Author: The Regal Writer

Business writer, editor, blogger and communications consultant seeking to help people find their writing voice and tell their personal stories.

Books to Read for Hispanic Heritage Month

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Every so often, I like to share a list of reading recommendations–books I’ve either read or would like to read. Usually, they’re focused on a specific genre or location.

For example, in August 2024, to go along with the Summer Olympics in Paris, I shared a list of books by French authors or stories that took place in France. Earlier that same year in March 2024, I posted a list of books by Irish authors or with settings in Ireland to go along with St. Patrick’s Day..

As Hispanic Heritage Month gets underway, I thought it would be fun to compile a list of books by Hispanic authors or set in Spanish-speaking countries. The list covers a range of genres from literary and historical fiction to magic realism and romance. What I appreciate most about these stories are the unique characters and colorful settings. The true magic is in the storytelling, which brings the Hispanic heritage to life on the page.

I’ve broken the list into two sections: books I’ve read and books I’d like to read. Perhaps you’ve read these books yourself or have your own favorites to share. I welcome them in your comments.

Books I’ve Read

Bless Me, Ultima by Rudolfo Anaya.  I first heard about this book when it landed on PBS’ The Great American Read list of must-read books several years ago. It’s a coming-of-age story about a young boy’s spiritual transformation, guided by his mentor, an elderly medicine woman. I found the story fascinating. As with many stories written by Latino authors, there’s plenty of magic and surrealism. The book has been banned in some locations because of its Spanish profanity and occult themes.

Like Water, For Chocolate by Laura Esquival. I remember seeing this as a movie so I wanted to read the novel too. It has romance, magic and tragedy featuring an all-female family. Youngest daughter Tita has fallen in love with Pedro, but cannot marry him because Mexican tradition requires that she must stay and care for her mother until she dies. To stay close to Tita, Pedro marries her older sister. Meanwhile, Tita pours all her unresolved emotions into her cooking, which makes for some interesting results. 

The Alchemist by Paulo Coelho. It’s been a long time since I’ve read this book, which is considered a modern classic. It’s the story of a shepherd boy named Santiago who yearns to travel the world and the treasures he finds along the way. It’s a story about longing, the wisdom of listening to our hearts and learning to follow our dreams. I may have to re-read this one.

The House on Mango Street by Sandra (Esperanza) Cisneros. Written by Chicagoan Sandra Cisneros and structured as a series of vignettes, this novel appeared on The Great American Read list and is considered a modern classic. It follows 12-year-old Esperanza, a Chicano girl growing up in a Hispanic neighborhood of Chicago over the course of one year where she enters adolescence and faces the realities of living in a poor and patriarchal community.

In The Time of The Butterflies by Julia Alvarez. I loved this historical fiction novel about the four Mirabel sisters who fought back against the Trujillo dictatorship in the Dominican Republic. Written from their four different perspectives, their bond as sisters and family grew even as the world they once knew fell apart.

I Am Not Your Perfect Mexican Daughter by Erika Sanchez. This Young Adult novel features a young girl Julia dealing with the loss of her older sister and the pressures and expectations of her family, particularly her overprotective mother. Instead, Julia has dreams of her own, including moving out of her neighborhood to explore the world.

Mexican Gothic by Silvia Moreno-Garcia. I’ve had this book on my shelf for the past year, and I’m finally getting around to reading it. Though I’m only a couple of chapters in, I am enjoying it so far. The book is described as a blend of creepy horror and classic gothic tropes, set in a crumbling mansion in the mountains of Mexico in the 1950s. It’s earned high praise from critics and readers alike, so naturally I want to read what the excitement is about.

Books to Read on My TBR Shelf

One Hundred Years of Solitude by Gabriel Garcia-Marquez. This title lands at the top of almost every must-read list. It’s been sitting on my shelf for several years and I haven’t opened it yet because I find the size (more than 500 pages) is rather daunting.

In The Time of Cholera by Gabriel Garcia-Marquez. This one is also on my shelf. I tried to read it once, but it was at the start of the pandemic. The plot was too much like what we were all going through at the time.

How the Garcia Girls Lost Their Accent by Julia Alvarez. The follow up to In The Time of the Butterflies, this story spans 30 years in the lives of four sisters, told from their different perspectives, as they begin their adult lives in the United States. The cool thing about this novel is that the story is told in reverse chronological order with the story concluding in their native Dominican Republic as children.

The Spanish Love Deception by Elena Armas. For a change of pace from the somber tones and serious themes of previous works, here comes a rom-com I’m looking forward to reading. Besides, who wouldn’t want to be invited to a wedding in Spain?

The House of the Spirits by Isabel Allende. This novel has been on my wish list for several years. Combining elements of romance and magic realism, this title appears on many must-read book lists and has received praise from readers and critics alike.

Of Love and Shadows by Isabel Allende. Of Allende’s many other published works, this is next in line to read behind The House of the Spirits.

Romance, mystery and magic are hallmarks of these stories, which makes them more fun to read.

Use These Prompts to Kickstart Your Autumn Writing Practice

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There’s a hint of autumn in the air (at least where I live). Once Labor Day passes, I’m ready for pumpkin spice and apple cider, fall foliage, and making soups and stews.

It’s also an opportune time to reconnect with your writing routine especially if the long, hot, humid summer zapped your creative juices. If you’re looking for a chance to start up your writing routine or need some fresh story ideas for fall, I’ve put together a list of 40 prompts that can kickstart your imagination, including a few for Halloween and Thanksgiving. Feel free to embellish or tweak to fit your genre, whether that’s romance, fantasy or narrative nonfiction.

