Tag: Freelance writing

How Writers Can Become Better Literary Citizens

~ The Regal Writer ~ Leave a comment
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If you’ve ever purchased a book that a friend wrote and published, read a fellow writer’s essay and provided feedback, or passed along an article to someone who needed to know about self-publishing, then you know what it means to be a literary citizen.

Literary citizenship is a fancy term meaning “forming professional networking relationships,” writes freelance writer Robyn Roste. In the freelancing business, it might be referred to in other ways, such as:

* Investing in relationship building
* Finding ways to help people
* Becoming part of a writing community

The key to becoming an effective literary citizen, Roste says, is to approach it with a collaborative mindset, not a competitive one. There’s plenty of success to go around if you go into literary citizenship with an attitude of abundance rather than lack.

Because most writers work solo, there’s a tendency to look at fellow writers with an attitude of competitiveness. There’s a certain paranoia about sharing your work with others because someone might steal your idea or they might be overly critical of it. Sometimes you might feel envious when another writer gets their manuscript published while you’re slaving away on your third draft.

With a collaborative mindset, you approach writing as an opportunity to learn and share and grow along with other writers. The fact is we’re all on similar paths and we can learn from each others’ failures and successes. We might work alone in a corner of our home, but there’s a whole company of people who make our efforts pay off. No matter how much experience writers have or what genre of writing they do, writing is still a collaborative effort. It goes beyond clients, agents, editors, proofreaders and publicists. It also includes teachers, book reviewers, and bookstore owners—and yes, even our friends and family. It truly does takes a village. 

Publishing expert Jane Friedman has a similar definition. Literary citizenship is any activity that supports reading, writing, publishing and the growth of your professional network. “It’s a more palatable and friendlier way to think of platform building.”

Which is critical if you’ve got a book you want to promote.  

So how can writers become good literary citizens? Here are a few ideas:

*Join a writing community or writers’ group. As part of that group or community, you can provide writing advice to other writers, offer friendship, and give feedback on their works-in-progress. You can usually find writer’s groups at the local library or bookstore or online. But if you can’t find a group that fits your interests, consider starting your own group.

* Mentor other writers. By mentoring others, you share your knowledge and expertise with others, and guide them in their professional growth. Less experienced writers can benefit from your experience.

*Share tips and resources with other writers. Whether done informally at networking events or meetups, or through other resources, like blogs and newsletters, you can offer writing advice and resources that can help other writers further their careers.

* Post job opportunities for writers and creatives. In the creative field, you might hear of a job opening or about a client looking for a freelancer. Though you may not fit the bill, you might know others who are a better it. Don’t be shy about sharing career opportunities through your social media.

*Write book reviews. When fellow writers publish their books and you’ve taken the time to read it, write a short book review and post on your social media. You’d be doing that fellow writer a big favor by getting the word out about their published work. People do read reviews when they’re considering what to read next.

* Interview authors. Another way to help out a fellow writer is to interview them. Perhaps they’ve just published a new book or they earned some industry recognition. Highlight their success by interviewing them, and write up a summary for your blog or submit the story to a local newspaper or magazine.

* Develop relationships with indie bookstore shop owners. Don’t overlook the role of indie shop owners. Get to know them by visiting their store. Find out what authors and genres are trending. When you’re ready to promote your own new book, they’ll be easier to approach about displaying it in their shop.

* Sign up for an author’s newsletter or follow them on social media. I follow several of my favorite authors on Facebook but I also like to connect with writers I know. As writers, we’re always looking for ways to expand our audiences. As they get to know you, they may eventually decide to follow up in return.

* Celebrate the successes of other writers. Share their news about book signings, new releases, public appearances, etc. on your own social media sites. As the saying goes, “What you put out in the world comes back to you.”

I’ll end with a few final tips, courtesy of TweetSpeak.

  • Be generous. Whether giving of your time or sharing your knowledge, don’t be shy about spreading your wealth.
  • Reciprocate. If a fellow writer has done a special favor for you—read a draft of your novel, given you a positive review or started commenting on your blog, try to do something similar in return.
  • Be grateful. Express your gratitude for whatever your fellow writers have done for you, whether you received a valuable piece of advice from them or got a referral for a prospective freelance client.

    The more you share of yourself with other writers, the more likely they’ll want to do the same for you. That is what makes literary citizenship a valuable asset to cultivate.

