heart any time of the year.

Honorable mentions: The following titles didn’t make my favorites list, but they were quite good anyway and are worth reading.

Sanctuary by Nora Roberts
Virgin River by Robyn Carr
Drenched in Light by Lisa Wingate
Winter in Paradise by Elin Hildenbrand
Life is Sweet by Elizabeth Bass
Three Wishes by Barbara Delinsky

Thank you for reading my posts this past year. I look forward to continuing to share my insights about writing and reading in 2023. Until then, have a happy new year, and may all your publishing wishes come true!