Hope these ideas inspire you to have a little fun with your writing this autumn season.

Just a reminder too that you can find writing prompts on my website, which are updated every couple of weeks.

Autumn-Themed Prompts:

1. An event that takes place in an apple orchard or pumpkin patch.

2. A child/children follow a black cat to some unknown destination.

3. A pumpkin carving contest with a surprise twist.

4. Someone gets lost in a corn maze.

5. An event or mishap takes place during a football game.

6. Grade-school students get a surprise visit from a famous person.

7. A group of people plan the annual fall festival.

8. A farmer and his crew bring in the fall harvest.

9. A character discovers or invents a new autumn-themed beverage.

10. A battle of the marching bands reaches a crescendo during a half-time show.

11. A football player pops the question to his girlfriend on the field.

12. A group of alumni celebrate their university’s Homecoming weekend in an unusual way.

13. A couple marries during a fall-themed wedding.

14. Something surprising and unexpected happens during a tailgating party.

15. A newlywed couple in their new home makes their first attempt at fall housekeeping, including cleaning the garage or attic and clearing out the gutters.

16. A story featuring caramel apples or apple cider donuts or some other apple treat.

17. Someone attempts to make soup, stew or chili and mistakenly adds one surprising and unexpected ingredient.

18. A character reminisces about the last day of the weekly farmer’s market.

19. A story that features one of the following: hot cocoa, hot apple cider or pumpkin spiced latte.

20. Someone sees the fall foliage for the first time.

21. A grade school class goes on a fall-themed field trip – farm, petting zoo or cemetery.

22. A broadcaster makes a blooper during a live telecast of a football game.

23. Someone discovers an old cedar chest in the attic, but it’s locked. How do they get it open? What do they find?

24. Someone without baking skills reluctantly joins a baking contest.

25. A college professor finds a mysterious package on their desk.

Halloween and Thanksgiving Themes

26. A young girl meets a friendly ghost in her new home.

27. A PTA meeting or dance takes place at a haunted high school.

28. A character watches a horror film for the first time.

29. A group of friends or a family tell ghost stories around the campfire.

30. A character wakes up one morning and finds a real skeleton in their closet.

31. A scarecrow in a corn field comes to life after dark.

32. Instead of leaves changing bright colors, they turn purple or black. Why did this happen?

33. Two rival families compete for the town’s annual Halloween decorating contest.

34. College students car pool home for Halloween weekend. What happens when their car breaks down or they make a wrong turn?

35. A child wakes up one morning and discovers he/she has magical powers.

36. A character experiences Halloween or Thanksgiving for the first time.

37. Something goes terribly wrong at the Thanksgiving Day parade.

38. An unexpected and unwelcome guest arrives for Thanksgiving dinner.

39. A character is forced to share a ride home for Thanksgiving with someone they don’t like.

40. Children find something unusual inside their Trick or Treat bag of goodies.

The Path from Journalist to Fiction Writer

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Writers come from all walks of life. Many have had previous careers, such as lawyers, doctors and journalists. No matter our background, we have one thing in common: a desire to tell stories. However, the journey to get published isn’t the same. In fact, it’s a struggle for most. That shouldn’t stop us from trying however.

I came from a professional background in association publishing. I knew how to string together complete sentences to present clear ideas. But how that would translate into a fiction writing career remained to be seen.

For me, writing an 85,000-word novel was a huge challenge. But did I have the patience and determination to see it through? That was the question. One I was itching to find out.

I started on this writing journey for several reasons.

* To determine the next chapter in my career. I was at a crossroads and wasn’t sure what was next for me. I had just left a full-time job after eight years and I wanted to take time out to consider other options. One thing I knew for sure was that writing was the core of my being, and it would play a significant role in my career in some shape or form.

* To fulfill a fantasy. I had toyed with the idea of writing a novel earlier in my life, but did nothing with it, likely because I didn’t know what I was doing. I knew nothing about story structure or scene development back then, nor were there the amazing number of sources available to help a newbie like me to learn the ropes.  

* To meet my accountant’s challenge. While getting my taxes done about 10 years ago, I updated my accountant on my job search woes. I confided that I wasn’t sure what to do next in my career. Her response? “I think you should write a book.” The challenge was on. My dear accountant has since retired, but I still hear her words of encouragement in my head.

* To sow the creative seeds that were sprouting in my brain. I don’t know if it was all the free time I had after I left my job or the writing classes I took, but my creative muse started working in earnest, spitting out story ideas like a factory. I had no choice but to work with them. I started to see story ideas everywhere, and there were too many to ignore. I saw them as a sign to take my dabbling to the next level.

Even though I wanted to take my writing to the next level and explore different genres, I knew there was plenty of work I needed to do. How did I move from corporate writer to aspiring novelist?

* I signed up for writing workshops and classes. It was at a local writing studio that I was able to unleash my creative writing juices. Being around other writers and getting their feedback helped me to hone my craft. 

* I subscribed to Writer’s Digest. Each issue is chock full of articles about the writing process, author interviews, agent profiles, news about the publishing industry, and tips for new writers. It also explores different genres, and gives a clear-eyed view of the writing life. There are other similar publications, like The Writer, Poets & Writers, Publishers Weekly (about the publishing industry) and Script Magazine (about script writing).

* I ramped up my novel reading. Since I had more time on my hands, I dove into my favorite hobby in earnest. I had forgotten how much I enjoyed reading. The more I learned about the writing process, the more I started paying attention to how the stories played out in the books I read. Reading was part of the self-education process.