Tips for Compiling and Submitting Freelance Writing Clips

~ The Regal Writer ~ 1 Comment
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When you’re starting out as a freelancer (or even if you’ve been doing it for a while), at some point a potential client will request samples of your work. This is common practice, so don’t fret if you get a request like that. If anything, you should celebrate because it means they’re considering working with you and they want to see what kind of work you’ve done previously.  

But what types of clips should you send to them? How many? What do you do if you don’t have many writing clips to show? Let’s start at the beginning.

Keep track of your clips.

Whether you’re starting out as a freelancer or you’ve been freelancing for a while, you should collect your clips and keep them in one place so you can quickly access them. If the article was posted on a blog or online content hub, save a copy to your hard drive, auxiliary drive, your website or online portfolio site you might belong to like Contently. To save, select the Print option, then in the drop down menu, select Save as PDF. Then you can save it wherever you want to keep all your clips. That way you know where to find them when you need them.

Wherever you keep your clips, it might help to sort them by date, publication or subject area, such as real estate or health. Again, that’s for ease in finding them quickly when you need them.

Follow the client’s instructions.

When a client requests your clips, be sure to follow their instructions. Some clients are very specific about what they want and how they want the clips delivered to them. Some may ask for PDF or Word documents sent as an email attachment. Others may want only links. Do as they ask. It’s their way of testing you to see if you can follow their instructions.  If they ask for three sample clips, send them three sample clips. Don’t send them four, and don’t send them one. If they don’t specify how many they want, stick with two or three, which is enough to give them an idea of your writing ability.

Consider several factors when submitting clips:

  1. Send clips that are as close to the type of writing that you’d be doing for them. For example, a client looking for someone to write SEO blog posts will want to see similar types of clips from you. In that case, don’t send them research papers or marketing proposals as your samples. Your chances of getting hired improve greatly if your samples closely match the type of work they’re hiring for.
  2. Make sure the clips are fairly recent. Most editors want to see work you’ve done within the past couple of years, not what you wrote 10 years ago. Although, if that is the only clip you have in that particular genre, send that along and explain why you’re sending an older piece.
  3. Send your best work. Some writers and editors will tell you to make this the number one priority, but in my experience, your best work may not fit their genre or it may not be the most current work you’ve done. That said, if you submit three clips, designate one as your best work, even if it doesn’t fit the genre, then include two others that do fit. Make sure they’re all recently published.
  4. Pay attention to the tone and writing style. Does your writing style mesh with that of the publication? To answer that, you’ll need to review their publication carefully to become familiar with their style. If it’s a light-hearted, humor magazine and you tend to write more serious, research-based articles, your writing style probably won’t work for them. You need to match their tone.
  5. Consider the publication’s audience. If your writing experience is focused on business publications, such as magazine features, newsletters, and blog content, it may be difficult to transition to consumer-focused publications because the writing styles are different. Consumer writing is more casual, usually written at a lower grade level than a technical business publication. If you want to write for a consumer-focused publication, it’s easier to get assignments if you’ve written for consumer publications in the past.
  6. Make sure the clips are error-free. If they’ve been published, they’ve obviously gone through a copyediting and proofing phase beforehand. But if your sample is posted on a friend’s blog and hasn’t been proofed, it’s possible that a misspelled word or other grammar mistake has slipped through. Make sure your work is clean before submitting.

But what should you do if you’re starting out as a freelancer and you don’t have enough clips or the right type of clips, you might ask?

Sorry to be blunt about this, but realistically you’re probably not ready for a freelancing career. Freelancing is highly competitive, and editors want to hire only the best-qualified individuals that have experience writing about certain topics. To gain that experience, try taking a few writing classes where you can accrue samples. Or volunteer to write website articles for a non-profit group (which I did early in my career to gain experience), create your own samples or start a blog. Some editors do view a person’s blog as a legitimate writing sample so don’t overlook its potential.

When you do submit clips, it might help to keep a spreadsheet or note to yourself about which clips you sent in case the client asks questions about it later.

Keep your best published clips organized in one central place, and make sure they’re polished and error-free. When a potential client asks for clips, you’ll be ready to send them the best work you’ve done.  

How Much Patience Do You Need to Be a Writer?

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The longer I work at this thing called writing, the more I realize how much patience it requires. When I’m forced to wait for something else to happen, I realize I’m not nearly as patient as I think I am.

