Find your writing superpower

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On your writing journey, you’ll develop a full range of editorial skills from writing dialogue to creating an imaginary world for your characters. Conversely, those newly-developed skills may be more on the administrative side, such as managing tasks and making the best use of your time.

Some skills must be learned, while others seem to be born within us. I call those natural abilities superpowers. A writer’s superpower is that one aspect of writing that they are better at than any other skill.

If you’ve been writing consistently for a while, you may notice that you have a knack for doing certain things, almost by instinct. Those skills emerge organically from within. That superpower comes about with consistent practice.

And if you don’t think you have a writing superpower? Don’t worry. It’s there somewhere. You just haven’t discovered it yet.

Allison Tait, who writes children’s’ books, has this advice for developing writing superpowers in kids, but I think her advice works just as well for adults. She writes: “I encourage kids to identify one superpower and use it to give them confidence to keep writing. Because when you’re confident that you’ve got at least one thing going really well, then it’s much easier to take risks with writing and to try different things.”

Writing is a risk, but to be successful at writing, you have to experiment to see what works for you. Writing forces you to dig deep within yourself and release all the old, stagnant feelings you have buried there. It’s about exposing yourself to others, who may not like the person you reveal yourself to be. It takes courage to write, especially when you know how high the stakes may be and that readers may not like what you create. But still you continue to write—because you love to write.

How do you find your own superpower? By being consistent with your writing practice. Write as often as you can. That’s how you discover your special skills, your superpowers.  

There are other ways to find your superpower, such as: 

  • Being curious about the world and the people you encounter every day.  
  • Reading widely in all genres, even non-fiction.
  • Experimenting with different writing styles.
  • Immersing yourself in creative environments and in nature.
  • Learning about your craft by taking classes and attending webinars.

    There are numerous possible superpowers you could discover. Here are a few that I’ve recognized in myself and in other writers. You may discover different superpowers of your own.

Idea Generator. Some writers can come up with plot lines almost at will, while others knock their heads against a brick wall looking for inspiration. For these idea generators, writer’s block is a foreign concept.  They have notebooks with story ideas and notes for the next work-in-progress. No sooner have they completed one story that they’re ready to write the next one.  

Task Master. Most writers have numerous unfinished manuscripts sitting in a desk drawer collecting dust. Not the Task Finisher, who manages to finish every project they begin. They seem to have a clear idea how their story will end, and even if they don’t, they keep working at it until they do. This is one superpower I wish I had.

Time Manager. Some people love routine and schedules; others don’t. The Time Manager can set a schedule and follow it to a T. They just know how to make the best use of their time to meet deadlines and get the most work done within a certain time frame.

Writing Warrior. It takes courage to write. A writing warrior isn’t afraid to get words down on the page and doesn’t second-guess themselves about how the story will unfold. The warrior trusts that whatever comes out on the page is the story they are meant to tell.

World-building Visionary. With a vivid imagination, world-building visionaries can see an entire new world in their mind and then describe it in rich detail. This is what makes science fiction and fantasy writers so unique. If J.K. Rowling wasn’t a world-building visionary herself, would any of us be able to experience Hogwarts the way Harry Potter did?

Conversation Analyst. An ear for dialogue and the audacity to listen in on other people’s conversations without guilt can turn an average writer into a conversation analyst. They can detect the emotional undertones, the wording choices, vocal accents and mannerisms that make the conversation real, and then emulate those details in a carefully crafted dialogue.

Technical Translator. Some people have a knack for understanding technical lingo. They can read a technical manual then “translate” the instructions into plain English that others can understand. This superpower is especially helpful when writing non-fiction, but you might use it for describing scenes involving a scientific or technological method.

Sensory wizard. Though we are all born with five senses—taste, touch, smell, hearing, and seeing, only  a blessed few have the ability to write descriptive prose involving those senses so that readers feel and see and taste it too.

Emotional Caretaker. Few writers have ever been able to touch my heart and soul with their words. I’m not talking about descriptive writing, but emotional writing. The simplest words can be filled with so much emotion and drama that they make readers feel something within themselves, make them cry, or send chills down their spine.

Self-editing Guru. Writing the first rough draft is the easy part. Editing is where the hard work begins. The self-editing guru can edit their initial draft and rewrite scenes without second guessing themselves. By the end of the second or third draft, they have a publishable book, while other writers are still slaving away on a fourth or fifth round of edits because they question whether the story is good enough.

So which superpower do you have? Which one do you wish you could develop further? Or do you have a superpower that’s not on this list? Share with me in the comments.

