The Path from Journalist to Fiction Writer

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Writers come from all walks of life. Many have had previous careers, such as lawyers, doctors and journalists. No matter our background, we have one thing in common: a desire to tell stories. However, the journey to get published isn’t the same. In fact, it’s a struggle for most. That shouldn’t stop us from trying however.

I came from a professional background in association publishing. I knew how to string together complete sentences to present clear ideas. But how that would translate into a fiction writing career remained to be seen.

For me, writing an 85,000-word novel was a huge challenge. But did I have the patience and determination to see it through? That was the question. One I was itching to find out.

I started on this writing journey for several reasons.

* To determine the next chapter in my career. I was at a crossroads and wasn’t sure what was next for me. I had just left a full-time job after eight years and I wanted to take time out to consider other options. One thing I knew for sure was that writing was the core of my being, and it would play a significant role in my career in some shape or form.

* To fulfill a fantasy. I had toyed with the idea of writing a novel earlier in my life, but did nothing with it, likely because I didn’t know what I was doing. I knew nothing about story structure or scene development back then, nor were there the amazing number of sources available to help a newbie like me to learn the ropes.  

* To meet my accountant’s challenge. While getting my taxes done about 10 years ago, I updated my accountant on my job search woes. I confided that I wasn’t sure what to do next in my career. Her response? “I think you should write a book.” The challenge was on. My dear accountant has since retired, but I still hear her words of encouragement in my head.

* To sow the creative seeds that were sprouting in my brain. I don’t know if it was all the free time I had after I left my job or the writing classes I took, but my creative muse started working in earnest, spitting out story ideas like a factory. I had no choice but to work with them. I started to see story ideas everywhere, and there were too many to ignore. I saw them as a sign to take my dabbling to the next level.

Even though I wanted to take my writing to the next level and explore different genres, I knew there was plenty of work I needed to do. How did I move from corporate writer to aspiring novelist?

* I signed up for writing workshops and classes. It was at a local writing studio that I was able to unleash my creative writing juices. Being around other writers and getting their feedback helped me to hone my craft. 

* I subscribed to Writer’s Digest. Each issue is chock full of articles about the writing process, author interviews, agent profiles, news about the publishing industry, and tips for new writers. It also explores different genres, and gives a clear-eyed view of the writing life. There are other similar publications, like The Writer, Poets & Writers, Publishers Weekly (about the publishing industry) and Script Magazine (about script writing).

* I ramped up my novel reading. Since I had more time on my hands, I dove into my favorite hobby in earnest. I had forgotten how much I enjoyed reading. The more I learned about the writing process, the more I started paying attention to how the stories played out in the books I read. Reading was part of the self-education process.

* I started reading books about writing. The two best I’ve come across are by Stephen King (On Writing) and Anne Lamott (Bird by Bird). Though there were two very different approaches to writing, both provided the inspiration and motivation to support my writing goals.

* I started following authors, editors and publishing pros via newsletters and social media. I especially enjoy the insights shared by Jane Friedman, a former editor of Writer’s Digest, and book coach Janice Hardy. There are plenty of blogs and writing communities online covering the publishing business too.

* I joined a writer’s group. Though our group is small, only three people, we meet monthly to share best practices and motivate each other. The group is more about accountability and socializing than anything else. Still, it’s fun to talk shop with people who share my interests.

Though I started this journey in 2014, I’m still learning and growing. The more I have learned about writing fiction, the more I realize I need to learn and the more it feeds my determination to succeed. I hope one day to become published, and while I have accomplished a lot, that first completed novel to show editors and agents remains elusive.

For my readers and fellow writers who are in the midst of their own transitions or are considering one, here are a few tips based on my experience:

* Learn about creative writing and story structure as much as you can. No matter how much you think you know, there will always be something new to learn.

* Read as much as you can in your preferred genre. Notice how those authors crafted their stories and learn from their writing styles. It also helps you see what people are reading in that genre.

* Be patient with yourself. Learning about the writing process takes time and you will certainly make missteps along the way. Don’t beat yourself up when that happens. Instead, take a deep breath and start over. But don’t give up.

* Ask for help and support when you need it. Find a support group, not necessarily a writer’s group, but one or two people who will listen to your writing woes and be your biggest cheerleaders.

* Be consistent with your writing practice. That way you won’t lose momentum. Take breaks when you need it or when you feel stuck. Most importantly, have fun.

For more about this topic, check out these articles:

Navigating the Road from Journalist to Novelist
From Astrophysicist to Author: Tips for Making the Transition to Career Author
15 Tips for Starting Your Writing Career Later in Life

I’ll leave you with this wonderful tidbit of wisdom from science fiction author Mark Alpert: “Don’t worry about how long it takes to reach your dream. The long road just gives you more life experiences to enrich your fiction.”

How Writers Can Become Thought Leaders

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Several years ago, I interviewed for a writing job with an association. The Director of Marketing that I interviewed with told me she wanted someone who could translate her marketing lingo into simple and clear explanations to association members. The only problem was I couldn’t understand much of the marketing lingo she threw around like confetti. How was I supposed to translate her ideas if I couldn’t understand them?

One of those buzz words she kept repeating was thought leadership. To me, it was a vague marketing concept that held little meaning for me. When I finally dared to ask her what she meant by thought leadership, rather than calmly explain its meaning or give me examples, she got all huffy and annoyed because I didn’t know. Needless to say, I didn’t get the job, and frankly, I didn’t want it at that point because it was obvious we were not on the same page. 

Later, I wondered if she knew what she meant by thought leadership. It might have been clear inside her own head, but did she know how to explain it to someone else?

So in case you’re wondering what all the fuss is about, let me share some definitions. 