While the physical act of putting the pen to paper can make you feel productive, there are times when you have to take a step back, whether of your own volition or because of circumstances. That’s when you feel at your most unproductive. Maybe you need to let a story idea simmer on the mental back burner. Or you need to let a story idea breathe a bit so it has time to sprout into something worth writing. On the business end, sometimes you need to wait for sources to return messages or that critical invoice to be paid.

So how does writing test your patience?

When the story idea is there, but you can’t work on it right away.
You have a brilliant idea and you’re eager to start writing, but you can’t because you have to finish up your current work-in-progress. Or you have work assignments or school projects that require your time and attention. As anxious as you might feel about starting a new project, you have to wait until you finish other obligations first.  

When you get an idea for a story, but it needs time to develop.
You need time to figure out the conflict, character motivations, plot twists, and whether it ends happily or mysteriously. Your patience is needed to allow the idea to gestate into a more visible form before you begin writing.

When you finish your first draft.
Experts recommend that you allow several weeks to pass before you begin the editing or rewriting your draft. That time away from your work in progress allows the story to settle a bit. When you begin reading what you’ve written, you can see the story with a fresh eye and make the changes necessary to make it publishable. That in-between time, whether that’s one month or six months, is another test of your patience.

When your work is being read by beta readers.
There’s lag time while beta readers review your manuscript. So you play a waiting game, wondering if they will like your work.

Freelancers face other lessons in patience.

When there’s downtime between assignments.
Especially if you write for bi-monthly and quarterly publications, there’s often a longer lead time between assignments. You have to find a way to fill that time. It can be a test of patience, not knowing when the next assignment will come or if it will come at all.

When you must wait for people to respond to your messages.
You may have to wait for sources to return phone calls or emails so you can set up interviews or get answers to your questions. Sometimes you can wait several weeks if the person you’re trying to speak with is traveling out of the country. Zoom calls may be out of the question. It’s hard to be patient when you’ve got a deadline looming and your assignment isn’t finished because you’re still trying to reach a source.

When you need an editor’s review before you can proceed to the next step.
Once you submit the article to the editor, there’s more waiting. You have to wait for the editor’s review and approval. They may have to submit it to another person for review, so you have to wait for them as well. This phase can take anywhere from a few days to a few weeks. With more waiting, more patience is needed.

When you’re waiting to be paid.
The worst scenario requiring patience is waiting to be paid. Some clients can take an inordinate amount of time to pay you. I usually require 30 to 45 days for invoices, but because of the quarterly publishing dates, it has been known to take longer. Editors have their own internal protocol to follow, such as not submitting invoices from freelancers until the publication goes into production. When you’ve got bills piling up, though, that extra time to wait for payments from clients can be nerve-racking. An email or phone call to follow up may be necessary; but so is patience.

It does no good to sit at home twiddling your thumbs, however. There are things you can do to pass the time. In the meantime, you can:

* Work on individual scenes for your story idea that are clearer to you or that are more fully fledged out.
* Catch up on errands and chores that have piled up
* Catch up on reading and research in preparation for your work in progress
* Catch up on sleep, since sleep is so important to your creativity
* Make pitches to other editors to keep work assignments flowing toward you.
* Experiment with other types of writing. It’ll keep your writing fresh.

Who knew that having a writing career would require as much patience as it does?

Helpful Resources for Freelance Writers

~ The Regal Writer ~ Leave a comment

Like most professionals, freelance writers don’t work in a vacuum. They have to surround themselves with a supporting cast to help them succeed. They also have to arm themselves with knowledge and skills to win new client business.

In my freelancing journey, I’ve relied on several helpful resources to refine my craft and stay motivated, especially when I feel stuck or discouraged or filled with self-doubt about the wisdom of my career path. Here are my go-to places for inspiration and skills development.

Websites/Blogs:

Funds for Writers – If you have ever wondered how to earn a living from a writing career, check out this site by mystery writer Hope C. Clark who shares tips and advice for finding sources of income. In her weekly e-newsletter, she compiles lists of writing contests, literary agencies, freelance opportunities, writers’ retreats, grants and fellowships, and more. There’s plenty to read and learn from her site, and you’ll walk away feeling inspired.

Make a Living Writing – Carol Tice’s site is a go-to place for writers of all levels of experience. The blog covers tips and advice for getting published, how to find good-paying writing gigs and how to avoid  content farms. You can download a free e-book about how to avoid scams and browse lists of freelance writing jobs.