* I started reading books about writing. The two best I’ve come across are by Stephen King (On Writing) and Anne Lamott (Bird by Bird). Though there were two very different approaches to writing, both provided the inspiration and motivation to support my writing goals.

* I started following authors, editors and publishing pros via newsletters and social media. I especially enjoy the insights shared by Jane Friedman, a former editor of Writer’s Digest, and book coach Janice Hardy. There are plenty of blogs and writing communities online covering the publishing business too.

* I joined a writer’s group. Though our group is small, only three people, we meet monthly to share best practices and motivate each other. The group is more about accountability and socializing than anything else. Still, it’s fun to talk shop with people who share my interests.

Though I started this journey in 2014, I’m still learning and growing. The more I have learned about writing fiction, the more I realize I need to learn and the more it feeds my determination to succeed. I hope one day to become published, and while I have accomplished a lot, that first completed novel to show editors and agents remains elusive.

For my readers and fellow writers who are in the midst of their own transitions or are considering one, here are a few tips based on my experience:

* Learn about creative writing and story structure as much as you can. No matter how much you think you know, there will always be something new to learn.

* Read as much as you can in your preferred genre. Notice how those authors crafted their stories and learn from their writing styles. It also helps you see what people are reading in that genre.

* Be patient with yourself. Learning about the writing process takes time and you will certainly make missteps along the way. Don’t beat yourself up when that happens. Instead, take a deep breath and start over. But don’t give up.

* Ask for help and support when you need it. Find a support group, not necessarily a writer’s group, but one or two people who will listen to your writing woes and be your biggest cheerleaders.

* Be consistent with your writing practice. That way you won’t lose momentum. Take breaks when you need it or when you feel stuck. Most importantly, have fun.

For more about this topic, check out these articles:

Navigating the Road from Journalist to Novelist
From Astrophysicist to Author: Tips for Making the Transition to Career Author
15 Tips for Starting Your Writing Career Later in Life

I’ll leave you with this wonderful tidbit of wisdom from science fiction author Mark Alpert: “Don’t worry about how long it takes to reach your dream. The long road just gives you more life experiences to enrich your fiction.”

How Writers Can Become Thought Leaders

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Several years ago, I interviewed for a writing job with an association. The Director of Marketing that I interviewed with told me she wanted someone who could translate her marketing lingo into simple and clear explanations to association members. The only problem was I couldn’t understand much of the marketing lingo she threw around like confetti. How was I supposed to translate her ideas if I couldn’t understand them?

One of those buzz words she kept repeating was thought leadership. To me, it was a vague marketing concept that held little meaning for me. When I finally dared to ask her what she meant by thought leadership, rather than calmly explain its meaning or give me examples, she got all huffy and annoyed because I didn’t know. Needless to say, I didn’t get the job, and frankly, I didn’t want it at that point because it was obvious we were not on the same page. 

Later, I wondered if she knew what she meant by thought leadership. It might have been clear inside her own head, but did she know how to explain it to someone else?

So in case you’re wondering what all the fuss is about, let me share some definitions. 

Thought leaders are individuals or firms that are recognized as authorities in a specialized field and whose expertise is often sought out and rewarded. Thought leaders are more than recognized experts; they drive discussions, inspire change, influence others to take action and solve real-world problems. 

Thought leadership content, by extension, consists of blog posts, videos, podcasts, images, etc., that demonstrate expert knowledge about a topic. They often contain research such as survey data, results from studies, and industry trends. As one marketing expert called it, “thought leadership is knowledge on the cutting edge.”

Don’t confuse thought leadership with opinion pieces, however, which lack the research element. Opinion pieces might give the author a voice about critical issues of our day and provide a personal perspective on the topic, but it usually doesn’t rely on research to make its point.

Why would writers want to become thought leaders? Why is it important for their writing careers if all they want to do is write my memoir or my novel? Isn’t it enough to be on social media?

Sarah Rexford, a writer, editor and SEO copywriter, says thought leadership may actually be more important than how many followers and likes you have on social media. She advises writers to embrace their personal brand. Start with what you love, she writes. What are you passionate about?

“When you build your brand around what you know and what you’re familiar with, you both embody your brand and grow as a thought leader,” Rexford writes. 

How to become a thought leader
Thought leadership is a writer’s path toward a creditable online presence. Even before you finish your first novel, think about how you want readers to think of you. Your author platform should include some thought leadership pieces so readers and potential readers can not only find you, but get acquainted with who you are. They’ll get a sense of your writing style too.

I suppose the first question to ask yourself is: what are you an expert about? Do you have any special knowledge or skills you can share with readers?

To become a thought leader, there are a few steps to take, as explained by educators with the University of Pennsylvania College of Liberal and Professional Studies.