Thought leaders are individuals or firms that are recognized as authorities in a specialized field and whose expertise is often sought out and rewarded. Thought leaders are more than recognized experts; they drive discussions, inspire change, influence others to take action and solve real-world problems. 

Thought leadership content, by extension, consists of blog posts, videos, podcasts, images, etc., that demonstrate expert knowledge about a topic. They often contain research such as survey data, results from studies, and industry trends. As one marketing expert called it, “thought leadership is knowledge on the cutting edge.”

Don’t confuse thought leadership with opinion pieces, however, which lack the research element. Opinion pieces might give the author a voice about critical issues of our day and provide a personal perspective on the topic, but it usually doesn’t rely on research to make its point.

Why would writers want to become thought leaders? Why is it important for their writing careers if all they want to do is write my memoir or my novel? Isn’t it enough to be on social media?

Sarah Rexford, a writer, editor and SEO copywriter, says thought leadership may actually be more important than how many followers and likes you have on social media. She advises writers to embrace their personal brand. Start with what you love, she writes. What are you passionate about?

“When you build your brand around what you know and what you’re familiar with, you both embody your brand and grow as a thought leader,” Rexford writes. 

How to become a thought leader
Thought leadership is a writer’s path toward a creditable online presence. Even before you finish your first novel, think about how you want readers to think of you. Your author platform should include some thought leadership pieces so readers and potential readers can not only find you, but get acquainted with who you are. They’ll get a sense of your writing style too.

I suppose the first question to ask yourself is: what are you an expert about? Do you have any special knowledge or skills you can share with readers?

To become a thought leader, there are a few steps to take, as explained by educators with the University of Pennsylvania College of Liberal and Professional Studies.

  1. Start by creating high-quality content and publish it consistently. Focus on research-driven pieces that showcase your knowledge and understanding of industry trends, data and studies. The research can be about anything that interests you, whether that’s the publishing business, gardening or childcare. Avoid writing opinion pieces, however. Op-eds may express your personal thoughts about an issue and convey sometimes controversial stances, but they usually lack clear, deep research to make you stand out.
  1. Differentiate yourself in a crowded field. Browse the internet and you’ll find hundreds of blogs and podcasts about every topic under the sun. You can differentiate yourself by turning your personal experiences into relatable content. Provide a unique perspective or insight that readers won’t likely find anywhere else. Infuse the article with personal anecdotes to make it interesting and to create a balanced narrative. Readers want factual information with insight and analysis. That’s what makes thought leadership work. 
  1. Identify industry trends. Be alert for what’s happening in the world. Browse Google News for headlines, read widely from numerous publications and websites, attend conferences and listen to speakers, and network with other writers. Absorb as much information as you can so you become an expert and lead discussions with your readers.
  1. Engage with your readers. Don’t just invite people to read your blog. Engage with them by starting discussions. Answer readers’ questions if they comment on your piece. Build community around your expertise, and build a loyal readership. No one does this as well as Jane Friedman, who has used her expertise as a former editor of Writer’s Digest to share her knowledge of the publishing industry. She has created a community of writers and memoirists who subscribe to her newsletter, attend her online webinars or read the daily guest post on her website.
  1. Pay attention to your personal branding. Consider how you want readers to know you. Write with style and with heart. Be personable and engaging with others. Be the person that other people gravitate toward, not just for your expertise, but because you are kind and thoughtful. Remember that it’s your name on the blog post or news article, and it’s your face on the podcast. That’s the person readers and listeners will remember, and that’s at the heart of thought leadership.

As writers, we want people to recognize us and to think the best of us. But we can’t always hide behind our desks and hope to be noticed. Becoming thought leaders is one way for audiences to become acquainted with the creative people we are, long before we publish that first novel. 

Helpful Websites and Resources for Writers

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If you read my blog, you’re likely embarking on a writing journey, whether it’s toward publishing success or simply trying to finish your first draft. Wherever you are on your journey, there’s plenty of help and advice from writing and publishing professionals. We’re all here to learn from one another.

Over the years I’ve followed numerous writers and editors to understand how to navigate the publishing world. Even though I’ve learned a lot since my own journey began, I still turn to the experts for guidance whenever I feel stuck.

I’ve compiled a list of my favorite experts which I follow regularly on social media or subscribe to their newsletters. No doubt you’ve heard of most of them or even already follow them. If you haven’t, feel free to check them out to see what they offer. Every little bit of advice helps, and reminds us that in our solo writing journeys, we’re never completely alone.

Jane Friedman (www.janefriedman.com). Jane is a former editor at Writer’s Digest, so she is well connected in the publishing industry and has a good, strong handle on the latest trends and news. While she writes some of the posts on her blog, most posts are provided by regular contributors such as Tiffany Yates Martin and Allison K. Williams. Best of all, she hosts numerous online workshops at reasonable prices, some as low at $25.

Janice Hardy (www.janicehardy.com). Janice is another writer I follow regularly. She’s an award-winning author of teen fantasy books as well as the Grace Harper urban fantasy series for adults. She has also published several non-fiction books about writing, revising and plotting. Sign up for her newsletter, and you’ll get something in your inbox every day, from writing tips to guest posts. 

K.M. Weiland (https://www.helpingwritersbecomeauthors.com/). If you want a deep dive into plotting, story structure and character arcs, Weiland’s website and newsletter is the place to go. Her specialty is archetypal characters, which may be more detailed that you might need for your own writing projects, but they might be worth a look to see if her insights work for you.

C. Hope Clark (https://chopeclark.com/). Clark is a veteran mystery writer and speaker with a weekly newsletter that is chock full of helpful insights about the writing life. The newsletter also includes resources, such as writing contests, fellowships, freelance opportunities, and publishers. While I have not directly benefited from any of the listings, I do find her insights and support inspirational and uplifting for those times when I feel discouraged.