The Burden of the Unfinished Story

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How many unfinished manuscripts do you have lying around the house? I have so many, I’ve lost count. That’s because I always get excited about a fresh, new story idea, and I take time to sketch out the plot and characters. Next thing I know, I’ve drafted the first four chapters – and left my current work in progress collecting dust.

But there are certain consequences to leaving a story unfinished, writes author Colleen Story at her blog Writing and Wellness (although the article appeared in her newsletter). Unfinished stories can be detrimental to your physical and mental well-being.

She cites research by a Lithuanian psychologist in the 1920s that found that people are more likely to remember the tasks that they had left undone than the tasks they had finished. The feeling of unfinished business stays with you—until you decide to do something about it. It can feel like a weight around your shoulders, dragging you down.

Unfinished stories can also affect your mood too, Story says. It can cause stress and anxiety, fatigue and creative exhaustion, and sleep issues. They take up valuable mental and creative space in your brain, so that you can’t think or work on anything else.

Conversely, when you do finish a task, whether it’s a writing assignment for a client or a novel you’d been slaving away over for the past two years, you feel lighter and freer. That burden of unfinished business has been lifted off your shoulders. You can live and breathe again. It energizes you, boosts your self-confidence, and gives you pride of accomplishment. That feeling of euphoria can be addictive too, carrying you into your next creative project.

If you have a mini-library worth of unfinished stories, it’s time to make an important decision. You have several options:

  • Continue to keep the story hidden in your desk drawer and make yourself sick over the unfinished story.
  • Pull it out, look it over with a fresh eye and decide if it’s worth working on again. If it is, then get back to work.
  • Look at it again, decide it isn’t worth your time and let it go—literally and figuratively. Letting go of it is a release too. Some stories are meant to be finished, let alone published. Call them practice stories.

If you still need more evidence to finish that unfinished story, consider the example of author Laura Dave, whose book The Last Thing He Told Me became a national bestseller and was turned into a mini-series (and a whale of a book too!). In a recent panel discussion, she admitted that it took her 12 years to finally finish the manuscript that had been sitting in her desk. She tried working on it several times because she was sure it held some worthwhile nugget there. Only after an astute agent looked at it and provided suggestions was Dave able to finish the book.

Moral of the story: don’t give up. If the story is worth telling, if there’s a nugget of truth you want to share, then keep working on it. If your heart is no longer in it though, don’t waste your time on it. If time is the problem that you can’t get back to writing it, then you need to figure out how to make the time in your schedule. Writing should be a joy, not a burden. If an unfinished story is still a burden for you, then it’s time to ether let it go or get back to work on it. Not finishing what you started can be detrimental to your health and peace of mind, while finishing your story will be a cause for celebration—and give you another reason to keep writing.

What to Do When a Client Asks for a Rewrite

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For this week’s post, I had planned to write about how to use rejection to fuel your next writing project. In an uncanny coincidence, when I checked my email, I found I had received feedback on an article I wrote for a client. Imagine my disappointment when I learned they wanted a rewrite including an interview with a new source.

Talk about rejection!

I felt more frustrated than angry. After all, this is part of the editorial review process. Fortunately, rewrites don’t happen very often for me.

That said, I realize that not everything I submit will be accepted on the first go-around. I felt frustrated this time because the client had provided new information that I did not have previously. If I had been provided this additional information up front, it would have saved me the time and trouble of a doing rewrite later. 

I should note that this story was assigned to me; it was not a story I pitched to the client. The assignment came with a writing sheet outlining the details and sources I needed to interview.

So how do I move past the initial disappointment and tackle a rewrite? Here are my tips for dealing with rewrite pressure:

  1. Take time to cool down. If you are upset by the feedback, take time to calm yourself. Go for a walk, meditate, take a nap—anything to help you relax. You don’t want to rework the story when you’re  upset because you may not put forth your best work. Nor do you want to respond to the editor in anger.  Simply thank them for the feedback and tell them you’ll get back to them if you have any questions. That buys you time for your emotions to settle down.

  2. Review the manuscript carefully. After you’ve settled down, take a long look at your manuscript to figure out what went wrong. What does the client want revised, and why? If they don’t offer an explanation, or the explanation is vague, ask the editor to clarify. Ask: what do readers need to know about this subject?

  3. Fix the problems. Do the best you can to fix the story and make it as strong as possible. If you need to interview another source, interview them. If you need to do more research, do more research. If you have to rewrite entire paragraphs, rewrite them so they are crystal clear. By sending back a better, stronger story, you show that you have the maturity to deal with adversity and not let negative feedback bother you.