  1. Start by creating high-quality content and publish it consistently. Focus on research-driven pieces that showcase your knowledge and understanding of industry trends, data and studies. The research can be about anything that interests you, whether that’s the publishing business, gardening or childcare. Avoid writing opinion pieces, however. Op-eds may express your personal thoughts about an issue and convey sometimes controversial stances, but they usually lack clear, deep research to make you stand out.
  1. Differentiate yourself in a crowded field. Browse the internet and you’ll find hundreds of blogs and podcasts about every topic under the sun. You can differentiate yourself by turning your personal experiences into relatable content. Provide a unique perspective or insight that readers won’t likely find anywhere else. Infuse the article with personal anecdotes to make it interesting and to create a balanced narrative. Readers want factual information with insight and analysis. That’s what makes thought leadership work. 
  1. Identify industry trends. Be alert for what’s happening in the world. Browse Google News for headlines, read widely from numerous publications and websites, attend conferences and listen to speakers, and network with other writers. Absorb as much information as you can so you become an expert and lead discussions with your readers.
  1. Engage with your readers. Don’t just invite people to read your blog. Engage with them by starting discussions. Answer readers’ questions if they comment on your piece. Build community around your expertise, and build a loyal readership. No one does this as well as Jane Friedman, who has used her expertise as a former editor of Writer’s Digest to share her knowledge of the publishing industry. She has created a community of writers and memoirists who subscribe to her newsletter, attend her online webinars or read the daily guest post on her website.
  1. Pay attention to your personal branding. Consider how you want readers to know you. Write with style and with heart. Be personable and engaging with others. Be the person that other people gravitate toward, not just for your expertise, but because you are kind and thoughtful. Remember that it’s your name on the blog post or news article, and it’s your face on the podcast. That’s the person readers and listeners will remember, and that’s at the heart of thought leadership.

As writers, we want people to recognize us and to think the best of us. But we can’t always hide behind our desks and hope to be noticed. Becoming thought leaders is one way for audiences to become acquainted with the creative people we are, long before we publish that first novel. 

How AI Can (and Cannot) Help Writers

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I recently attended several webinars about AI, and while I don’t think it’s appropriate for writing, I do see its potential in other areas, such as research and administrative tasks. 

I’m not alone. Many journalists and communicators are cautiously feeling their way around this new technology, wondering if and how it can make a difference in their workflow and productivity. The key is finding a balance between using it for practical purposes and maintaining creative and professional credibility.

How AI Assists Writers and Journalists

In a recent webinar by the American Society of Business Publication Editors (ASBPE), Bridget Botelho of B2B publisher Informa Tech Target outlined all the things AI can and cannot do. I think her insights are worth sharing. 

* Save time. Tasks like research or drafting a report using multiple sources can take hours. But AI simplifies the effort. Case in point: A colleague was charged with drafting a year-end report incorporating data from several sources that her employer had published throughout the year. Using AI, she was able to produce a rough first draft in a matter of minutes rather than hours.

* Research. Journalists like myself love this aspect of AI. We can ask AI to sift through vast amounts of data to uncover trends and connections. That makes it easier to write about those trends in a published article or news story.

* Cross-referencing. Users can request AI to cross-reference information claims against trusted databases to verify that the sources are credible.

* Transcription. Another aspect of AI I like is transcription. When recording Zoom interviews or attending press conferences, AI can quickly transcribe the recordings so you have a printed piece to review. I’ve used Otter.ai for this purpose which has been a huge time saver. You can set it up to connect with Zoom so it will automatically take notes during Zoom chats.

* Summaries. AI can generate concise summaries of lengthy articles, legal documents, research reports and speeches so you have a brief outline of key points.

* Source vetting. Looking for an expert to interview? You can ask AI to produce a list of sources with expertise about certain topics. AI will scour the web for their website and provide their background, location and contact information so you have their basic info before following up.

* Multilingual support. If you’re looking for a quick translation of a document that’s in a foreign language, say Russian or Arabic, AI can scour the language and present a clean English-language version.

Mind you, AI is not used for writing purposes but for non-writing tasks, such as research, administration, and organization. It’s meant to streamline our task operations so we have more time to do the things that DO matter, such as writing.  

What AI Cannot Do
Despite its advantages, AI has its limitations. There are many activities that are best performed by humans.

* Conduct nuanced interviews and build rapport with sources. You still need that ability to communicate and connect with the other person, listen actively for their responses and ask follow up questions. There’s a more active give-and-take when interviews take place.

* AI cannot break news stories. While it can collect and disseminate information upon request, it can’t keep track of what’s happening in the current moment. For breaking news stories, you need to follow the reporters who are on site gathering the news as it happens. You won’t find AI on the ground reporting on the wildfires or flash flooding.

*  AI can’t exercise ethical judgment on sensitive reporting situations. Journalistic reporting requires a certain amount of discretion so that sensitive information isn’t shared, such as the name of underage victims of assault.

* Understand cultural differences. While AI can handle quick translations, it doesn’t understand cultural nuances, say between the U.S. and Canada. The political environment in every country is different, so what might work fine in the U.S. may not be acceptable behavior elsewhere.

* Make editorial decisions that balance the public interest and ethical considerations.

* Generate a loyal following for your brand. It doesn’t know how to create the trust that’s needed to entice customers to follow your brand.

AI can’t do these things because it lacks critical thinking skills, which is (or should be) a human creator’s strength. Another characteristic it lacks is human emotion. It doesn’t know how to express love, fear, guilt, sadness or anger. That is where human writers excel, and that’s what sets us apart from the bots. For that reason alone, AI will never replace writers and journalists.

To use AI well is to understand its strengths and weaknesses, to recognize when it’s making stuff up, then push it to correct itself. It will do that, insist the professionals who use it regularly, especially if you say “please” and ‘thank you” in your prompt. 
Which leads to the final point of this discussion: make sure you prompt AI properly. One common mistake is to accept the output AI gives without looking at it critically. Here are a few  tips for creating prompts.

* Start with a simple request that describes the task you want done.

* Give clear directions. Describe the desired output you want, including format, structure, audience and any specific details you want included.

* Evaluate the output. Review the information from AI, check for quality and accuracy. Then provide feedback if something in the output seems off.

* Restate your request. Add on to your initial request with additional details to get the output you’re looking for.

* Double check the revised output. Always edit and fact check against reliable sources.