Kat Boogaard (https://katboogaard.com/). If you’re serious about starting a freelancing business, check out Kat Boggaard, a veteran freelancer who has earned six-figures most of her career. She is incredibly down-to-earth and practical about the business. In her  newsletter, (now distributed monthly) , she is very open about the ups and downs of a freelancing career as well as work-life balance issues while raising a family, which makes her relatable. Check out her website, where she offers numerous forms and checklists that she uses in her own business. Sign up for her newsletter or follow her on LinkedIn.

Brooke Adams Law (https://www.wearewritingbrave.com). Author and host of Writing Brave, Law occasionally hosts a free online summit focused on the emotional aspect of writing, working through fear and self-doubt. It’s a topic that’s rarely touched upon and one that most writers I know deal with frequently. If you’re looking to Write Brave, check out Law’s site.        

Writer Unboxed (https://writerunboxed.com/). This community of writers offers an array of perspectives about the writing business. I especially enjoy the insights of Kathryn Craft and Donald Maass, who are masters of storytelling. Check out the weekly Flog a Pro feature, which highlights the opening page of a current bestseller and asks readers if they would read the book based on the those opening paragraphs. (More often than not, it’s a resounding “no.”) If you’re serious about writing fiction, this is the place to go for valuable tips and motivation.

The Brevity Blog (https://brevity.wordpress.com/). So you say fiction isn’t your thing, but narrative non-fiction is? You should feel right at home at The Brevity Blog. Similar to Writer Unboxed, it’s a community of writers that specialize in writing memoir and narrative non-fiction. Many of the articles, submitted by members of their community, deal with the challenges and triumphs of the writing life. Even if you don’t write literary non-fiction, this site is worth checking out.  

Writer’s Digest (https://www.writersdigest.com/).  WD is the go-to resource for any kind of writing you care to pursue. While they offer numerous online classes and webinars, they can be a bit pricey, and if you sign up for their newsletter, you’ll get a lot of promotional ads for their products. Still, the magazine is top notch and their weekly Monday Motivation is well worth reading.

Reedsy (https://reedsy.com/)  You don’t have to use Reedsy’s online writing app to take advantage of its various publishing resources, such as a weekly writing prompt. Check out their YouTube channel for their backlist of webinars and online discussions about the publishing business. They also lead live write-in sessions, editing sessions and first-line critiques, so even as they assist other writers, you can learn too.   

Writing and Wellness (https://writingandwellness.com/). Writing isn’t just about getting published. Sometimes, it’s also part of a wellness plan, to deal with emotional and mental health. Activities like journaling, writing poetry or personal essays are outlets to deal with anger, grief or sadness. Writing can also help you deal with physical pain, backaches and burnout. Freelance writer and author Colleen Story hosts this site to help writers deal with these issues, and put fear and self-doubt in the rearview mirror.

Hope you find these sites helpful in your own writing journey.

Helpful Resources for Freelance Writers

Like most professionals, freelance writers don’t work in a vacuum. They have to surround themselves with a supporting cast to help them succeed. They also have to arm themselves with knowledge and skills to win new client business.

In my freelancing journey, I’ve relied on several helpful resources to refine my craft and stay motivated, especially when I feel stuck or discouraged or filled with self-doubt about the wisdom of my career path. Here are my go-to places for inspiration and skills development.

Websites/Blogs:

Funds for Writers – If you have ever wondered how to earn a living from a writing career, check out this site by mystery writer Hope C. Clark who shares tips and advice for finding sources of income. In her weekly e-newsletter, she compiles lists of writing contests, literary agencies, freelance opportunities, writers’ retreats, grants and fellowships, and more. There’s plenty to read and learn from her site, and you’ll walk away feeling inspired.

Make a Living Writing – Carol Tice’s site is a go-to place for writers of all levels of experience. The blog covers tips and advice for getting published, how to find good-paying writing gigs and how to avoid  content farms. You can download a free e-book about how to avoid scams and browse lists of freelance writing jobs.

The Muse – While The Muse is primarily for job seekers, freelancers can find helpful tips for working with clients or finding career opportunities if the freelance life isn’t working out. Sign up for the news alerts about companies that are hiring, get insights from people who work at these companies, and get advice on how to approach a hiring manager.

Media Bistro – I’ve taken several of the online courses from Media Bistro, and they are well-paced, detailed and practical, covering everything from social media, advertising and copywriting to marketing communications and journalism. There’s also a job board for full-time gigs and a freelancer marketplace called Freelancer Connect where you can look for contract opportunities.

Writer’s Digest magazine – Whether you freelance for businesses or write fiction, Writer’s Digest offers the most comprehensive information, no matter what kind of writing you do. Find out about writers’ conferences, read interviews from successful authors, or take any one of hundreds of online courses. If you get writer’s block, they also offer writing prompts to get unstuck.

Jane Friedman – Friedman, a former editor at Writer’s Digest, has developed a loyal following among creative types who want to know how to get published. While Friedman reports on the publishing industry, she also shares guest posts from successful authors and editors who discuss everything from starting an author platform and how to pitch to a literary agent to how to start a blog and how to find beta readers for your novel. The online workshops are inexpensive too – about $25 for a 90-minute presentation.

Kat Boogaard – Boogaard is a successful freelancer who offers helpful resources to writers of all levels of experience, whether you’re a beginning freelancer or an established professional. Her weekly e-newsletter written in a cozy, conversational way, gives readers a peek into what it’s like to be a freelancer. She also shares freelance opportunities that she’s gleaned from social media. Check out her site at www.katboogaard.com.

Reynolds Center for Business Journalism – I recently came across this site while doing some random research about a topic I was writing about. The weekly e-newsletter called Tuesday’s 2-Minute Tip  provides ideas and advice about covering business topics, such as politics, cyber security, and supply chain businesses. Each article shares resources on where to find key data for business stories, statistics, and industry research.