  4. Learn from the experience. There’s always something to learn from every writing experience, no matter how positive or negative the experience might be. In my example above, the instructions for the writing assignment were vague. I decided to push my way through it the assignment rather than stop and ask for clarification. What this experience has taught me—and what you can learn from it too—is to ask pointed questions of my editor about the assignment so I understand exactly what her client wants. And I need to do this before I begin doing research or setting up interviews. Getting the most important details up front will prevent rewrites later on. 

  5. Don’t take the feedback personally. Rejection happens all the time. Requests for rewrites happen too. That’s part of working as a freelancer.  Remember that the editor or client has the readers’ interests in mind, and they want to produce a high-quality magazine that their readers will enjoy. It’s your job to help them achieve that. You may not like getting negative feedback from them, and you may not like having to rework an assignment, but without it, you won’t have a chance to prove yourself to the client.  

    Most important, keep a positive attitude. Feeling depressed or angry or frustrated won’t help your cause, and it won’t impress the client/editor. Don’t hold a grudge either. As soon as you submit the revised article, let go of any negative feelings you have and move on. I know that’s not always easy to do, but it’s necessary for the sake of your sanity and your freelancing career.

Using Meditation to Make Yourself a Better Writer

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There are numerous ways to improve yourself as a writer—attending conferences and workshops, pursuing an advanced degree, writing every day, reading books about writing, among other things. But there’s one more way to become a better writer that is often overlooked.

Meditation.

Yes, meditation offers numerous benefits for writers. For example:

* Meditation can help calm the mind and slow down your thoughts, which can help you think more clearly. You might see solutions to your plotting problems that you didn’t notice before.

* Meditation can help you get in touch with your inner self, to access thoughts, ideas and emotions you might have buried.

* Meditation can help you feel less stressed when faced with writing deadlines, blank pages and a daunting writing process. It can help you deal with writing anxiety.

* Meditation can boost your confidence so you feel more comfortable tackling difficult tasks or working out of your comfort zone.

Granted, meditation take practice. But with a little time—no more than 10 minutes a day—your daily mediation practice can help you stay focused and calm, and help you access the most creative part of yourself. That can result in better writing and better stories.

What is the connection between meditation and writing?

With meditation, your mind calms. A calmer mind opens a gateway to creativity. It’s like unlocking a door and gaining access to a room who have always wanted to enter but was never available to you. Meditation also reveals aspects of yourself that you might have unintentionally kept hidden, aspects that come forth with your writing.

What writing won’t do….

Unfortunately, meditation can’t help you do a lot of things, like clear up a messy desk so you can write. It can’t improve your technical writing skills, such as grammar and punctuation. It can’t give you more space in your schedule so you have more time to write. These tasks are still up to you to do.

Meditation also can’t cut out the negative feedback you might receive about your creative talents, BUT it can help you deal with negative feedback with greater equanimity. You can still accept the comments but with a calmer mind, negative feedback won’t throw you off your game. It’s like having an invisible coat of armor around yourself; any negative comments will simply roll off your shoulders.

How to begin a meditation practice

As I mentioned, all you need is 10 minutes a day to quiet your mind. The easiest place to begin is in your own home. If it’s possible, find a place that is quiet and free of noise and distractions, such as your bedroom. Sit in a chair with your feet planted on the floor, or sit cross legged on the floor. Try not to sit on the bed as you might be tempted to lay down and nap!

Shut off your phone or leave it somewhere where you can’t get to it. Remember, with only 10 minutes for your practice, you don’t want to waste it worrying about your phone.

Once you are settled in place, close your eyes. Begin by breathing deeply. Focus on your breath. Each inhale and exhale will feel like a pendulum swinging back and forth. Breathe in. Breathe out. Repeat.

Your breath becomes a mantra that your mind follows. Your thoughts might still race, but when you notice it, let them go. Don’t dwell on them. Let them roll past like an insect flying past a window. When you feel ready, open your eyes. Note how you feel. You may feel nothing the first day, or the first week. You may feel it didn’t make a difference at all. But your efforts will pay off eventually. If anything, because you slowed your breathing, you might feel calmer and clearer.

As you gain more experience, you can try more advanced meditation exercises or lengthen your sessions. You can also try some apps, but I usually find them more of a distraction. Still, you can find one that works for you.  

Here are a few things to keep in mind about meditation:
* Be patient. Don’t expect results overnight. In fact, you may not notice any significant changes in several days or weeks. But stick with the program. Quieting the mind has a cumulative effect. It will build over time.

*Be consistent. Practice your meditation a little bit every day. Because of its cumulative effect, it’s important to be consistent with your practice.