AI is here to stay. Rest assured it will not replace writers, editors and journalists. It’s up to us to make peace with this new technology and learn how to make it work for us. 

Dealing with Internal Distractions (or How to Get Out of Your Own Head)

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One of the most frustrating aspects of writing is dealing with distractions. You could be making steady progress on your current work-in-progress, only to be derailed by interruptions and negative thought patterns. But to be successful, or at least to successfully complete that beloved work-in-progress, you need to figure out a way to conquer those distractions.

There are two types of distractions: external and internal. External sources of distraction occur outside your work space. It could be extraneous noise, like ambulance sirens blaring in your neighborhood, the sound of drilling as construction work is being done outside your window, or a group of children playing. There could also be external interruptions closer to home–the frequent ringing of your phone, the sudden desire to do housework or the constant temptation to check your social media for updates.

For the purpose of this post, I’m focusing on internal distractions–the ones that claim valuable headspace. Those thoughts are often counterproductive, derailing you from your best creative efforts. There are five internal distractions that I’ve come across in my writing practice, and I’ve given each of them a name. You’ve probably met them at some point too. 

For each “character,” I’ll briefly describe how each one interferes with your writing practice and what you can do to limit its impact.

Negative Nellie
Nellie is a chatterbox who won’t stop talking about what a horrible writer you are. Her negative self-talk grates on your nerves and drains your self-confidence. If you keep listening to her, her words will sink in and you’ll begin to believe all the negative comments she makes. Negative Nellie is adept at pointing out all your faults and suggesting how you will never measure up.  Negative Nellie’s main purpose is to slow you down enough to make you rethink your career as a writer.

To offset Nellie’s negativity, you have to remain positive. To turn those negative thoughts into positive action, try repeating some affirmations. Here are a few examples, or you can create your own:

* I’m a talented and creative writer who works hard to develop my craft.
* I write every day with passion, enthusiasm, and determination.
* I experience joy whenever I write.

Debbie Doubter
Debbie is Nellie’s close cousin. They’re very similar in mindset, though Debbie isn’t as relentless in her derailing efforts as Nellie. Still, her words can hurt you by prompting you to question yourself. “What made me think I could become a writer?” or “No one will ever want to read what I’ve written.” Once you begin to doubt yourself, you lose faith in your writing, and you lose heart. If enough doubts set in, you might give up on writing altogether.

What you need at times like this is more confidence. One way to gain that confidence–and keep the self-doubt at bay–is to focus on your small successes. Did you write only 300 words when you were aiming for 1000? Congratulate yourself on those 300 words. Did you finally finish that chapter you’ve been slaving over for the past week? Great! That’s one more milestone you’ve reached. When you celebrate each small success, confidence builds over time.

Wendy the Worrier
Wendy wastes much of her time worrying about things that will likely never happen. That’s because her thoughts are geared toward the future instead of being focused on the present. “But what will you do if you fail?” she might ask. “What about your regular job? You can’t give that up just to write full time.” 

The solution to all this worry about the future is to stay in the present. The truth is we can’t control what happens in the future, but we can control what we do in the here and now–like writing. We can control what we write and how much we write. But we can’t control how people will respond to our writing. Their emotional responses belong to them. Focus on what’s important now, and the future will take care of itself in its own time.

Unfocused Fiona
Fiona is a distraction magnet. Every little thing bothers her. She can’t concentrate on any of her work because her mind is drawn to so many things, like activities she’d rather be doing on a fine summer day or knowing that her friends are out enjoying dinner while she has to finish the  next chapter. Maybe you had an argument with your spouse, and you’re still feeling upset about that and can’t concentrate. Or maybe you’ve learned a loved one has died. Emotional disruptions can interfere with your productivity too because you’re thinking about those episodes rather than on your current project.

The antidote to Fiona’s lack of concentration is to work in small bursts. Rather than one long writing session of, say three hours, work for twenty minutes, then if you feel up to it, do another twenty minute session later. Those smaller sessions don’t require as much emotional or physical energy. The fact is being under such emotional duress isn’t going to help your writing. If, even these shorter sessions don’t work, then take a break from writing and exercise self-care for your emotional needs. Another option is to work on non-writing tasks that will still give you a sense of accomplishment. Try sketching out a few scenes or sorting through files. 

Critical Chris
I’ve saved Critical Chris for last because she is the most disruptive relative of all, and I think she affects almost every writer. Critical Chris can’t help herself. She’s down on everyone. No matter  how talented another writer is, she’ll find fault with their writing. “It’s too business-like. You’re not writing for corporate executives.”  “There’s too much dialogue.” or “Is this the best you can do? I’ve seen ten-year-olds write better stuff than this.”

Admittedly, it’s hard to shut off the criticism. But it’s imperative to try. For every criticism, reframe it as a positive statement. For example, if Critical Chris complains that there’s too much dialogue, your reframed response might be: “Sure, but the situation calls for it in the story.” Or “it’s only the first draft; I’ll fix it during the revision.”

If any of these characters are frequent visitors in your headspace, acknowledge that they’re there, then find a way to minimize their distraction. Most importantly, keep writing. Writing is a form of therapy. 

Have any of these internal distraction characters interrupted your writing life? How did you handle them?

Amid Chaos, Stories Matter Even More

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Imagine if we lived in a world where there were no stories–no stories to write, to tell, to read, to enjoy, to make us laugh and to make us cry. Where would we as humans be? How could we live? What would we know and understand about our lives?

Writing stories matters. But for those stories to matter, they need to be conceived and written.  That’s where writers and creatives come in. The world–as chaotic and uncertain as it may be–needs us.