Reedsy – Reedsy is an online marketplace for creative professionals who help businesses and individuals write and publish books. Reedsy also offers free online workshops via YouTube about the writing craft. You might find workshops about character development, working with an editor, or creating tension in  stories. If you’re interested in self-publishing, Reedsy offers a platform to help bring your story to life.  

Networking:

American Society of Business Publication Editors (ASBPE) Monthly Freelancer Networking Group – Each month, freelancers meet online to talk shop. In addition, ASBPE lists job openings and news about writing for business trade publications. If you write long form articles for the business trade, this group is for you. Best of all, membership is free.

Freelancers Union – Your business is more than writing; you need to understand the financial side too. At the Freelancers Union, you’ll find numerous resources to help you operate your writing business as a business. Create contracts for your clients or learn how to manage your invoicing. There’s also an insurance marketplace for health, term life and liability insurance (among others) because well, writers need insurance too. Sign up for alerts to stay abreast of developments on laws that can affect writers. The Union may not be the most glamourous of writers’ sites to know, but it is probably the most important one.
 
Editorial Freelancers Association (EFA) – As writers of fiction and/or nonfiction, there will be a point when you need to hire an editor. One of the best places to find one is the EFA. You can post a job or browse the member directory to find a match. Also check out the editorial rates page to know what you can expect to pay a freelance editor, or if you’re a freelancers, what to charge a client. There are numerous chapters throughout the country, so you can be sure to connect with other freelance editors wherever you are, and many of their events are online.

Books:
In addition, I have found the following books to be not only helpful but essential for developing my writing business.

  • Arts & Numbers: A Financial Guide for Artists, Writers, Performers and Other Members of the Creative Class by Elaine Grogan Luttrull
  • The Ultimate Guide to Marketing Your Freelance Writing by Linda Formichelli
  • A Step-by-Step Guide to Freelance Writing Success by Laura Spencer and Carol Tice

No matter where you are in your writing journey, whether you write for business clients or write fiction, these resources will help you stay on the leading edge of industry trends.

Is Journaling Worth Your Time?

I came across an intriguing blog post about journaling on Jane Friedman’s blog. Anne Carley, a writer, creativity coach and journaling advocate posed the following question: Is writing a waste of writing time? The question prompted me to recall my own experience with journaling.

Once upon a time I kept a journal. It was about eight years ago, and I was going through a rough time in my life. I’d made a bad business decision and lost a lot of money because of it. I was out of work and asking myself, “What’s next?” I also went through a health crisis and my mother had recently passed away. I was experiencing a full-blown mid-life identity crisis.

With my life in disarray, I started writing in a journal not to make sense of these sweeping changes that were happening but to vent my anger, frustration, guilt and sadness. I churned out pages and pages of angst-ridden prose – two whole notebooks worth. I vented about my poor decision-making skills and the person who had been involved in the business deal. I poured out my troubles to the journal as if it were a therapist, which I suppose it was. Journaling was critical for my mental health during that time, as was a regular yoga practice. And journaling was far cheaper than visiting a therapist’s office.

Funny thing was, once this series of crises ended, I no longer felt the need to write in my journal. I stuck in in my desk drawer and forgot about it. Every now and then, I’d pull it out, look over what I’d written, write a few more entries, then I put it away again. By this time, I had begun a blog, was writing regularly for freelance clients, had part-time jobs and was writing essays and fiction. I had no more room in my life for journaling.

I know many writers who swear by journaling. They couldn’t imagine starting their day without it. It’s as critical to their existence as breathing.

Admittedly, journaling brings numerous benefits to writers, such as using it as a warm-up exercise, to brainstorm story ideas, or a means to improve their writing. It can help them examine motivations and behavior of themselves and of people around them, and it can be a useful tool to manage your mental health, as it did for me.

While there are certain advantages, there are as many downsides to journaling, such as:

  • It can feel more like a diary or a reporting of events
  • There are only so many hours in the day and too many obligations to allow time for journaling
  • It can be used to avoid doing your regular writing practice, or performing chores you’d rather not do
  • It can serve as a distraction rather than a tool to help you
  • It can feel like a chore, one more thing to add to your to-do list.

Writer Thomas Plummer suggests that new writers often fail at journaling because they have no idea what they want to achieve with their journaling practice. Plummer writes: “Journaling becomes a mind-numbing exercise because without a plan or an expected outcome, you end up writing the chronological steps of your day without adding an interpretation or without deciphering any meaning of what is going on around you.”

To overcome this failing, he presents an example of how journaling can be done so you get the most out of the experience.

Before jumping into journaling, think about the following questions:
1. Where are you on your writing journey? If you are new to writing, journaling might be a practical entry point, especially if you want to write essays or memoir where deep meaningful reflection is needed.

2. Why do you want to start journaling? Know your why. If your answer is because you want to become a better writer or you want to tap into your creativity, then by all means, go for it. However, if your answer is because every writer you know tells you that you should, or because it helps you avoid other responsibilities, then you will likely set yourself up for failure.

3. What do you want to achieve with your journaling? Have a plan for what you want to achieve with your journaling. My goal when I did maintain a journal was to simply feel better about myself and deal with the emotional turmoil I was feeling. I didn’t have a plan other than to write every day until those intense emotions subsided. Your goal might be different. Without a goal, however, you likely won’t maintain a regular journaling practice.

4. What kind of writing do you want to do? I think journaling is more helpful for narrative non-fiction, essays and memoir writing. It probably isn’t going to help you with writing feature articles or non-fiction.

The choice whether to start journaling is up to you. If you do embark on that journey, you’ll find plenty of resources and coaches on the Internet to help you get started.

