Haunt Your Readers with These Six Scary Elements of Suspense

Photo by Inna Lesyk on Pexels.com

“How do you tell interesting stories? You puncture through reality and you let magic and weird stuff and ghosts bleed back through.”  Carmen Maria Machado

Imagine reading the following story:

A man has just finished washing dishes in his kitchen one night. As he is about to leave the sink, he notices a spider crawl up the drain into the sink. The man shakes his head in disbelief, then turns on the faucet to drown the spider. Seconds later, the spider returns, this time a little larger than before. The man can’t believe his eyes, even as he turns on the faucet again to push the spider back down the drain. The spider returns, larger than before. Each time, the man turns on the faucet to drawn the spider and each time, the spider crawls back up. The man’s eyes grow large, panicked at seeing the growing spider. He begins to sweat, fear overtakes him. Finally, the spider is so large, it has overtaken the man who screams in sheer horror at the beast. The viewer is left to wonder — did the spider kill the man — or did his fear of it kill him?

This was a vignette I saw many years ago on one of those horror TV shows that was popular back then, either The Twilight Zone or Night Gallery. Though I saw this episode several decades ago, that story haunts me today. Not that I’m scared of spiders – not really — but the story created a lasting impression. Why? It fed on the man’s fear and the viewer’s imagination. Logically, we know it’s not physically possible for a spider to grow so much so fast, yet we see it happen before our very eyes. The image of the ever growing spider leaves an indelible mark on our imaginations. We leave understanding what can happen when we let our fear overtake our common sense.

I believe that is the power and appeal of a truly scary story.

Writing scary stories – whether of ghostly hauntings, the paranormal, or brain-eating zombies – can be a challenge. While you must still follow the elements of writing a novel or short story, like plot structure, character arc and dialogue, but you have the task of creating scenes that send chills down your readers’ spines. Fortunately, there are ways to create that spine-tingling response.

1. Use your own fear. Horror goddess Shirley Jackson believes tapping into your deepest fear can make a good scary story. Just think about all the things that you were ever afraid of as a child, or fear now. Most people admit to being afraid of snakes or spiders. Other people may fear drowning, suffocation, or thunderstorms, dark spaces or the woods. Any of these things can be the basis for your scary story.

2. Get inside the narrator’s head. Author R.L. Stine likes writing his stories from first person point of view because it allows readers to view the action through the protagonist’s eyes. When the protagonist and her best friends explore an abandoned warehouse late at night, you see what she sees, hear what she hears and feels the fear like she does.     
                                                       
3. Create a good (hidden) monster. According to Dictionary.com, sometimes the best monsters aren’t creepy-looking at all, but someone who looks like you and me. It can be the boy next door, a teacher at school or the family pet. They seem innocent on the surface, but maybe they have some magic power or an evil streak that they hide. Even more compelling, the evil being never dies, no matter how often your protagonist tries to kill them – like the poor homeowner who tried to kill the spider. One of the creepiest ways to end a story is by hinting that the monster is still alive and well and prepared to kill again.

4. Write about your obsessions. Is there an experience you can’t quite forget? A relationship you can’t get over? A person who betrayed you long ago? We all have our obsessions, things we can’t let go of. We all have those dark places within us, where anger, jealousy and greed reside. Use those obsessive dark places to create your scary stories.

5. Make the story relevant to the reader. According to Dictionary.com, your story becomes scarier when readers can relate to the scene where the story takes place. A haunted house is nice, but maybe opt for a location your readers are more familiar with, such as a library, the public park or the local coffee shop. Add modern elements too, such as cell phones or social media. There’s nothing more terrifying than getting a threatening text message from a scary monster.

6. Take your ghostly, weird creations seriously. Not everyone will appreciate the scary beings you create, but that’s okay as long as you do. Ray Bradbury says the strangest, weirdest beings you create represent fear in some form. Further writers should be selective about whose criticisms they believe. Bradbury says, “I have never listened to anyone who criticized my taste in space travel, sideshows or gorillas. When this occurs, I pack up my dinosaurs and leave the room.”

The scariest stories aren’t always about blood and gore. Sometimes a mere hint of something mysterious or creepy can be scary. Anything that draws on the reader’s personal fears and overactive imagination will scare the heck out of them.

Most important, embrace your inner monster. We all have it inside us. When you tap into your internal weirdness, magical and mysterious things can happen with your writing.  