If you’ve ever stopped to wonder why you’re putting yourself through the emotional and physical turmoil of writing stories, think about all the good you’re doing for the world, for your audience, and most importantly, for yourself.

Tiffany Yates Martin said it best in the latest issue of Writer’s Digest (print version, so no link is available to the article.) We may feel overwhelmed by the chaos happening around us to the point that we can’t find the motivation to write. Yet that is exactly when writing stories matters the most. 

Yates Martin outlined five reasons that stories matter through turbulent times:

  • Stories offer solace and hope. Stories offer comfort, especially during times of unrest. They not only offer an escape from our troubles and worries, Martine writes, they remind us of what’s important and what’s worth fighting for.
  • Stories connect us in a divided world. Because stories provide insight into the human condition through alternative perspectives, we can learn to understand the universal longings and struggles that others experience. We might understand what motivates people we might disagree with, and perhaps see them as just as complex, flawed and wounded as we are.
  • Stories make sense of the senseless. Our world is often messy and complex. Stories can help us make sense of the chaos by offering logic and cohesion. It may offer a big-picture view that we may not have considered.
  • Stories give a voice to the voiceless. Stories can highlight the injustices and oppression that others might experience, and thus heighten our awareness of it. Consider The Diary of Anne Frank which put a human face on the plight of Jews during the Nazi regime.
  • Stories can change the world. Stories can broaden and impact people’s views, which in turn can spark needed change. For example, Uncle Tom’s Cabin fueled the abolitionist movement that ended slavery. While our own writing won’t necessarily change society on a grand scale, it might change individuals in some way by providing inspiration and insight that they might not have had before.

While Yates Martin speaks about the collective reasons for writing stories, there are personal ones too. We all have our personal reasons for writing and telling stories. I’ve compiled my own list of reasons below:

  • Writing stories presents a new challenge to my skillset. I’ve always been a competent business writer, but writing fiction is a totally different animal. It wasn’t enough to be a good writer and string a series of sentences to create a cohesive thought. The question I wanted to answer for myself was: Could I become a good storyteller? Storytelling requires a different skillset than business journalism. Learning how to tell a good, compelling fiction story was a new challenge.
  • Writing stories calms me and keeps me grounded. With so much turmoil and uncertainty in the world, writing stories gives me a safe space away from all that. When I can put those disruptive news stories out of my mind, I can focus on what really matters to me–my writing.
  • Writing stories is one thing I can control. With everything happening around us–from weather-related disasters to social and political strife–it can feel like the world is out of control or that we have no control over our environment. And in many cases, we can’t. I may not have control over the unsettling changes taking place in our world, but I do have control over the stories I write. I can control the direction of the plot, the narration, the dialogue, the way the characters may grow and change. I can control how the story ends–usually in a peaceful, happy way.
  • Writing stories allows me to give free rein to my imagination. Otherwise, those brilliant ideas dancing in my brain will only remain trapped there. By writing them down, I’m bringing them to life.
  • Writing stories enables me to communicate a message to others. This is usually through the story’s theme or a character’s words of wisdom. I might be too afraid to speak for myself, so through stories, I can let a character do the talking for me.

The next time you feel tempted to walk away from your desk and give up on your story, or if you have trouble finding the motivation to write, think about why you do this. Why do you write stories? Why are you writing this particular story? Because writing stories not only can change the world, it can change you. 

Seven Signs That You’re Sabotaging Your Writing Practice

~ The Regal Writer ~ Leave a comment
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Hi readers, I was about to do a story about self-sabotage. Then I realized I already posted about this topic several years ago. Here’s a repost of that article for those of us who struggle with self-sabotage tendencies. Enjoy.

A writing practice is only as successful as your level of commitment to it. The more committed you are to a regular writing practice, the more consistent your output. Makes sense, right?

But what happens when you get oh-so-close to finishing your manuscript, but never seem to get around to finishing it? What happens when you do finish a story, but never seem to get around to submitting it to editors for possible publication? What if, instead of finishing your manuscript, you suddenly find other more pressing things to do, like clean the garage or spend more time with your mother-in-law? Is it really a matter of changing priorities? Or is something else going on?

I’m certainly guilty of these behaviors as I’m sure many other writers are. Psychology experts suggest that these patterns of behavior – procrastination and self-sabotage – are inbred in us. No one is immune to them. Even the most successful published authors have admitted that they have utilized these sabotage tactics.

It’s tempting to blame your tendency for self-sabotage on external factors, such as a demanding family life or a faulty computer. But unfortunately, blaming outside factors is a waste of time and energy. The only thing that is standing in the way of your own success is you. It’s time to get out of your own way.

From my experience, I’ve noted seven signs that you may be sabotaging your writing practice.

1. You stop writing indefinitely. You could be coasting along with your writing practice, meeting your daily writing goals and making steady progress on your story. You feel confident about your accomplishment. But then you stop writing. Why? What went wrong?

Maybe you got a negative review of your latest work that stops you in your tracks. Maybe you look at your life and question whether anyone else would find stories of your childhood interesting. Maybe you’ve read so much about writing that you feel overwhelmed and feel unsure how to begin your next project.

Giving up on your craft is not the answer. Letting your ideas fade into the distant past and collect dust isn’t the answer either. If you stop writing, but you still want to write, you need to figure out why. Give yourself a deadline of, say three days, to regroup and contemplate why you have stopped writing. Maybe it is a need for a mental break. If so, then when you are sufficiently rested, get back to work. The important thing is to keep writing. Ironically, it may be the very act of writing that breaks you out of your malaise.

