Recently, I attended The Writing Brave Summit, a virtual meeting hosted by Brooke Adams Law. The event featured interviews and webinars by authors, editors and publishing experts who shared insights and tips about writing. The summit covered fiction, non-fiction and memoir writing so participants could pick and choose the sessions that they were most interested in.

As a fiction writer, I walked away armed with renewed enthusiasm for my work. I’ve compiled some of the best tips I heard from these professionals and share them with you below. Hopefully, they can help you as much as they’ve helped me.

Tip 1: If your story is stuck, it may be a problem with your protagonist not the plot. It’s not about raising the temperature in the story or adding a new plot twist, said editor and book coach Daniel David Wallace. What may be needed is to raise the temperature on your protagonist. Make sure your main character is fully engaged with the action, making decisions for good or bad about what to do next. That will keep the story moving forward. Focus on developing the character first, including goals and motivation, then develop the plot.

Tip 2: Write scenes from perspective of one POV character. It’s easier to write a story when you have one Point-of-view character per scene, said Savannah Bilbo, developmental editor and book coach. When you switch POVs within a scene with no defined break, it can be confusing for the reader.

Within each scene, give the POV character a goal, something they want to achieve. That could be getting advice from a friend or gathering some key information or take care of a problem. Also make sure the POV character has agency, that they are the one dealing with the conflict and making decisions.  Without that mini-goal and decision-making role, the character isn’t realistic and can’t engage with the action of the story (which piggybacks onto my previous point.)

Tip 3: Use interiority to get into the mind and heart of the POV character. Make sure the POV character reacts internally to everything that happens in the scene, not just what they think and feel, but what they plan to do about the problem they face, said Karyn Fischer with Story and Prose. Interiority matters for several reasons:

• It provides context for the action
• It’s the inside story
• It leads to character transformation.
• It allows readers to feel the emotion
• It allows readers to follow the logic of the POV character
• It connects to the character’s voice
  
  Tip 4: Create conflict between characters by developing opposing personality traits. Writer and book coach Kat Caldwell described the Big 5 personality traits of POV characters: conscientiousness (highly vigilant vs. complacent), agreeableness (People pleaser vs. cranky curmudgeon), Extraversion (outgoing and engaging vs. reserved), neuroticism as a reaction to stress (anxious/worrier vs. laid-back); and openness to new experiences (willing to try anything new vs. fearing change of any kind)

To use the Big 5, Caldwell suggested creating a main POV character who is out of balance with one of these personality traits. Then develop a side character or secondary lead character with the opposite trait. Alternately, you can choose a different imbalance for a side character. For example, a POV character that ranks high in agreeableness and wants to please people while her best friend is more open to change and will try anything new and thus encourage the POV character to try new things.

Tip 5: Try intuitive outlining to plan your story. If you’re not a fan of plotting or using formulas to plan your story, try intuitive outlining. This is a hybrid approach that combines the power of your own innate creativity and intuition with a loose, flexible plotting structure.

Not everyone has the ability to plan their story from scene A to scene B to scene C. Maybe you think of individual scenes but you’re not sure in which order they should be presented.  That’s okay, says Lewis Jorstad, The Novel Smithy.

“Our brains have a natural way of telling stories,” he said. Over our lifetimes, our brain has acquired an  innate sense of storytelling because it’s been exposed to different stories over the years—through books, movies, TV shows, verbal exchanges, author readings, blogs and social media, podcasts, etc. We’ve all learned how to tell stories. We just may not understand how to put them together.  

In intuitive outlining, the focus is on developing scenes as you think of them rather than developing them to fit some kind of pre-ordained formula. You let your intuition guide you.

That leads into Tip 6.

Tip 6: Think and write scenes rather than chapters. Scenes are where the action takes place while chapters are merely arbitrary breaks in the story and can sometimes contain more than one scene, which can make it difficult to work with and reorganize.

Because scenes are smaller, self-contained pieces, that makes them easier to write. They’re like puzzle pieces that can be mixed and matched and moved around. Jorstad suggests writing scenes as you think of them, then arranging them in the order they might appear in your story. Then if you see gaps in the story’s action, write additional scenes as needed, but not to complete some arbitrary formula.

Do any of these tips resonate with you? Have you learned any cool writing techniques that have helped transform your writing?