Update Your Reference Library With These Writing and Creativity Books

As writers, it’s important to keep up with our reading, especially when that reading pertains to the writing craft. Sometimes you need to read about writing to motivate you to keep writing, experiment with a different writing style or improve your skills. There’s always something new to learn by reading about other writers’ experiences of their writing journey that you can adapt to your own situation.

The three most important books I keep on my shelf is a dictionary, a thesaurus and the classic The Elements of Editing by Strunk and White. In addition, I have the AP Stylebook for when I write magazine articles.

If you want to add to your library, or you’re just starting one, there are numerous other books that are worthy of adding to your collection.

Below is my list of recommended reading. Admittedly, I’ve only read half of them. The other half are either currently on my bookshelf waiting to be read or on my “to be acquired” list because they were recommended by other writers.

What about you? Do you have a favorite book about writing that you like to refer to over and over?

1. On Writing by Stephen King. You’ll find King’s book on numerous recommended lists, and it’s easy to see why. Part memoir and part writing toolbox, there are so many practical tips that makes it easy to jump into a regular writing practice. I appreciated his honesty about the writing life – it’s not always easy and you’ll find bumps along the way.

2. Crafting the Personal Essay by Dinty W. Moore. If you want to start writing personal essays, this is a must-read book. Moore breaks down the art and craft of essay writing in simple, easy-to-understand ways. He covers different types of essay writing too – food, travel, childhood experiences, etc. Moore, by the way, is editor of Brevity’s Journal of Concise Literary Nonfiction.

3. Bird by Bird by Anne Lamott. If you prefer a little humor with your writing advice, you’ll enjoy Lamott’s personal odyssey in writing. She covers everything from getting started to joining writer’s groups and attending conferences. You’ll learn a thing or two as you laugh.

4. Zen and the Art of Writing by Ray Bradbury. The best part of Bradbury’s book is his description of how he comes up with story ideas, which is by word associations. If you’re tired of doing writing prompts, Bradbury’s approach might be worth a try.

5. Writing from the Heart by Nancy Aronie. While this title is not as well-known as others on this list, it is a worthwhile read. Her goal is to create a safe environment for people to write. Not everyone finds the writing process easy, and Aronie takes you through the process step by step so you don’t feel so intimidated.

6. Callings: Finding and Following an Authentic Life by Gregg Levoy. While not a book about writing, it is about finding your calling. If you believe that writing is your calling, then this is a must-read to help you get over any fears and self-esteem issues that may be holding you back from accomplishing your goals. Levoy is not only a terrific story teller, he relies on his personal experience and the experiences of other people to show how it is possible to live an authentic life. I read Levoy’s book twenty years ago, and I still go back to read sections that resonate with me.

7. The Artist’s Way by Julia Cameron. Many writers point to Cameron’s book as the one that got them started writing. She is most known for her freewriting exercise: writing three pages non-stop first thing in the morning. The exercise is intended to help you remove the toxic thoughts and emotions that build up in your mind and body. Once you release those thoughts, your mind is free to create. If you’ve already read The Artist’s Way, check out Cameron’s follow up, The Right to Write.

8. Writing Down the Bones by Natalie Goldberg. This book has appeared on numerous reading lists and it’s been on my to-read list for a couple of decades. According to the book summary, Goldberg believes that “writing is a practice that helps writers comprehend the value of their lives.” Included are chapters about using verbs, listening, writing first thoughts (writing nonstop, keeping your pen on the page and not crossing anything out), and overcoming self-doubt.

9. The Creative Habit: Learn It and Use It for Life by Twyla Tharp. Tharp may have been a famous dancer and choreographer, but she also knew a thing or two about tapping into one’s own creativity. She describes the empty space of the dance floor (or the blank page) as the starting point for creativity. If you’re looking to start writing or creating on a regular basis, Tharp’s book may help you get past “writer’s block.”

10. On Being Stuck: Tapping into the Creative Power of Writer’s Block by Laraine Herring. Speaking of writer’s block and getting stuck, Herring’s book explores the possibilities that writer’s block holds. She speaks about using these sticking points to your advantage rather than getting stymied by the creative process. Herring has written another book worth checking out, Writing Begins with the Breath.

11. The Successful Author Mindset: A Handbook for Surviving the Writer’s Journey by Joanna Penn. I always thought Penn had the perfect name for a writer. While I have not read this book, I have read her The Creative Penn blog on occasion, which is chock full of helpful tools and advice for developing a successful mindset for your writing career.