2. You focus on the negative. You overanalyze your own writing and decide it’s simply not good enough – You’re not good enough. You constantly look for what’s wrong with your technique than with what’s right. All this focus on the negative qualities of your writing can undermine your confidence. Too much analysis can freeze you in place. The next time this happens, have one or two people review your work and give you positive feedback – something to keep you motivated so you keep writing.

3. You take criticism too personally. It can be disheartening to hear negative feedback about a piece you’ve been working on for weeks. Don’t let it paralyze you. Some critique is necessary. See the feedback as an opportunity to improve your writing. Most important, don’t take it personally.

4. You constantly compare your work with others. So what if other writers have more experience than you do or they’ve had more stories published. You need to remember that they started at the beginning at some point. Stop comparing yourself at the beginning of your career to someone else who is further along. That’s like comparing apples to bananas. You will never get ahead that way. If possible, try to stay in your own lane.

In this situation, you might also need to re-evaluate your goals and expectations. Have you set them too high? Are they unrealistic? It may be time for a rethink of your expectations to make them more manageable.

5. You don’t believe you have anything worthwhile to write about. Everyone has stories to share. Just because you think you don’t have anything interesting to write about doesn’t mean you don’t have anything interesting to write about. It’s all perception. When you feel your work is not worth reading, it can be tempting to stop writing. Again, keep writing until you find a story worth telling others. If needed, ask someone to read your work.

Every experience in life counts for something. Every experience is worth writing about. The story is your perception of events as they unfolded and how they impacted your life. Believe that there’s a story everywhere you look. Believe that you do have something worthwhile to share – then start writing about it.

6. You focus too much on the past. We’ve all suffered failures in our lives. We’ve all made mistakes. We’ve all had situations that did not work out. Understandably, we don’t want to repeat those mistakes. Learn from those mistakes, then move on. Just because you made them once before does not mean you will make them again. Stop focusing on the past and stay focused on the present.

7. You focus too much on the future. Perhaps you dream of earning your own byline in a high-profile magazine or you are determined to get your manuscript published. But those goals are meaningless if you haven’t written a single word. It’s easy to get way ahead of ourselves, but just as in point #6 above, it’s imperative to stay in the present moment.

You can’t change the past and you can’t control the future. So you might as well stay in the present and make the most of it – by writing.

What Is The Best Format for Your Story Idea: Novel, Novella or Short Story?

~ The Regal Writer ~ Leave a comment
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Imagine that you’ve come up with a great idea for a story. You haven’t seen it published anywhere else, and you’re sure that people would read it. Only question is: should you write it as a short story, a novella or a novel?

“What’s the difference?” you might ask. 

Word counts is the short and easy answer. Depending on the length of your story, it may fall into one of several story categories:

* Novel–70,000 to 100,000 words (although some novels have been less than 70,000 words and others have exceeded the upper limit, depending on genre.)

* Novella–17,500 words to 40,000 words

* Novelette–7,500 words to 17,500 words

* Short story–Less than 7,500 words

With short stories, there’s an economy of words and action. Since you don’t have a lot of space, descriptions, backstory and exposition are limited, and there are no subplots. Full-length novels allow more time and space for exposition and backstory, setting and character development. Short stories are like a weekend getaway while novels are a month-long retreat at a luxury spa. Novellas, which fall in between, are more like your typical one-week vacation.

To learn more about these differences, check out this helpful resource from Reedsy about word counts for different genres.

How do you know where your story idea fits? Should it be a short story, a novella or a novel?.

To answer this question, I recommend fleshing out your story idea as much as you can. Jot down scene ideas, characters, plot points using post-it notes or index cards. The more details you have about your story will determine what type of format you’ll need. 


Once you’ve plotted your scenes and made your character list, consider these questions:

1. What is the main problem the characters are trying to resolve? Is it a complex problem with layers of complications? Or is it fairly simple and straightforward?

2. Are there any subplots? A full-length novel might have one or two subplots while a short story and novella won’t have any.

3. How many characters are featured in your story? If there are a few characters, it’ll most likely be a short story. Longer sagas like historical fiction or science fiction/fantasy will likely have a cast of several dozen, while a short story will be limited to a handful of people. Romance novels are roughly a dozen or less.

4. Are you writing this story in multiple POVs? More likely, it’ll fall into the novel category. You won’t see multiple POVs in a short story. You might find one other POV in a novella.

5. What is your story’s genre? Historical fiction and fantasy tend to run longer, around 100,000 words. Romance novels tend to be between 70,000 to 90,000 words. Understanding your genre will help you determine whether your story should be a novel, novella or short story.

If after answering these questions, you’re still not sure what format your story should take, try this exercise. Write the story first as a short story with one point of view, a few essential characters and limited backstory. Keep to the necessary action. Then set it aside for a few weeks. Come back to it later with a fresh eye or have a friend or writing colleague review it with you. Decide what works and what doesn’t. 

If the story seems complete as is, then it probably works best as a short story. But if you feel there’s more to the story than what you wrote, rewrite your story, this time as a novella (up to 40,000 words). This time add the elements you think are missing, whether that’s world building, setting or characters. Maybe present a second point of view. 

When you’re finished, review it again. Does the story work better? If in doubt, ask a couple of beta readers to review the manuscript and give you feedback. If, based on their feedback, you still want to expand the story, perhaps add a subplot, then you can rewrite it as a full-length novel. 

The point is to start small and work your way up, testing out your story idea at each phase to see which format works best.  