* Don’t compare yourself to others. Everyone is different. Each person will experience meditation in their own way. Find what works best for you.

With a little bit of effort, you can make meditation a part of your daily routine and it can be a valuable part of your writing practice.

Strategies for Coping with Writing Anxiety

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Writing doesn’t come easy for a lot of people. The prospect of writing even one word paralyzes them. They’re so anxious about writing something that others will eventually read that that freeze, unable to write a single word. Even the most prolific published authors claim to feel anxious about the writing process some of the time.

Writing anxiety is a very real thing, affecting hundreds of thousands of people each day. It’s far more common that you think.

I’m not talking about writer’s block, which is the inability to come up with the topic or story you want to write. You draw a blank when you stare at the page. You are literally blocked from writing anything.

Writing anxiety is different. It’s defined as the tension, worry, nervousness or other negative feelings about a writing task. Think of it as stage fright for the written word. Just like a novice actor might freeze up under the spotlight, so do writers freeze up when they have to write about something.

It doesn’t matter if what you’re writing is a 300-page novel, a 1000-word essay, or a letter to someone you know and care about. Writing anxiety can strike at any time.

Whereas writer’s block occurs when you can’t think of anything to write about, writing anxiety is more about the feelings associated with your message and audience. You may know exactly what you want and need to say, but fear how it will be received.

Causes of writing anxiety

Experts say there are numerous causes of writing anxiety—from the pressure to perform to trying to please a specific audience. Fortunately, there are several strategies that can help you work through your writing anxiety.

Cause #1: Pressure to perform.

Writing anxiety may occur when you perceive the stakes to be high. For example, a grad student who is required to write a dissertation to complete their academic studies may feel anxious because the stakes are so high. The pressure to perform a writing task at a high level to receive the promised rewards can increase a person’s anxiety.

Cause #2: Lack of understanding of the writing task.

When a writing assignment for work or school seems complex or vague, that can cause some anxious moments too. No matter how many times you look over the assignment, nothing makes sense. It’s difficult to know where or how to start a writing project when you’re not sure what the finished product is supposed to look like. Lack of understanding of the writing task can result writers to feel anxious to the point that they produce a poor quality product.

Cause #3: Desire to please someone or a specific audience

Sometimes writing for a specific audience can cause some anxiety. For example, if you’re submitting an essay for a writing contest, you might feel anxious about being judged by a group of strangers. Or perhaps you’re trying to impress a new client after they’ve given you the first assignment. You want to do your best work, but with the stakes so high, you agonize over how they will view your work.  

Cause #4: You’re attempting to learn a new writing style

As writers, we’re often faced with learning a different style of writing. Perhaps as a novel writer, you’ve never written poetry before. Or as a longtime business writer, you’re trying your hand at writing grant proposals, which is not part of your portfolio. There can be some anxiety when you’re learning something new.

Cause #5: Desire to please someone close to you.

If you’ve ever had someone in your life who has had high or perfectionist expectations of you, you know how anxious you can feel to try to meet those expectations. Or conversely, they belittled your desire to be a writer. Even if that person is deceased now, their words of encouragement (or discouragement, as the case may be) can still ring in your ears many years later. This, too, can create feelings of anxiety whenever you sit down to write.

Any one (or two) of those causes can paralyze you into inaction, resulting in writer’s block.

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Strategies to counter writing anxiety

Fortunately, there are ways you can deal with writing anxiety. The nervous feelings may never go away completely, but these strategies can help you work through the issues preventing you from writing.  

Strategy 1:  Do some soul searching.

Pinpoint why you’re feeling anxious about writing. Is it the process that scares you? Is the assignment too complex or vague? Or are you trying to please someone with your writing?

Journaling can help you sort through your feelings and thoughts. Or talk to a close friend or relative who can lend an empathetic ear and perhaps provide valuable insights.

Strategy 2: Be clear about the writing task.

If the reason for the anxiety is a writing assignment that is vague or complex, talk to the person who assigned the task to get their perspective. The last thing you want to do it tough your way through the assignment, then turn in something that doesn’t meet their requirements. Get clear about what is expected before you begin.

Strategy 3: Break down the writing project into smaller pieces.

By tackling smaller chunks of the assignment, you won’t feel so overwhelmed. If you’re writing a dissertation, for example, tackle a section at a time, even one page at a time. With a little bit of effort each day, you’ll soon see steady progress as the number of completed pages grows.

Strategy 4: Don’t worry about first drafts.

First drafts are never perfect. Get your ideas down on paper first. You can always refine them later. Alternately, you can use an idea board for working out the overall project. I like to use the bullet point method where I jot down each individual idea that I want to include in my manuscript as bullet points. This approach helps me organize my thoughts and makes sure I’m including every detail.

