Literary Agents Share Their Best Writing Tips

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Browse the Internet and you’ll find all sorts of tips for writers from fellow writers, editors and publishers. Another group of professionals have their own take on the writing process – literary agents. After all, they work closely with aspiring authors to get their work published.

Most writers won’t need an agent to represent them. If you’re primarily a freelancer writing magazine features, business publications and website content, you won’t need an agent.

But if you’ve completed writing a book — either fiction or nonfiction — that you believe is your best work and you want another pair of eyes to look at it, then it might be time to search for a literary agent. Check out the Association of Author Representatives, which has a database of agents that you can search based on different criteria. Other sources are publishing industry magazines, such as Poets & Writers and Writer’s Digest. For more about finding a literary agent, check out these pros and cons from Masterclass.

Even if you plan to self-publish your novel or memoir, or if you don’t plan to write a book at all, it’s worth paying attention to what literary agents have to say about the writing process and the publishing business. After all, they’re review hundreds of manuscripts in search of talented authors with potential. They know what works and what doesn’t in the marketplace. There are nuggets of truth in their words of advice.

Below is a collection of agent advice for writers, gleaned from past issues of Writer’s Digest magazine. In each issue, WD profiles a literary agent who shares tips for pitching and writing, and the genres they work with. They describe what they look for in author submissions as well as what they love about the work they do as agents. Whether you plan to self-publish or have no plans to publish a novel at all, it’s still worth it to hear agents’ perspectives on the publishing process.

“Don’t be precious about your material. Don’t keep a sentence because it sounds nice. Be prepared to get rid of material, and be as ruthless as you can.”  Claire Anderson-Wheeler, Regal÷ Hoffmann & Associates

“Keep writing, even when people aren’t telling you to keep writing.”  Kerry Sparks, Levine Greenberg Rostan Literary Agency

“Get yourself a great critique partner.” John Cusick, Folio Literary Management

“No amount of good pitching will make up for a bad project, so focus first and foremost on your craft. Always challenge yourself to improve.”  Zabé Ellor, The Jennifer De Chiara Literary Agency

“Story arc is important, no matter what genre – even nonfiction, maybe especially.”  Rick Pascocello, Glass Literary Management

“Write what excites you; that passion can leak into the text and start a chain reaction.”  Ian Bonaparte, Janklow & Nesbit

“Understand that rejection is part of the process – learn from it instead of taking it personally.” Megan Close Zavala, formerly of Keller Media, now a writing coach.

“Believe that you have many stories to tell, and don’t despair if your first book doesn’t sell.”  Connor Goldsmith, Fuse Literary

“Don’t hold back when writing and dig as deeply into your emotional reservoir as you can.” Heather Cashman, Storm Literary Agency

“Practice verbally describing your pitch and watch for people to perk up with interest – that’s the heart of your pitch.” Caroline Eisenmann, Frances Golden Literary Agency

“Write a lot. Show your passion. Be authentic. I look forward to being surprised by a fantastic story.”  Linda Camacho, Gallt & Zacker Literary Agency

“Not every book you write should be published, but that doesn’t invalidate the experience you gained in writing it.” Susanna Einstein, Einstein Literary Management

“Don’t worry about following trends. Build a community. Support your local bookstores and fellow writers.” Lisa Grubka, Fletcher & Company

“Remember that agents and editors got into this business because we love books. We are not your enemies.”  
On editing: “Try to understand the gap between your intention and your editor’s understanding of your work.”  Rachel Sussman, Chalberg & Sussman

“Immerse yourself in the authors of your genre.”  John Talbot, The Talbot Fortune Agency

“Always build your platform by publishing smaller works: essays, articles, poetry, stories.”  Natalie Kimber, The Rights Factory

“Learn your own weaknesses and root them out ruthlessly. Don’t aspire to be published; aspire to be read.”  Bob Hostetler, The Steve Laube Agency

“Know the comparable titles that aren’t blockbuster bestsellers.”  Christopher Rhodes, The Stuart Agency

“No one’s success hurts the chances of yours. Be supportive in your communities. Be careful who gets to weigh in and critique your work.”  Erik Hane, Headwater Literary Management

“Pay attention to what people are looking for (manuscript wish lists). Write freely, edit with precision.”  Stephanie Hansen, Metamorphosis Literary Agency

“Have courage. You won’t know how to do any of this yet…but you’ll learn.”  Tricia Lawrence, Erin Murphy Literary Agency.

“Know/learn when to keep at it and when to move on. Don’t give up on your dreams of being a published author, but sometimes it is best to move on from a project that’s just not working…, and start something new.”  Patrice Caldwell, New Leaf Literary & Media

Do you work with a literary agent? What is the best advice you have received from them?

Keys to a Successful Writer-Editor Relationship

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Writing has been part of my professional life for several decades. I’ve worked on both sides of the table as both an editor and a writer (staff writer and freelance). So I’ve had the benefit of experience to talk about the writer-editor relationship. A good writer will make an editor’s job easier, and a good editor will make a writer’s work really shine.