The Muse – While The Muse is primarily for job seekers, freelancers can find helpful tips for working with clients or finding career opportunities if the freelance life isn’t working out. Sign up for the news alerts about companies that are hiring, get insights from people who work at these companies, and get advice on how to approach a hiring manager.

Media Bistro – I’ve taken several of the online courses from Media Bistro, and they are well-paced, detailed and practical, covering everything from social media, advertising and copywriting to marketing communications and journalism. There’s also a job board for full-time gigs and a freelancer marketplace called Freelancer Connect where you can look for contract opportunities.

Writer’s Digest magazine – Whether you freelance for businesses or write fiction, Writer’s Digest offers the most comprehensive information, no matter what kind of writing you do. Find out about writers’ conferences, read interviews from successful authors, or take any one of hundreds of online courses. If you get writer’s block, they also offer writing prompts to get unstuck.

Jane Friedman – Friedman, a former editor at Writer’s Digest, has developed a loyal following among creative types who want to know how to get published. While Friedman reports on the publishing industry, she also shares guest posts from successful authors and editors who discuss everything from starting an author platform and how to pitch to a literary agent to how to start a blog and how to find beta readers for your novel. The online workshops are inexpensive too – about $25 for a 90-minute presentation.

Kat Boogaard – Boogaard is a successful freelancer who offers helpful resources to writers of all levels of experience, whether you’re a beginning freelancer or an established professional. Her weekly e-newsletter written in a cozy, conversational way, gives readers a peek into what it’s like to be a freelancer. She also shares freelance opportunities that she’s gleaned from social media. Check out her site at www.katboogaard.com.

Reynolds Center for Business Journalism – I recently came across this site while doing some random research about a topic I was writing about. The weekly e-newsletter called Tuesday’s 2-Minute Tip  provides ideas and advice about covering business topics, such as politics, cyber security, and supply chain businesses. Each article shares resources on where to find key data for business stories, statistics, and industry research.

Reedsy – Reedsy is an online marketplace for creative professionals who help businesses and individuals write and publish books. Reedsy also offers free online workshops via YouTube about the writing craft. You might find workshops about character development, working with an editor, or creating tension in  stories. If you’re interested in self-publishing, Reedsy offers a platform to help bring your story to life.  

Networking:

American Society of Business Publication Editors (ASBPE) Monthly Freelancer Networking Group – Each month, freelancers meet online to talk shop. In addition, ASBPE lists job openings and news about writing for business trade publications. If you write long form articles for the business trade, this group is for you. Best of all, membership is free.

Freelancers Union – Your business is more than writing; you need to understand the financial side too. At the Freelancers Union, you’ll find numerous resources to help you operate your writing business as a business. Create contracts for your clients or learn how to manage your invoicing. There’s also an insurance marketplace for health, term life and liability insurance (among others) because well, writers need insurance too. Sign up for alerts to stay abreast of developments on laws that can affect writers. The Union may not be the most glamourous of writers’ sites to know, but it is probably the most important one.
 
Editorial Freelancers Association (EFA) – As writers of fiction and/or nonfiction, there will be a point when you need to hire an editor. One of the best places to find one is the EFA. You can post a job or browse the member directory to find a match. Also check out the editorial rates page to know what you can expect to pay a freelance editor, or if you’re a freelancers, what to charge a client. There are numerous chapters throughout the country, so you can be sure to connect with other freelance editors wherever you are, and many of their events are online.

Books:
In addition, I have found the following books to be not only helpful but essential for developing my writing business.

  • Arts & Numbers: A Financial Guide for Artists, Writers, Performers and Other Members of the Creative Class by Elaine Grogan Luttrull
  • The Ultimate Guide to Marketing Your Freelance Writing by Linda Formichelli
  • A Step-by-Step Guide to Freelance Writing Success by Laura Spencer and Carol Tice

No matter where you are in your writing journey, whether you write for business clients or write fiction, these resources will help you stay on the leading edge of industry trends.

Tips for Working with New Freelance Writing Clients

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I’ve started working with several new clients recently, and with each one, I hope to develop long-term relationships with the promise of ongoing assignments. While I’m excited about these new developments, I’m also nervous about starting something new.