Strategy 5: Do all your research up front.

If your writing project involves research, doing much of your research before writing can help you understand your subject well. You become a mini-expert and gain confidence in your ability to speak and write about the topic. The writing process goes much more smoothly when you feel confident about the subject matter.

Strategy 6: Read your finished work out loud.

It’s never easy to hear criticism about your written work. It might help to read your piece aloud to someone and get their feedback. This will help you get used to the feedback/critiquing process. Reading it aloud can also help you pinpoint problem areas in your writing so you can correct it before you submit it.

Have you ever suffered writing anxiety? What strategies did you use to get past those feelings so you could write with greater confidence?

Tips for Navigating Book Sales


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Like most book nerds, I can’t resist a book sale. So when the Newberry Library in Chicago held their annual book sale this past weekend, I couldn’t resist checking it out.

I’ve been to a few other books sales in the past – libraries weeding out inventory, used bookstores closing, etc. Each one has presented its own challenges and opportunities. While they can be fun, it’s easy to get caught up in the moment and lose sight of why you’re there.

I recall one book sale I attended a few years ago. A shop that was closing announced it was giving away its inventory. People were invited to bring bags and boxes to grab all the items they wanted for free. Customers were lined up outside the door and down the street! I walked out of there with about a dozen paperback mysteries, most of which I never read and wound up donating elsewhere.

With so many books to choose from, the book sale experience can be a bit overwhelming. That’s why I suggest having a plan so you don’t get distracted and overbuy, (or in the case above, grab more than you will ever read.). Yes, there is such a thing as buyer’s remorse in book shopping.

Here are a few other tips so you can escape from the book sale with your sanity—and budget—intact.

Tip 1: Be prepared. Make a list of book titles and/or authors you’d like to add to your existing collection. Stick to that list, if at all possible. Naturally, you’ll find gems you hadn’t expected to find, but that’s okay. Allow a little room in your plan for those unexpected. But don’t go overboard. If you stick to your plan, you’re less likely to get distracted, less likely to overbuy.

Tip 2: Set a specific goal. Part of your plan should be to set a goal for your book sale excursion. Do you want to add more classics to your collection? Do you want to find a new genre, such as science fiction if you’re not used to reading those types of books.

Tip 3: Set a budget. It’s easy to go overboard when you’re browsing hundreds of deeply discounted books. This is especially important if you’re on a limited budget. So setting your limit to 10 or 20 dollars will get you the books you want without breaking the bank. Alternately, set a cap on the number of books to buy. Even if that quantity is one. (But if you’re like me, you can never stop at one). By setting a budget or cap on purchases, you’re practicing the necessary discipline while still enjoying the thrill of the chase.

Tip 4: Walk around the shop or library first. It might help to get the lay of the land before actually shopping. That way you can see what types of books are available, how much they cost, how many they have in stock. Of course, if there’s only one of the item you desperately want, I’d grab it before someone else does.

Tip 5: Bring your own bag (or box). This is especially important if you plan to purchase a lot. Remember to keep the bag or box small because, as I’ve learned from experience, the bigger the bag, the more likely you’ll want to fill it!

Most important, be sure to thank the hosts. Books sales require a lot of work as well as the time and commitment of many staff and volunteers. Let them know how much you appreciate their effort. And if it’s a closing book shop, thank them for their years serving the community.

With a bit of planning and discipline, books sales can still be a fun way to add to your book collection.

Why I Don’t Read Book Reviews

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I’ve never understood the appeal of book reviews, or any kind of review for that matter. Why does it matter if someone else believes a published book, movie or TV series isn’t worth reading or seeing?

Everybody has their own interests and tastes. So if one person says they don’t like a certain author or movie, it doesn’t mean that others may not like it. I prefer to make my own judgment rather than someone else tell me what I should or shouldn’t like.

Over the years, I’ve learned to rely more on my personal tastes and sensibilities to decide what books I will buy. I’ve taken enough writing classes to understand what makes a good story. I know what kinds of stories appeal to me, what makes my pulse race and what makes my imagination soar. I have enough literary interests to keep my book shelves well stocked—all the time.

If you already know what types of books you enjoy, reading book reviews seems like a waste of time. What background can they give you that you can’t already find on the inside flap or back cover?

Instead of relying on book reviews, there are other things you can do to determine what to read next.

  • Read the online description. Many book review sites provide a detailed summary of the story. Some also give readers a chance to “Look Inside” to read the first few pages. That might be enough to pique someone’s interest before they buy.