Here’s another exercise to try: Visit your local bookstore or library, or browse your own collection. Note the size and length of certain genres. Some genres simply work better as shorter pieces. Historical fiction and fantasy tend to be longer while romance works well as a novella. .

Throughout this creative process, trust your instinct. More often than not, your gut will tell you what format will work best for your story idea. When you close your eyes and visualize what the story looks like, sometimes you just know what format your story should be. 

Deciding what format your story should be isn’t as difficult as you might think. The magic comes when you begin to see your story come to life on the page.

Heeding The Desire to Create

~ The Regal Writer ~ Leave a comment

Editor’s note: I am taking next week off to celebrate the Fourth of July holiday. I’ll be back the following week with a new post about the writing life. Until then, be safe and keep writing.

Yes, Virginia, the desire to create is real.

Many years ago, I watched the movie “Enchanted April,” a story about four women at various stages of their lives who spend the month of April at a secluded castle in Italy. Set at a time and place where there were no cell phones or computers and no access to a radio or TV, these women were forced to entertain themselves in other ways, whether it was taking long walks, having conversations with each other, or preparing meals together.

After a week or so, one of the women, an older widowed aristocrat, (played by the legendary British actress Joan Plowright) felt restless and felt the urge to do something constructive. What did she do? She began drawing. The simple act of drawing helped calm her and center her, and to no viewer’s surprise, made her less cranky to be around.

Mind you, she was not an artist to begin with. She was an aristocrat, used to hosting parties and entertaining guests. She wasn’t used to spending a lot of alone time with her thoughts and imaginings. But being out in nature with few people around, she gravitated toward this unfamiliar yearning. A yearning to create.

Dieter F. Uchtdorf, a German aviator, airline executive and religious leader once said, “The desire to create is one of the deepest yearnings of the human soul.”

It’s my belief that we are all born with an innate desire to create, and to create beauty that will be appreciated by others. It’s as real and natural to us as breathing and walking. 

Except not all of us recognize this desire or believe we have creative talents. But this isn’t about natural ability or talent. It’s not about excellence and achievement. It’s about desire. It’s about the need to produce something of beauty that will leave a lasting legacy.

As the movie example above showed, the creative need can show up in your life at the most unexpected time, usually when you’ve spent a lot of time alone and immersed in nature. But that’s not the only way. This creative need can manifest in your life in different ways. 

  • You might be moved by witnessing something beautiful, like a song, nature or artwork.
  • Events in your life might inspire you to start a journal so you can write down all your thoughts and musings.
  • You might have seen an exhibit at an art show or museum that prompts you to experiment with drawing, sketching or painting. 
  • You might have heard a piece of music that moved you or made you want to learn to play an instrument or pick it up again. 
  • A friend may have encouraged you to join them in a new crafting hobby, like knitting or weaving.

When you see how others have brought their creative vision into reality, it makes you want to do the same. But how do you access this creative self-expression yourself? What can you do to satisfy this desire to create, especially if you believe you have no creative abilities?

  • Spend time alone without distractions. This will be hard to do, considering all the devices at our disposal these days. Imagine spending time in a private villa with no access to computers, TV or radio. With only your thoughts for company, and perhaps a friend or two for occasional conversation, you may feel the need to do something with yourself, just like our aristocrat from the movie. Listen for inspiration. You don’t have to go to a private castle to do that. Find any place that offers a peaceful respite from your busy life.
  • Spend time in nature. Going for long walks, whether in the local forest preserve, in the mountains or on the beach, immerses you in nature. Being around nature or any green things can be calming to the frazzled mind. It can also inspire you to create (or re-create) the beauty you see around you.
  • Experiment with different tools and techniques. Thai is especially important if you believe you were born without creative abilities. What are you most drawn to? Drawing? Writing poetry? Journaling? Taking photos? Cooking? (Yes, cooking is a form of creation too). I once tried a sketching class. Because I’m used to writing as a form of creation, drawing objects was a new challenge for me that forced me to use a different part of my brain. I enjoyed the class. I occasionally take out my sketchbook to take a break from writing.
  • Listen to beautiful music, ideally instrumental. What images come to mind when you hear the music? How does the music make you feel? Does the music inspire you to do something creative, such as writing poetry or drawing or wreath-making?
  • Practice meditation and/or yoga. Both activities will calm your mind. And a calm mind is a creative one. Many writers I know use meditation and yoga when they’re stuck in a work-in-progress as a way to get unstuck. By taking time to check in with yourself, your inner guide will help you find the creative solutions you’re seeking for any problems you’re grappling with. 
  • Visit an art museum. Note the different methods that the artists used to create their pieces. Is there a particular artist whose works resonate with you. Or inspire you to try your hand at painting or drawing?

As humans, we have an abundance of needs–physiological, emotional, connection and relationships, esteem and self-actualization to quote from Maslow. Somewhere in that hierarchy is the need to create.  

Experts at Creativelyllc.com offer these guiding questions to help you source out your desire to create.

1. Do you enjoy the experience of creating? If you enjoy something, you’ll be more likely to stick with it.

2. Don’t judge yourself too harshly when you create something that doesn’t live up to your vision. Set up a judgment-free creativity zone in your home where you can create anything just for the sake of creating.

3. Experiment with different outlets. Try music, acting, dancing, poetry, or crocheting. There’s bound to be one or two of them that resonate with you.

4. Does creating feel like work or play? If it feels like play, you’re on the right track. Creating is supposed to be fun.

5. What drives you to create? How does creation help you fulfill your purpose in life or showcase your individuality?

The next time you feel a yearning to create, don’t dismiss it. Give in to that desire and see where it takes you.