“Writer-editor relationships walk a fine line between familiar and professional,” writes Chels Knorr at Clear Voice, a content agency. “They’re built on mutual respect. They’re transactional, but also because they involve something subjective as writing, deeply personal. The writer must trust the editor’s fresh eyes and insight. The editor must trust the writer’s voice on a deadline.”

Like any relationship, they bring different strengths into the mix. Each has certain responsibilities to make the relationship work. Here’s what writers and editors can do to maintain a strong working relationship.

For writers:

* Be reliable. Meet your deadlines, and follow instructions and style guidelines. When working for an editor at a publication, pay attention to their instructions. Is there a certain format you need to follow? Then follow it. Are there certain phrases and terms that must be included in your piece? Be sure they’re in there. If the publication editor asks for something specific, be sure to do it. Doing so establishes your credibility in the editor’s eyes, and improves your chances that they will want to work with you again. And of course, make sure you turn your work on time, which proves to editors that you are reliable and take your work seriously.

* Be thorough and conscientious in your work. Proof your work before submitting it to the editor. If you don’t know how to proofread, take a class. Also be your own fact checker. Confirm quotes with your sources. Look up statistics to make sure they’re accurate and the most current. When you submit work that is clean and accurate with few errors, it saves the editor time and effort to correct them for you. Editors will love you for it.

* Don’t phone it in. Give each assignment your all, even if you don’t feel well or have too much on your plate. Treat clients as if they’re the only client you have and end the message that you’d like to work with them for the long-term by giving them a strong representations of your skill. If you really are too busy to take on an assignment, say so. Honesty is better than doing a crappy job.

* Develop a tough skin. It can be demoralizing to receive a piece back from an editor with a ton of red marks on it. Learn to accept feedback with grace and an open mind. Try to look past snarky comments, which isn’t always easy to do. Whatever feedback you receive is meant to help you become a stronger, better writer.

For editors:

* Communicate expectations clearly. Most editors and publications I’ve worked for/with have a source sheet that outlines what the assignment is and what the editor is looking for. However, there have been times when even those instructions were vague. Make sure you are clear about what you want the writer to do. Even if it seems clear to you, it may not be clear to them. If you aren’t clear, the writer may submit something that was not what you expected, which means more work for the writer to fix it.

* Respect the writer’s time and expertise. Be kind to your writers, writes Sarah Gilman at the Columbia Journalism Review. They’re providing you with a valuable service, and most of them are professionals with a history of success. Treat them as professional colleagues and remember that they’re human beings too. Remember they have personal lives and go through rough times too. A messy divorce or a sudden illness, for example, might disrupt their work. Be kind to them, just as you would want another editor to be kind to you.

* Provide helpful, constructive feedback. Avoid hurtful criticism and personal attacks that can be demoralizing to writers. Stick to the work at hand. Explain what needs to be changed. Sometimes explaining why helps writers understand what is expected for future assignments.

* Pay writers on a timely basis – and pay them WELL. Most freelance writers have sporadic incomes, often getting paid at publication time, not upon acceptance. That can put them in precarious financial circumstances. Paying on a timely basis shows your commitment to them. It earns their trust in your publication so they will want to continue working with you. If payments are delayed, it sends the message that you either don’t care or have cash flow problems – a red flag for freelancers who depend on you for income.

More important, pay writers well. A well-paid writer is a happy writer, and they’ll be more apt to turn in their best quality work to your publication to show they are worth the investment. Underpaid writers feel undervalued and unappreciated. If your fledgling publication or content agency pays peanuts for the people who write for you, expect the submitted work to be subpar and you might have to continually replace freelancers who leave for higher-paying gigs. For information about writers’ rates, check out the Editorial Freelancers Association and Writer’s Digest, which both provide updated rates for freelancing services.

When both writers and editors understand the needs and expectations of the other party, they can look forward to a long, productive relationship.

Feedback vs. Criticism: How They Are Different and Why Writers Should Care

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As writers, getting feedback for our work is a normal part of the development process. Without feedback, we would never know how readers will respond to our story. Without feedback, we won’t understand how we can improve our work. Without feedback, we will never know how to become better writers.

Notice I did not say the word “criticism,” which opens a Pandora’s box of problems. It does nothing more than stop a writer’s progress in its tracks.

Why do we tend to cringe at criticism, but not feedback? Even the sound of both words brings different images to mind and produces kneejerk reactions. Feedback sounds softer, gentler, and kinder. Feedback might remind us of a beloved grade school teacher who provided helpful instructions to complete an assignment. Even when feedback is negative, its intent is to help you improve your effort.

By comparison, criticism sounds harsh, starting with the first hard C in the word. It immediately calls to mind negative experiences, like the day your first love dumped you with a scathing, hateful speech. Criticism seeks to tear you down. There is no intent to be helpful, instructive or kind.