  • Read the book summary on the back cover or inside flap. If shopping in person, skim the summary on the back cover or inside flap. Much like the online review site, there’s enough detail in the book description to help me decide if I want to purchase the book.  

  • Read the first page (or two or three). If the summary piqued my interest, I’ll move on to reading the first couple of pages. This gives me a sense of what the writing is like. Does the story grab me from the start? Is the protagonist likeable or can I relate to them? Is the story written in first person or third person? (I like first person because it helps me get inside the protagonist’s head.)

  • Get referrals from other avid readers. The best book recommendations I’ve received over the years were from friends who gushed about a novel they had read. If someone likes a book enough to mention it to me, I take it as a sign that I need to add it to my TBR list. This approach extends to strangers you meet too. I once received a book recommendation from a fellow passenger on an airplane. She saw me reading a novel by Lisa Genova, tapped me on the shoulder and suggested I read another one of Genova’s novels. It turned out to be an excellent recommendation too!

  • Avoid reading professional critiques or reader reviews, if at all possible. I avoid reading user reviews and professional critiques because I don’t want to be influenced by outside opinions. Like I mentioned, I trust my own literary judgment, and I’m familiar enough with different authors and genres to know what I already like. Reading reader reviews or professional critiques won’t add anything to my foundation of knowledge.

    One word of warning: Beware of review bombs. While negative reviews happen, review bombs can be insidious, and sadly, they’re happening with greater frequency.

    Review bombing is an internet phenomenon in which large numbers of people flood a review site with negative reviews of a book (or movie, TV show or computer game) for the purpose of hurting sales or viewership. The reviews often have nothing to do with the book. Instead, reviewers express disapproval of the author or publisher based on some political or cultural issue. In some cases, the onslaught of negative reviews has resulted in the author delaying publication, which is sad considering how much time they’ve spent on creating their art.

    You can read more about review bombing at The Conversation and at Slate.

    That’s another reason why I avoid reading reviews. You never know who is writing those reviews, or why. Relying too much on book reviews can take the joy out of discovering new books and new authors for yourself.

Seven Reasons It’s Okay to DNF a Book

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Growing up, I was taught never to quit anything, whether it’s a meal, a work project, a game, or a movie I was watching. That same mindset has carried over into book reading. For years, I pushed through books that I wanted to give up on, except for that little voice inside my head that warned me not to. The voice that told me to “Finish what you start.”

 But lately, I’ve been rethinking that “rule,” especially with regard to reading books. There are simply too many intriguing book titles on the market these days, and so many genres and authors to explore. There aren’t enough hours in the day to read everything I can get my hands on, and my TBR shelf is bulging with volumes. Why would I want to stick with a book that wasn’t holding my interest when there are so many other possibilities?

Then there’s another reason for the rethink. I’m not a very patient person, and I don’t like wasting my time on a story that just isn’t working for me. Time is precious, and I want to make the most of the time I have reading those books that do interest me.

In case you haven’t figured it out by now, DNF means Did Not Finish. You know it may be time to quit a book when the story in your hands drags like a snail on hot pavement. Or you’re constantly eyeing your TBR shelf, wondering what to read next.

A book needs to grab my attention from the opening pages, and keep it going to the very end. Otherwise, I toss it aside, usually for another time. I like to give most books at least three attempts before giving up on it.

So why do I DNF a book? There are a number of reasons.

  • The plot moves too slowly. This is usually the most common reason I quit a book. The premise is fine, but the story doesn’t quite live up to it or, worse, the plot moves too slowly. This is when I start eyeing my TBR shelf for alternatives. Most of the time I can gut it out. Other times, I’ve set the book aside, read another book, then pick up the first one again to finish. If I still can’t get into the story, then it’s time to add it to the DNF pile.

  • The language is too complex or difficult to understand. It’s a rare occurrence that I come across a story with complex language. It could be a detailed explanation of a boat’s features or sailing technique, or it could be the regional dialect of the characters. That’s when I can get stuck on trying to understand the language and can’t enjoy the story. That’s when I get frustrated and have to set the book aside.  

  • Life gets too busy. We’ve all been there. Sometimes, you start reading a book believing you have time to finish it, but then life happens. Your car needs to be repaired or your in-laws have decided to visit. You have the best of intentions when you start reading, but there’s too much going on in your world to give the book the attention it probably deserves.

  • Scenes made me feel uncomfortable. As I get older, I find I have less tolerance for stories with violence, offensive language and graphic sex. They no longer hold any interest for me. Granted some scenes like this can’t be avoided, but all the same, that’s another reason I might DNF a book.