One final thought: While journaling can help you improve your writing skills, it isn’t the only way. No matter what medium you use — a journal, blog, or something else — as long as you are consistent with your writing, your writing will naturally improve.

Do you keep a journal? What has your experience been like? Can you tell if your writing has improved because of it?

Eight Content Ideas to Make Your Newsletter More Read-worthy

Be sure to check out this week’s writing prompt.

Newsletters are one of the best marketing tools you can use to reach clients and customers. Whether you’ve had a newsletter for your business for a while or you’re thinking about starting one, it’s helpful to share good, strong content can put you in front of readers and keep them informed and engaged.

But most business owners and bloggers know little about newsletters. What kind of content should they include? What will their readers want to know and read about? The answers will depend on what type of business you have. For example, a yoga studio might include tips for maintaining a healthy lifestyle, healthy recipes, profiles of instructors and studio news. It might be a good place to promote a special offer too.

Or perhaps you provide a dog walking service. Your newsletter might include news about new dog treats, pet grooming tips and a list of local veterinarians.

While I have yet to start a newsletter for my writing business, I’ve worked on several others for employers and clients. I also subscribe to several newsletters from writers and publishing professionals, including Kat Boogaard, Joanna Penn and Jane Friedman. Each of their newsletters are unique based on what information they want to share with their readers and what services they want to promote. Some are sent out weekly (Boogaard’s) and C. Hope Clark’s Funds for Writers while others are shared monthly.

Those are some of the issues you will have to ask yourself as you determine your newsletter content. How often do you want to send it out? What kind of information do you want to include?

One thing is clear. The best newsletters offer helpful advice and information to their readers. They put their readers’ interests first. Further, the least helpful ones focus too much on marketing themselves with little thought about their readers’ interests.

So what kind of information can you include in your newsletter? Here are a few ideas.

  • Start with a brief opening to welcome readers. Keep it brief, no more than three or four paragraphs. Make it timely, referring to current events or the latest news in your life such as a conference you attended, a holiday or family event. Keep it casual and conversational as if you are speaking to friends, (which of course you are).
  • Link to your own blog/website. If you post to your blog frequently, perhaps a few times a month, why not share links to the most recent stories? We used to do this at one of my employers since we posted to our company blog nearly every day. In the weekly e-newsletter, we shared the headlines to the latest stories and linked back to the blog. This is a great way to generate interest in your work and give people a reason to visit your site. It’s one of the easiest things you can do to promote your business or services. Don’t post every single link, but only the top three or four that your readers may find useful.
  • Link to the most interesting news stories and blog posts that you’ve read. No doubt you subscribe to numerous blogs and online magazines. What is the most interesting and memorable things you have read from these sources? Make a list, then link to those articles in your newsletter. Freelance writer Kat Boogaard shares her favorite stories in each weekly newsletter issue. It’s a great way to share industry news that readers may not have known about.
  • Conduct interviews. Is there someone in your sphere whose work you admire? Or perhaps they’ve done something remarkable, like finish a marathon or got their first book published. Reach out to them for a brief interview. I like the Q&A format because it’s easy to read. But keep it brief, no more than four or five questions. Keep in mind that readers don’t have a lot of time to read and will skim through the material. So keep your questions on point.
  • Consider sharing a guest post or article. If you don’t have time for a short feature for your newsletter, why not recruit a fellow writer or business owner to prepare something. I’ve seen this done on several newsletters I receive, which adds a new dimension to your offering. Plus it helps build rapport and support among fellow writers and business owners, especially if they have a product or service that would benefit your readers.
  • Include a book review or recommendations. Have you finished reading a book about a topic pertinent to your business? Why not write a short review and share it in the newsletter? An alternative is to list books about a common theme or topic that may interest readers. For example, find three or four book titles about time management and share links to Goodreads or Amazon for details. This is another way to provide valuable service to readers.
  • List upcoming conferences and workshops. Since so many conferences are being offered via Zoom or other online platform, more people can participate in them that couldn’t before. Your newsletter is a great vehicle for sharing links to upcoming conferences, workshops and events that may interest your readers.
  • Close with a positive message. Ending with a quote from a famous person can inspire readers  and motivate them to be their best. My daily news brief from my health care provider always concludes with a healthy recipe, three tips for a healthy lifestyle, and a quote that makes me feel positive about the future. You can do the same for your readers.

While there’s no guarantee that readers will share your newsletter with their friends, it’s nice when they do.

Remember the best newsletters focus on the readers’ interests, so avoid too much self-promotion which can turn off readers. A little promotion of a product or service is okay, but when it’s done with a relentless force, people may give up on you.

Another piece of advice: browse the newsletters that come into your in-box every week or every month. Notice what you like and what you don’t. Then make a list of components you’d like to include in your own newsletter.

Focus on providing tips, tricks, tools and resources that will make your readers’ lives better. Make sure you are consistent with your timing too. For example, if you decide to distribute your monthly newsletter on the fifth of the month, make sure you do it every month. Readers will begin to look for it in their in box.

Keep the newsletter brief. Most people don’t want to spend hours reading lengthy articles because they suffer from information overload as it is from all the material they already receive. You want your newsletter to stand out. It’s not how long the newsletter is, but the quality of the information you provide.

What about you? Do you have a newsletter for your hobby or business? How often do you distribute it? What kind of content do you include?

Self-publishing vs. traditional publishing (and everything in between)

At a recent meeting of my writer’s group, we were talking about how we planned to publish the books we were working on. The vote was split between self-publishing and traditional publishing.

When I researched options, however, I learned that there’s more than those two paths. Thankfully, the publishing industry provides numerous options for aspiring writers, nor do you have to aim for the Big Five to be successful. Many small presses can provide the same benefits as the larger ones, and hybrid publishers can give writers more control over the final product, though it comes at a price.