Several questions keep stirring inside my head: Will I make a strong first impression? Will they like my work? Will they hire me for more than one assignment? If the client is pleased with our work, three things may possibly happen:

* a productive, working relationship for the long term
* more assignments from the same client (repeat business)
* potential referrals to new clients

Fortunately, there are things you can do to improve your standing with a new client so they will come back to you again and again. If they know they can count on you to produce quality, well-researched feature articles for their publication, they will keep inviting you to write for them.

Here are my tips and suggestions for breaking in with a new client.

1. Get details in writing about the assignment. More often than not, they will send you a writing sheet that describes the assignment in detail, including word count, due date, maybe even other articles written about the topic. The writing sheet (sometimes called writer’s guidelines) may also include sources to interview, especially if it’s a trade publication. If the client does not provide anything like this, ask them for the details in writing, even if it comes in an email. I like getting these details in writing so I know what is expected of me.

2. Follow the writer’s guidelines. The client may have specific formatting requirements, such as capitalizing subheads or spelling out acronyms at first mention. They may ask for headshots of the people you interview. Make sure you follow these instructions. Freelancers can lose a client simply because they didn’t follow instructions. The client wants to work with someone they can count on to do the work that’s asked of them.

3. Meet your deadlines. I can’t stress this enough. If you can’t meet a deadline because you can’t reach a source, for example, contact the editor and let them know. Or maybe the source had a change in their schedule and couldn’t do the interview anymore, and you need to find another source. Contact the editor and ask if they have a source you can interview and/or if they are willing to extend the deadline. Sometimes they may have some wiggle room in their production schedule.

4. Keep the lines of communication open. Just as I alluded to above, if anything goes wrong with the assignment, let the editor know immediately. They may have suggestions on how to resolve the problem. Ask the client if they need additional information, such as images for the article or if they want you to send the article to sources for their review. These are small things you can do to make your editor’s job easier.

5. Proof your work before submitting it. While errors can slip by, you want to make sure there are as few as possible before you submit your final copy. When your work is clean, it shows you are conscientious about your work and it saves the client’s editorial team from having to fix it. Anything you can do at your end that helps the client is a huge bonus in your favor.

6. Be courteous, even if you disagree about something. If, during the editing process, the editor suggests changes to your article or they have questions about something you wrote, respond promptly and politely. Don’t get angry because they didn’t like your clever phrasing. Understand that they have a job to do.

7. Be sure to thank them. Whether they’ve given you a new assignment, made revisions to your story, or sent you a new referral, be sure to show your gratitude. Don’t be shy about asking for future assignments or referrals. It’s okay to say, “Please keep me in mind for future assignments or send my name along to another editor who might need writing help.”

While it’s exciting when an editor reaches out to you for a new assignment, it’s even more flattering when they pass along your name to another editor at a different publication. By following these tips, you can put yourself in the best position possible to earn new assignments and referrals to new clients. That can make your freelancing life a whole lot easier.

What Freelance Writers Can Learn about Referrals from Real Estate Pros

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I used to work at a real estate association (two, in fact). One thing I learned by working with real estate professionals was their drive to succeed. Their success depended on making clients happy. If their clients were happy, the agents got referrals.

At first glance, it would seem that writers don’t have a lot in common with real estate agents. But the two share more in common than one would think. Both are self-employed as independent contractors. Both take pride in providing timely and efficient service to their clients. Both thrive on referral and repeat business from clients. But while real estate professionals understand the importance of asking for referrals, many freelance writers are not as versed on this practice.

As any sales person can tell you, the simplest, most straight forward strategy for getting referrals — and often the most overlooked – is to ask for them. Many people either forget to ask or are uncomfortable about asking. Maybe it’s because they don’t want to appear desperate, or they’re too shy and overly modest, or they fear they will be rejected.

One real estate professional I once interviewed for a magazine article said he often shied away from asking for referrals, despite being in the business for 15 years. But a follow up phone call to a former client changed that for good. After inviting his former client to attend one of his sponsored events, he asked if she knew anyone who needed a real estate agent. His timing was perfect. She referred him to a friend who listed his home with him, a home that was worth a significant sum of money.

You never know what kind of business you’ll get if you don’t ask.

If you want to build a repeat and referral-based writing business, you need to be proactive. You need to ask for referrals. You’d be surprised at how much business can come your way simply because you had the courage to ask.

Here are a few tips for asking for referrals.