  • The timing wasn’t right. You might start a book, read a chapter and can’t quite get into it. The story may be fine, but maybe the timing isn’t quite right. For example, when the pandemic hit a few years ago and everyone was hunkering down at home, I had started reading Love in the Time of Cholera. After reading 20 pages, I set it aside because the story was too heavy and somber for the times, and seemed too much like what we were all living through at the time. I realized I needed to read something more lighthearted, so I set the book aside. It’s still on my shelf, however, waiting for the right time to jump into it.

  • The author made their point a long time ago. This is especially true when reading memoir or non-fiction. The author may share their premise in the introduction, then again in the first chapter. When it seems that the same point was repeated in following chapters, I’ve put the book away. The author didn’t seem to have anything new to say. If they’ve made their point in chapter one, why would I want to read the next 20 chapters?

  • Too much backstory and not enough action. Some books I’ve read have been so bogged down in details and lacked enough action to keep me reading. This is especially true for some science fiction stories that rely on world building. The author can get so caught up in describing the alternate world that the actual plot gets lost. That’s when I’m eager to quit the alternate universe and return to reality, back to the safety of my TBR shelf..

I generally give a book three tries, usually up to page 50. I figure 50 pages is enough to determine if the story is keeping my interest. Then if it still does not grab me, I give up on it. That’s when I make plans to find a new home for the book or donate it to the nearest Little Free Library..

With so many other literary choices available, there’s no need to feel guilty about DNFing a book. You can always come back to it later or pass it along to someone who might appreciate it more. Have you ever DNF a book? If so, why? What traits does it have to force you to give up on it?

Take a Literary Tour of Chicago

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A few weeks ago, I wrote about ways to enjoy a book-themed vacation. Ideas ranged from a reading staycation with lots of beach reads to reading in a different location in your hometown. Another idea was literary tourism, either in your own town or in another location well-known for its literary history. Think London, Paris or San Francisco.

I’m fortunate to have grown up in Chicago, which has its own literary history. It’s the birthplace of numerous famous authors, such as Ray Bradbury (in suburban Waukegan), Sandra Cisneros, Gwendolyn Brooks, Richard Wright and mystery writer Sara Paretsky, among others. It’s also provided the backdrop for numerous books, films and TV shows.. With so much literary history, there’s much to see and do.

Here’s a quick rundown of what you can experience if you decide to make Chicago a literary vacation destination.

Museums, libraries and landmarks:

American Writers Museum – One of my favorite places to hang out, the American Writers Museum provides exhibits, workshops and author discussions, all dedicated to the art and craft of writing.

Newberry Library – Not only home to the world’s largest three-day book sale, but a great place to go to learn about genealogy. It’s also the backdrop for numerous scenes from Clark and Division, Naomi Hirahara’s historical fiction/mystery novel set in the late 1940s.  

Museum of Science and Industry. If you’re a fan of Erik Larsen’s Devil in the White City, check out the MSI, which is the only remaining structure left from the 1893 World’s Fair

Poetry Foundation – For those interested in poetry, this modern building is a beautiful setting that can inspire any poetic soul. With more than 30,000 volumes of poetry, the foundation’s library is the only one in the Midwest dedicated to poetry.

The Sulzer Library – Housed in a historic building on the northwest side of Chicago. Compare that to the modern setting of the main Harold Washington Library. Take a tour of local libraries, some housed in beautiful old buildings, like the one I frequented when I was a child.

Monandock building – Located in the South Loop among many other older office buildings, the Monandock building is where Sara Paretsky’s private investigator V.I. Warshawsky had her office. In fact, if you’re a fan of Paretsky’s work, you can visit all the locales mentioned in her books, courtesy of Chicago Bike Adventures.  

The Understudy Coffee and Books – When you’re ready to take a break from all the sightseeing, visit the Understudy, a theater-themed coffee shop and bookstore. Located in Andersonville on the north side of the city, you can browse books about set design, acting technique and plays.

Author homes in the city:

Interested in finding out where some Chicago authors were born and raised? Check out this map from the Chicago Literary Hall of Fame, which pinpoints key literary locations in and around the city. You can find out amazing details about some of the most prominent authors from our fine city, including:

L. Frank Baum, author of The Wizard of Oz, who grew up in a house at 1667 N. Humboldt Blvd. The home has received a Chicago Tribute Marker of Distinction. (Number 8 on the map)

Sandra Cisneros’ house, similar to the one that she described in The House on Mango Street. (No. 17)

Saul Bellow’s childhood home on Augusta Boulevard, which was given the honorary status of “Saul Bellow Way. (No. 11)

Nelson Algren fountain and his favorite saloon (No. 4 and 5)

Richard Wright’s home where he lived with his extended family from 1929 to 1932 (No. 33)

Outside Chicago:

Earnest Hemingway Birthplace and Museum – Hemingway may have made his home in the Florida Keys, but did you know he was born and spent his early life in Oak Park, outside of Chicago? Visit the old Queen Anne home where he was born, and check out the numerous artifacts from his childhood in the museum.
 