Which path you choose depends on a number of factors, such as the type of product you’re creating, how much time and money you want to invest in it, and what you hope to gain. As new technologies emerge that impact the publishing business, authors have more options to choose from than ever before. It helps to understand what they are, and to ask yourself several questions to clarify your goals.

There are three primary publishing options: traditional, self-publishing, and hybrid. Each is explained below. For an even more detailed overview of publishing options, Jane Friedman has published this fabulously informative chart that describes and compares each option more fully.

Traditional publishing. Traditional is as it sounds, the conventional path to publishing where an author signs a contract allowing a publisher to produce and deliver a book that the author has written. The defining characteristic is the signing of a contract. Authors have few expenses to worry about in this option, but they share in the profits. Many traditional firms offer an advance against royalties. Authors usually need an agent to get their foot in the door and should have a completed manuscript to submit.

The traditional path is dominated by the Big Five publishing firms: Penguin Random House, Hachette, HarperCollins, Simon & Schuster, and Macmillan. Each has dozens of imprints.

Then there are numerous small and medium sized firms that provide the same benefits to authors. These traditional firms have marketing teams that can help promote the finished product, although they may also request an author’s involvement in the marketing process, such as promoting on your social media and website, doing live readings at libraries and appearing at book signings.

However, there are some downsides. For example, this may not be the most profitable option for authors. Once the publisher and agent get their cut of the profits, there’s less available to the writer.

Self-publishing. With this option, authors publish their works on their own and at their own expense. It helps to have strong business acumen to understand both the creative and business aspects of publishing process. While self-publishing provides greater creative freedom to write what you want to write and publish, you absorb all the expenses. It may require more work and more time than you’re able to give it.

Authors oversee all aspects of development from editing and formatting to book cover design and distribution, which is great if you like to get your hands dirty and be involved in all aspects of production. Writers are also responsible for doing their own marketing to make sure the book gets noticed in the marketplace. If you’re not skilled at certain things, like book design or editing, be prepared to hire designers and editors to help develop the book the way you envision it. That means paying for those services too. It’s why self-publishing is not for everyone. That said, the profits are all yours because nothing is going to a publishing house.

Hybrid publishing. As the name implies, this option combines the benefits and flaws of both self-publishing and traditional publishing. Many of today’s authors opt for this approach because it gives them more creative freedom and control in the process. As Barbara Lynn Probst explains on Jane Friedman’s blog, hybrid publishing:

“resembles self-publishing because the author carries the cost and financial risk; thus it involves an investment of your own capital. It resembles traditional publishing because professionals, not you, carry out the tasks required to transform a Word document from your laptop into an object called a book that people can buy and read.”

As you can see, there are advantages and disadvantages to each option. When choosing the best option for you, it may be helpful to ask yourself a few questions.

  1. What type of product are you publishing? Is it a non-fiction book, a novel or an e-book? Smaller products like novellas or business e-books might be better suited for self-publishing while larger works might be better suited for the hybrid or traditional model.
  2. Do you have an agent? Most large publishing houses don’t accept manuscripts from unagented writers. If you’re a first-time author, you might be better off at a small press or hybrid.
  3. How much time are you willing to spend on the production and promotion processes? Some paths require significant time on your part while other paths require less. How involved do you want to be? If you have a full time job, you’ll likely want the path with less time involvement. Either way, be prepared to put in some time and effort to make your publishing dream come true.
  4. How much of a risk taker are you? How much risk are you willing to take on? Self-publishing requires more time, money and energy on your part, but the rewards are greater too.
  5. Are you a DIY-er? Do you like do-it-yourself projects? If so, self-publishing will allow you to get your hands dirty and get you involved in all aspects of the publishing process.
  6. How much control and creative freedom do you want? If control and creative freedom is important to you, then self-publishing is your best option. If you’re willing to give up some of those factors, the hybrid or traditional path will work best.
  7. How involved do you want to be? Some people like being involved in every phase of the publishing process, while others are only interested in writing. Knowing how involved you want to be will determine the best option for you.
  8. How much money are you willing to invest? Publishing costs money, and some of it may come from you. Depending on which path you choose and what size publishing house you work with, be prepared to invest some money on production and marketing. Most beginning authors don’t have a lot of money to invest. My advice is to set aside some cash to cover costs.

No matter which publishing path you choose, be sure to know your writing goals and be prepared to wear several hats.

Use Your Writing to Build Authority

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Be sure to check out this week’s writing prompt: Write a story about a childhood memory related to food (learning to cook, family barbecue, tasting something for the first time, etc.)

When you’re just starting a writing career, you naturally want to be taken seriously by your readers. This is especially true if you’re writing non-fiction or starting a blog, or anything based on factual content as opposed to fiction writing.

It can be difficult to establish your authoritative voice in a sea of experts on the internet. How do you set yourself apart from them? How do you establish your own authority? How do you make your voice stand out from the rest?

This is especially important if you’re a beginning blogger. Many beginning bloggers are unsure what to write about, so they write about everything. Unfortunately, this gives the impression of being scattered, so scattered that it’s hard to know what their specialty is. Even publishing expert Jane Friedman has admitted that she did not have a niche when she began her blog. But that’s okay. Sometimes your niche or book concept can grow over time as you post consistently and readers respond to your posts.

So how do you establish your authority? How do you reveal your expertise? Here are some steps you can take to help build authority with your writing.

1. Take stock of your experience. What are you good at doing? What professional work have you done (bookkeeping, legal, marketing, etc.)? Do you have any hobbies or special interests you’d love to tell people about? Most important, what are you passionate about? Perhaps you’re an expert knitter, love animals or play golf? Make a list of all your hobbies, special interests, and work experience, then rank them according to how passionate you feel about them.