12. The Writing Life: Writers on How They Think and Work by Marie Arana. I only recently came across this title. I’ve always found it intriguing how other writers begin their writing journey. We all can learn something from their experiences.

I hope you find these titles helpful. As you continue your writing journey, it helps to pause to read about the experiences of other writers, if only to inspire you to keep writing.

Tired of Staring at a Blank Page? Begin Writing with a Story Starter

blank paper with pen and coffee cup on wood table
Photo by Kaboompics .com on Pexels.com

Staring at a blank page is one of the scariest experiences for a writer, no matter how much experience they have. It’s one of the most common objections people have about starting a regular writing practice. “I don’t know what to write about!” they cry.

Story starters can help you fill that blank page. Story starters are word games and activities to help you generate story ideas. Not only are they great at helping you flex your creative muscles but they can also prompt you to look at events in your life in unexpected ways. Most important, story starters can help you stay motivated whenever you feel stuck or want to take a break from your current work-in-progress.

So the next time you find yourself staring at a blank page, try one of these starter activities to help you fill that page with prose.

1. Writing prompts. Perhaps the most popular story starter is the writing prompt. As the term says, a writing prompt poses questions or fill-in-the-blank statements to stir your imagination. For example, “Whenever it rains, I like to…..” Or “If you won the lottery, what would you do with your winnings?” There are entire books devoted to writing prompts or you can find them on sites like Writer’s Digest, StoryaDay.org and Self-Publishing.com. Or you can revisit my previous post about writing prompts here.

2. Word lists and associations. This technique was popularized by author Ray Bradbury who often used it to brainstorm story ideas whenever he felt stuck. First thing in the morning, Bradbury would jot down whatever words came to mind. Then he’d look at whatever connections they made to each other, or in some cases, how they prompted a memory. By combining some of the word associations, he was able to form the basis for a story.

3. Dreams. If you are an active dreamer, I hope you keep a notebook at your bedside to jot them down. That way you can remember them later. The longer you wait to write it down, the more likely you will forget important details. Dreams have a way of revealing issues we’re dealing with in our lives, sometimes when we don’t realize we’re experiencing them. Maybe you felt yourself falling helplessly in a dream, or you were being chased by an unknown being. Try to capture that scene as well as your emotional response. You never know when dreams can serve as the premise for a story or a scene in a larger work.

4. Visuals, such as artwork or photographs. Is there a painting, sculpture or photograph that moves you or inspires you? What do you see in that image? Each piece of work conveys different meanings to different people, so what you see in a painting will differ from what your friend sees. The next time you see a visual that moves you, try to write a story about that image or about the artist. What do you think inspired them to create this piece?

5. Maps. Lay out a world map on your desk, or find a globe. Then close your eyes and let your finger drop down to a place on the map or the globe. Wherever it lands is the backdrop for your next story. Imagine what it’s like to travel there, or create a character who is from that region. Maps can guide you to a story set in faraway places.

6. The news. You can’t escape what is happening in the news these days. Current events and TV news programs are filled with interviews with experts, personal profiles and events. They can look at one story from different angles. Perhaps someone in the news provides inspiration for a character in your latest short story, or a news feature can spark fresh story lines you might not have considered.

7. First line game. Think of a first line of a story, then keep writing to see where the story takes you. Or for an added challenge, find a first line from any novel you choose, then create your own different story from that first line.

8. Dictionary word game. For this activity, all you need is every writer’s best friend – the dictionary. Open the book to any page, close your eyes, then with your finger point to a word on that page. Then open your eyes and see what word your finger fell on. Does that word conjure any images in your head? If that word doesn’t work, scroll up and down the page for another word that strikes your fancy. The important thing to remember is that the word should somehow resonate with you, conjure up images that have meaning to you. For example, perhaps the word you settle on is “cantankerous”. What image comes to mind? Perhaps it’s the image of an elderly uncle whose gruff manner frightened you as a child?

9. Favorite object. Do you have a favorite object that has special meaning to you? Perhaps it’s a piece of jewelry you own, a book you’ve read, or an ornament you picked up on your travels. Perhaps you owned something that is missing or broken. Describe the object and explain why it meant so much to you.

10. Observations. Look around you and describe what you see. It could be a cat sleeping on your desk while you work. It could be a person you see on the street who started digging around a nearby dumpster looking for food, or a doorman in front of an apartment building who smiles and says hello to everyone walking by. Just jot down what you see, what they are wearing, what they are doing. Simply observing the world around you can spark a scene or short story.

With so many story starters to work with, you won’t have to search hard for stories.