Ray Bradbury – Sadly the Ray Bradbury Experience Museum in his birthplace of Waukegan, closed in May 2023. However, you can still find memorabilia of his life and career at the Waukegan Public Library, such as his typewriter and a statue of him outside. His personal collection of books and artifacts will be on display at the Waukegan History Museum at the Carnegie, which is under construction as of this writing.

Carl Sandburg Historic Association Site in Galesburg – Born in Galesburg, Illinois is 1878, Sandburg was a Pulitzer Prize winning author of poetry and history. He also wrote biographies, fiction and newspaper articles, and was a lecturer and folk singer. With the help of the association’s driving tour brochure, you can visit all of the Sandburg historic sites in Galesburg. 

I’m sure there are plenty more literary themed sites to visit throughout the state that I have not mentioned. Wherever you go, keep it educational, literary and fun.

Seven Ways to Enjoy a Book-Themed Vacation

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Some years ago, a friend told me he was taking a staycation with time devoted strictly to reading and seeing movies at the theater. I thought it was a brilliant idea, one that hasn’t gotten old in the years since.

More recently, I’ve come across a similar concept – the bookcation. A bookcation is a vacation in which all you do is read. You might choose two or three books of a similar genre or author, or two or three books of different genres or authors. That’s the beauty of the bookcation. You can make it whatever you want it to be. You can read how much you want and wherever you want—whether that’s at the beach, at a coffee shop or at home in the comfort of your bed.

Another variation is the literary vacation. This type of vacation is focused on the settings of famous books. The locales may be glamourous like London or Paris or India, or they can be closer to home. The state of Illinois tourism website Enjoy Illinois offers several ideas for literary tours in the state. You might find similar-themed tours on the tourism websites for your state or country.

There are numerous ways book lovers can enjoy a summer book-themed vacation. Here are a few other ideas:

For the staycation:

1. Read books centered around a certain theme. The most obvious choice is the summer beach read. These are usually light reading, usually a rom-com or women’s fiction. One author that comes to mind is  Elin Hildenbrand whose books are usually located at beachy resorts on the East Coast. Jennifer Weiner and Rebecca Serle are other good options. For summer beach read options, do a Google search. You’ll be amazed at the number of listings that show up.  

2. Read books around a certain genre. Perhaps you want to read only memoirs and immerse yourself in the lives of celebrities. Or read only cozy mysteries or catch up on the latest bestsellers.

3. Read books that take place in a certain location. If you’ve never been to Paris, for example, you can immerse yourself in all things French in the City of Light. Read French authors like Nina George (The Little Paris Bookshop) or Victor Hugo (Around the World in 80 Days). Or maybe you prefer to spend a summer checking out San Francisco without ever leaving your town. Check out this book list by Beyond the Bookends blog, which has tons of book lists based on locations.

 4. Read in a different setting every day. On day one, head to the library to read. On day two, head to park, pack a lunch and set out a blanket under a tree for your reading session. On day three, choose yet a different location. If you live in a larger city with multiple parks, try visiting a different park every day during your bookcation. Or visit a different library, beach, book shop or coffee shop. Even if you’re close to home, you can still feel like you’re getting away from it all by visiting a new place every day.

For literary travelers:

5. Become a literary tourist in your hometown. Are there destinations in your city or state that has a famous literary connection? Was a famous author born in the area? Or was there a theatre or university that was the setting for a movie or mystery novel? Compile a list of places that have those types of literary connections and visit them. Check local tourism sites to see if there are any similar tours. Or check out Author Adventures, which shares literary road trip ideas within the U.S. and by state.

6. Visit literary locations outside your own region or country. If you’re more ambitious and have the financial wherewithal, you can explore literary destinations abroad. Check out travel ideas on the Get Literary blog and TCK Publishing blog. Their suggestions include everything from visiting the site where the Outlander TV series is filmed in Edinburgh, Scotland, or visit the places frequented by Earnest Hemingway in Cuba.

7. Choose one literary city and visit book-themed locations there. For example, in London, visit libraries, universities, and bookshops. Or find a tour of famous author homes.

Whether you travel near or far, book-themed vacations are not only educational, they’re fun.