2. Focus on a single niche. Once you’ve done your self-assessment from step one, you’ll have a good idea what you’re an expert at – and what expertise you want to promote about yourself. If you’re figuring out an angle for your blog, this step is imperative. A blog focused on one topic shows more authority than a blog that covers multiple topics. A good example is The Art of Blogging (all about blogging).

3. Do your research. Even if you have particular experience about something, there will be times when you need to do some research to supplement your knowledge. Adding quotes from experts or sharing the latest research can put you in good stead with your readers. Adding one or two statistics can bring more meaning to your piece. For example, for the magazine features I write for my client, I usually include one or two statistics to demonstrate key points. When you use data from recognized experts in your industry, it adds to your authoritative presence.

4. Know your audience. Think about who you are writing for. What do they want to know? What types of questions do they ask? Use their questions as a guide for future blog posts or an e-book. By providing readers with answers to their questions, you establish yourself as someone they trust and will come back to for more information.

5. Surround yourself with outside experts. While you may focus on one niche, there may be times when you want to cover a topic that is related to your niche but goes beyond your expertise. Then you’ll want to refer to subject matter experts. Ask them questions to fill in the blanks of your own knowledge and experience. Know who you can go to when you don’t have all the answers. Be sure to provide proper attribution when you quote them. Sometimes being an authority means recognizing that there are some things you don’t know. To find an SME, check associations, booksellers, universities and think tanks for possible leads.  

6. Provide real value. Once you understand your audience’s needs, you can offer meaningful and helpful content for your readers. Avoid writing fluff content that only fills space. It might help to think of one takeaway you can include in each blog post you write. Or if writing a non-fiction book or e-book, think of takeaways for every section or chapter. What can readers learn from you that they can’t get from anyone else? Readers want information that is readily adaptable to their own needs. When you provide meaningful, practical information, readers will begin to see you as an authority.

7. Be consistent. If writing a blog, be consistent with your posting. Whether you post a story every day or once a week, make sure it’s posted around the same time or on the same day of the week. Readers who follow you will begin to look for your story at that time.

I once produced a bi-monthly residential newsletter for an apartment high-rise community. Every other month, the newsletter would be slipped under their doors. If by the first of the month, the newsletter didn’t appear, the management office would receive calls from residents asking where it was. They knew when to expect the newsletter because we were consistent with the schedule. When you’re consistent with your schedule, readers are more likely to trust you.

8. Limit attributions. It’s not necessary to attribute every piece of information in your blog post or work of non-fiction. After all, your stories reflect everything you’ve ever learned by the VIPs, teachers and parents in your life. However, attributions are necessary if you are using a direct quote or sharing a principle that someone else formalized. While you still need to give credit where credit is due, if you include too many attributions, people will wonder how much of the writing is coming from you. If it isn’t original, it isn’t authoritative.

9. Use a variety of media to share your expertise. Once you establish you’re authority, you may want to broaden your reach. If you love social media, use it to establish a following. Write e-books, guest posts for other blogs, magazine features or opinion pieces for local publications. Alternately, you can establish your own YouTube channel, produce a weekly podcast, or appear on local radio shows. If the media isn’t your thing, you can teach workshops or make presentations.

Keep in mind that building authority with your writing takes time. If you find you lose interest in your chosen topic, it’s okay to switch gears. But you’ll have to go through this process all over again, and perhaps find a new audience.

With consistent practice and patience, you can begin to garner a loyal following of readers who see you as a trusted authority on your chosen niche.

Want to Improve Your Writing? Read It Aloud

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“I believe the eye and ear are different listeners. So as writers, we need to please both.”
Jane Yolen, author of sci-fi/fantasy novels

Reviewing and proofing your writing is a normal part of your routine. But if you want to take your writing to a whole new level, try reading it out loud.

Experts say reading your manuscript out loud can help you notice mistakes in your writing that you wouldn’t normally catch by simply reading it silently and seeing the words in your head. Reading out loud can also streamline your editing process because you’ll notice the mistakes faster. That said, it doesn’t guarantee that it will catch every mistake, but it will alert you to a lot of them.

“Read a passage aloud and you’ll get an immediate sense of how it ‘should’ feel; the way the words fit together and work as a whole,” writes Robert Wood, editor at Standout Books. “The same way you can hear a missed beat or a wrong chord in music, you understand when your phrasing is awkward or unwieldy.”

If you haven’t made out-loud reading part of your review process yet, here are a few tips for making it work and what you should listen for.

1. Notice the passages where you stumble over the language. If you struggle to read sentences that are complex or contain several difficult-to-pronounce words, your readers will struggle too. Make a note in the manuscript to simplify the language for your readers.

2. Notice if sentences are overly long and wordy. They can be more noticeable when you read them out loud. Also notice if sentences are poorly constructed and confusing. Will readers understand what you are attempting to say? Is there a better way to express what you want to say? If you answer yes to any of these questions, you’ll need to rewrite those sections for clarity and conciseness.

3. Notice the pacing and rhythm of the language. Do you need to slow down the pacing, or pick it up? Do you get bogged down in too many unnecessary details that slow down the pace of the story? Reading out loud will make you more aware of the natural rhythm of the words.

4. Notice if there are misspelled words, grammatical errors and punctuation mistakes. For example, are there too many commas in your sentences? Or are they added in the wrong places, which can change the meaning of the sentence?

5. Pay attention to the tone of your manuscript. Is the tone appropriate for your piece? Is it appropriate for your audience? For example, is the tone too formal for a room full of parents at a PTA meeting, or is it too casual for the company’s board of directors?