1. Spread the word. Word of mouth communication is still the most reliable and effective way to ask for referrals because you can usually get an immediate response from the client. But timing is important too. Real estate experts suggest asking for referrals at three critical points in your relationship – a model that writers can follow for their own business.

* At the end of the project. The client naturally feels good about the project you’ve just completed for them. An opportune time to ask for a referral is when the client is in a positive frame of mind.

* During a follow-up call. In the real estate business, it is customary for agents to follow up with clients two to four weeks after closing on the home. During the follow up call, they ask how the client’s move went and if there is anything they can do for them. Then they ask for a referral.

Likewise, writers can follow up with clients several weeks after the project ends and ask if there is anything else you can do for them. Most important, ask “If you are pleased with my work, do you know anyone else who needs a freelance writer?” Another good time to ask for a referral is when the article you wrote is finally published.

* After you have received a referral. When you get a referral, thank the person who gave it to you and keep them updated on the progress of the project. “I really appreciate your referring Joe Client to me. I’m just about to finish the project for them. Do you know anyone else who needs a writer?”

2. Ask for referrals via marketing materials. Real estate agents often add a request for referrals on all their marketing materials. Remember to ask for referrals on all your print and web materials, such as business cards, emails and website. For example, at the bottom of all your emails, you might write: “The highest compliment my clients give me is a recommendation to someone else. I appreciate your referrals!”

3. Ask for testimonials. Another way clients can express satisfaction with your service is with testimonials. Some real estate agents invite clients to prepare a testimonial in the form of a written letter, a video, or a comment on their LinkedIn profile page. Testimonials can sometimes be more persuasive than other types of communication because they come from someone who has direct experience of your services.

4. Act like a pro. Real estate pros get rewarded with referrals when they’ve done a good job for a client. Writers can get rewarded the same way. Do good work, write great articles and meet your deadlines, says freelance writer Linda Formichelli in her eBook The Ultimate Guide to Marketing Your Freelance Writing. When you work with integrity, the editor will be impressed. After you know the editor better or you’ve worked with them for some time, ask them to introduce you to other editors they may know.

Building a referral-based business takes time, persistence and self-discipline, and you may not see results right away. The hardest part of the process is simply getting started. Formichelli says it can take up to a year before a referral pays off. That means you need to be consistent and persistent with your communications, without being a pest. Following up with clients every couple of months is okay. Following up with them every day – not so much.

Hopefully implementing these basic strategies can position you for long-term success and help you achieve your freelancing goals.

Freelance Writing as a Side Hustle

~ The Regal Writer ~ 2 Comments

Returnships.jpeg

So you want to begin writing more. But you already have a full-time job. A side gig seems like just the ticket to give you the writing experience you seek while earning steady income from your day job.

Side gigs are common these days. People use them to earn extra cash to pay down debt, build a portfolio, begin a career transition or simply do work that they love that they can’t do during their regular job.

It is possible to have the best of both worlds. For example, my former co-worker Debbie worked full-time as an editorial assistant in our organization while pursuing a freelance writing career on the side. (This was several decades ago before social media and cell phones existed.) She used her private email to conduct business, contact editors and set up interviews. Research was done on her personal time on her home computer. Debbie occasionally used the office phone for business, but it was rare and the calls were short and to the point. Debbie worked this way for a couple of years before deciding she had enough clients to go freelance full-time.

Making the transition from full-time employee to full-time freelancer is not easy and does not happen overnight. It helps to have a side hustle as a bridge between the two. Side hustles help you gain valuable experience, increase your contacts, and eventually line up a steady stream of work before jumping into freelancing full time.

Before starting your side gig as a writer, consider these important points.

1. Be discreet with your communications. With the advances of modern technology, starting a freelance writing business as a side hustle is much easier to achieve than it was a few decades ago when my friend Debbie started her side gig. All the same, be sure to use your own computer equipment and electronic devices to conduct research, set up interviews and make phone calls. And be sure to do all that on your personal time, not company time.

2. Make sure you aren’t violating any company policies. Some companies frown on outside gigs but most seem to accept it as long as the side gig does not compete for the same clients or promote a competing product or service. Still to be on the safe side, speak with your supervisor to make sure you are not violating any policies. Assure them that you are still committed to your job, but that your writing gig is also important to you.

3. Schedule your writing time. With a side gig, your schedule is likely to be stretched to the limit. That means being smart about how you use your time. Review your schedule and see where there are gaps in your schedule that you can use for writing. Then put it in your calendar. If you get an hour for lunch, can you set aside half of that hour for writing? If your company provides 15-minute breaks for its employees, can you use them for setting up interviews or jotting down notes for story ideas? With fifteen minutes or a half hour, you’d be amazed how much writing you can get done in a short amount of time.

4. Remember that the day job comes first. No matter how tempting it is to work on your side hustle,  stay focused on your job responsibilities. Even if you hate your day job, slacking off will not put you in good stead with your employer. When you eventually leave the comforts of your day job to begin freelancing, you want to leave on the best of terms.

5. Be grateful that you have a paid gig. Many people who start freelancing don’t have that luxury. Take advantage of the security it offers you for the time being. It’s a gift. It allows you to work on your passion on the side.

6. Be patient. Creating a freelance business does not happen overnight. There’s a lot of prep work you need to do in advance to build your portfolio and build your confidence.

Writing as a side gig can be fun and exciting. But it’s also hard work, and it’s not for everyone. If you are someone who likes steady work and a steady income or if you’re uncomfortable with uncertainty, freelancing may not be for you. Starting a side gig might be a smart idea so you can decide if this is a route you want to pursue full time. You may decide you don’t want to, and that’s okay. At least you’ve made an informed decision based on actual experience.

To make your writing side hustle work, you need to decide if you’re willing to sacrifice your personal time, family time, socializing and hobbies to work your side gig. Are you willing to make that commitment? For ideas on how to get started, check on the links below and read about other writers who have done it – with success.

What about you? Are you writing as a side gig? Do you hope to transition to full-time freelancing at some point? What has your experience been like as a side hustler?

Related Stories:
7 Secrets for a Successful Side Gig
From Side Hustle to 50K
The Ultimate Side Hustle: 14 Ways to Get Paid to Write

Four Things to Know Before Hiring a Copywriter

~ The Regal Writer ~ Leave a comment

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Photo courtesy of Pixabay

There will come a time in your business when you need to outsource certain professional services, such as bookkeeping or copy writing. I can’t speak about hiring bookkeepers, but as a writer, I do know a thing or two about hiring copywriters because I’ve been hired as one.

Not all writers are alike. Some have different areas of expertise, such as legal writing or advertising. Some have years of experience while others are new to the industry and are looking to gain experience. Finding someone to write your marketing copy is not for the faint of heart. How do you know that the person you hire has the skills and experience to get the job done? More important, how do you know that they are trustworthy?

A discussion among several writers on Facebook revealed their advice to businesses before hiring a professional copywriter. Here are a few of their suggestions.

1. Beware of cheap copy. If you think you can get good writing for a cheap price, guess again. The old adage, “You get what you pay for” is true here. Good copy writing is not cheap. Don’t expect to plunk down $10 for a 500-word blog post and expect a well-researched, well-written piece. Don’t be surprised if what you get is copy with poor grammar, misspelled words and other problems that will need to be fixed. Be prepared to pay a little more for better quality. Check sources like The Balance Small Business or the Editorial Freelancers Association to get an idea about pricing.

2. Ask for samples of the writer’s work. Their samples will demonstrate their ability to do research, their knowledge of the subject and the presentation. If they don’t have samples to show you, give them a writing test. Ask them to write about a topic of your choice covering specific points. Their final product will help you see their process. It will also show you if they are able to follow instructions.

3. Look for someone with whom you can work. What kind of personality do they have, and is that personality compatible with yours? Obviously, similar personalities can lead to a mutually productive and beneficial relationship.

4. Outline your expectations for the project and put it in writing. It will help the hired copywriter to see the details of the project up front. The more detail you can provide and the more clearly you present what you envision for the outcome, the more likely you will receive a fair and accurate quote. It’s important to be clear about what you want the writer to achieve. It can be frustrating to be sought out for a writing job only to learn that the person hiring you is unclear about what they want or they want too many things. Putting your expectations in writing can avoid any potential confusion.

These tips may seem like common sense, but you’d be surprised how many businesses overlook these steps. Instead some business owners may rush into hiring a friend’s college kid out of loyalty.

If you want good, quality copy writing for your business, be willing to do a little leg work up front and pay a little more for their services. Professional writers might cost more, but they will produce better results and they’ll likely do it in less time. And that’s money in the bank.