6. Pay attention to the sequence of ideas or story scenes. When you or someone else reads your work out loud, listen to the order of ideas. Do they move seamlessly from one to the next? Ditto for short stories and novels. Note if scenes develop in a logical sequence. Also listen for transitions between ideas and paragraphs. Reading out loud can reveal gaps in story lines and thought processes.

7. Notice any repetitions. Did you explain one idea on page three, then again on page five? That’s a sign that you need to condense your content, and rewrite for better clarity.

8. Listen for filler material. Publishing expert Jane Friedman says many writers tend to add filler copy in their manuscripts. These sections and sentences don’t add any meaningful information to the reader. If you notice filler copy, get out the scissors and begin cutting. Make sure every sentence you write, or every section or scene, provides meaning and value to the overall piece.

If you have trouble recognizing these elements as you read your work out loud, it might be helpful to have someone else read it out loud to you. According to the University of North Carolina Writing Center, when someone else reads your manuscript out loud, you receive information in a different way. Most people have more experience listening to and speaking English than they do reading and editing it, the center explains. If your reading partner stumbles over the words or gets lost, those may be places where you need to revise to make your meaning clearer for your readers.

The UNC Writing Center offers the following strategies for reading and reviewing your written work out loud.

* Print out a copy to read. When you read from a printed page, you’ll be able to make notes on the page and mark the places that need revision.

* Read only what you see on the page. If necessary, use a finger to point to each word you see as you say it out loud. The brain has a tendency to “smooth over” mistakes on the page by filling in missing words or making corrections.

* Read out loud at a moderate pace. If you read too fast, you may gloss over words and phrases that need fixing. Slowing down your pace will help you notice errors more easily.

* Read one section or paragraph at a time. Covering up most of the manuscript as you read out loud will help you stay focused on only the material in front of you so you don’t race ahead.

No matter what type of writing you do – nonfiction, memoir, or fiction – learning to read your work out loud can help you catch errors you might otherwise miss. That can make you a better writer in the long run.

Five Signs That You’re Ready to Join a Writer’s Group

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This week’s writing prompt: What date on the 2021 calendar do you have circled? Is there a special event that you are looking forward to this year? Why is this date circled?

Writing is often a solo journey, but sometimes you need to pick up a few passengers along the way. You may be at a point where you need to hear different perspectives about your work-in-progress or pick up tips from fellow writers. Perhaps you hit a wall and can’t seem to write another word. That’s when you may benefit from joining a writer’s group.

Not every writer needs or wants to join a writer’s group. They can get by with working in isolation before sharing their work with two or three close confidants. Other writers, especially beginning writers or hobbyists, relish the social interaction and feedback that groups provide.  

Wherever you are on the writer’s spectrum, there will come a time when you will want to seek support or feedback for your work. That’s where a writer’s group might be a practical move on your part. Sometimes the insights of other writers can point you in the right direction – or a different one that you had not considered.

Writer’s groups aren’t for everyone, however. There are a few dangers to groups, writes Jennie Nash in this guest post at JaneFriedman.com. You may find that the writers in the group are either more experienced or are all beginners. You will have to decide what level of writers you want to work with. Writers who are struggling with their own writing may not be the best judge of your work.

Other times, members may not know how to give constructive feedback because they either don’t want to offend you or because they simply don’t know what they should be commenting on, Nash adds. In those instances, it might help to express what you want them to look for. Generic feedback may not help you improve your writing. But a more specific request, such as whether the dialogue sounds natural, may be more helpful.

Then there is the decision to join a writer’s group. How do you know you are ready to take the plunge? Here are five signs that you might be ready to join a writer’s group.

1. You’re tired of working in isolation. When you work solo most of the time, it’s necessary to grab some social time to balance your writing schedule. This is especially important during the current pandemic where most of us are working from home. A writer’s group can provide that social outlet. Whether you decide to meet once a week or once a month, you can develop some meaningful friendships while improving your craft.

2. You want feedback on your current work-in-progress. Perhaps you’ve been plugging away on a novel that just doesn’t’ seem to be moving along at the pace you intended. Or your characters seem flat, or you’re unsure where to go next with the plot. Having other writers review and provide feedback on your work can help you figure out what you may doing wrong and what you can do to fix it. Your group members may see things that you don’t. 

3. Your productivity is lagging. You want accountability for your writing practice so you can stay productive and meet your writing goals and deadlines. Since writing is more of a marathon than a sprint, a writer’s group can provide the support you need through the long haul.

4. You’re looking for beta readers to test out story ideas. You’ve come up with one or two story ideas, but you’re uncertain whether there’s enough substance to make them work. A writer’s group can help you assess the story, whether it needs more development or whether to save a scene or two for another plot, or simply to dump the idea altogether. Again, member feedback can give you needed perspective.

5. You’ve exhausted all the traditional modes of learning your craft. Through a writer’s group, members can swap stories of personal experience, learn from one another, and exchange writing resources. It’s another form of education beyond classes and workshops.

Before signing up for a writer’s group, however, you need to assess your own writing needs. According to Brooke McIntyre in this guest post at Jane Friedman’s blog, there are several questions you need to ask yourself.

* What is your writing experience? Are you a beginner or are you more experienced. Joining a group of beginners may test the patience of a more experienced writer.

* Do you have a completed manuscript to share now? Or are you more interested in a group that will motivated you through the finish?

* Do you have a consistent practice currently? Or are you looking for motivation to start a consistent practice?

* Where do you want to go with your writing? What can a writer’s group do for you now to help you get there? What do you want from it?

* What other ways are you developing your writing progress? Have you attended workshops and classes? Have you read books, blogs and magazine articles to learn about writing? If you’ve exhausted all these avenues, then a writer’s group might be the next step.

Once you understand where you are in your writing practice, where you want to go and how to get there, you can decide if you’re truly ready to join a writer’s group.