Now look up both words in the dictionary. At first glance, they may seem to be similar, but in fact, they are different. For example, according to Google’s online dictionary:

Feedback is “information about the reactions to a product or a person’s performance of a task, which is used as a basis for improvement.”

Criticism is “the analysis and judgment of the merits and faults of a literary or artistic work; the expression of disapproval of someone or something based on perceived faults or mistakes.”

Take a closer look at the two definitions. What words jumps out at you? For feedback, the prominent words are: information, performance and improvement. For criticism, the words that jump out appear to be more severe: judgment, faults, disapproval, and mistakes.

It’s no wonder that writers (and all of humankind for that matter) cringe at the word criticism. All criticism does is judge others, find mistakes and seek reasons to disapprove something or someone. There’s no apparent room for improvement.

But feedback does encourage improvement. Is it any wonder that we all may be more open to receiving feedback than criticism?

Amber Johnson at the Center for Values-Driven Leadership at Benedictine University succinctly describes the five differences between feedback and criticism in this Forbes article.

Criticism is focused on what we don’t want; feedback is focused on what we do want.
Criticism is focused on the past; feedback is focused on the future.
Criticism is focused on weakness; feedback helps to build up strengths.
Criticism deflates; feedback inspires.
Criticism says, “You are the problem.” Feedback says, “You can make this better.”

How do you spot a critic? Professional ghostwriter Laura Sherman at the Friendly Ghostwriter blog says that critics are usually frustrated artists themselves. “The harsh critics of today are the failed artists of yesterday,” she writes. Pay attention to how you feel after you’ve read their comments. If you feel worthless, develop a terrible case of writer’s block, or are tempted to quit writing, then you’ve been attacked by a nasty critic. Sherman advises writers to disregard their “advice” which is meaningless and harmful.

As you move forward with your writing practice, think about the role of feedback in your writing development. When you seek guidance from others, whether they are your beta readers, your writer’s group or your family and friends, be clear with them. Ask for feedback to help you improve your craft. Anything else might crush your creative spirit.

Also think about how you give feedback to others. Avoid being overly critical and nit-picky. Always look for something positive that they’ve done before presenting negative comments. Then suggest ideas for how to improve it. When someone asks you for feedback, be kind, be helpful and be instructive.

While feedback and criticism might be related, like distant second cousins, they serve different purposes and live on different sides of the tracks. Let feedback be your guide to a better, stronger writing life.


Why Pets Make the Best Companions for Writers

Check out this week’s writing prompt!

Many writers I know live and work in isolation. Luckily, most of them seem to have a loyal furry friend (or two or three) to keep them company. That begs the question: Do pets make the best companions for writers?

The answer to that, of course, depends on where you live, how many people live with you, and whether you like animals or have pet allergies. But more often than not, most writers I know have made room in their lives for a furry pal.

You don’t have to own a dog or cat to appreciate the benefits of pets. Even a goldfish or guinea pig can provide comfort and inspiration when you need it. Colleen Story at the Writing and Wellness blog describes the pros and cons of different types of pets, including horses, goldfish, birds and rabbits. Imagine that you can have a different pet for different reasons!

In fact, writers and their pets are such a fascinating topic that entire books have been written about them. Check out this one by Alison Nastasi and this one by Kathleen Krull.

So why are pets such an important part of writers’ lives? They provide multiple benefits, some related to health and others related to our work.

1. Pets provide inspiration for our work, sometimes acting as a writer’s creative muse. They may show up in stories as a secondary character. Think of Alice Walker and her chickens. She loved her chickens so much, she wrote an entire book about them! While Edgar Allen Poe did not own a pet raven, he was inspired by Charles Dickens’ pet raven to write about them.

2. Pets are good for your health. According to the Center for Disease Control, having a pet helps lower blood pressure, triglycerides and cholesterol. Pets can lower stress and improve levels of happiness in their owners. Pets need regular exercise to stay healthy and strong, and it’s only natural as pet owners to join them on their excursions. Pets remind us of the importance of regular fitness breaks to keep us active and strong.

3. They provide companionship. In these days of social isolation, when Zoom calls have become the norm, it can be comforting to hug a furry friend. I believe curling up with a dog or cat while reading a book is one of life’s most cherished moments.

4. They teach us about routines. Cats, especially, are creatures of habit. They live their lives by routine. They like to eat at the same time every day, take naps in the same spots, and play with the same toys. Writers who are just starting their writing practice can benefit from establishing a writing routine, just like cats establish their grooming habits. Having a routine can be good for our writing because it establishes a steady rhythm to life.

5. Pets remind us to take frequent breaks. Cats and dogs may race around the room chasing after toys, but afterward, they stop to rest. They take frequent naps too. The time outs are necessary to restore their energy so they can bounce back and play more. As writers, we need to take breaks too to restore our energy, to think more clearly and

6. Pets provide comfort when things aren’t going well. Whether we’re fighting writer’s block or we’ve just received a rejection notice from an editor, pets make us feel that our lives are okay despite the disappointments. Even better, they provide comfort too when things go well. Imagine a congratulatory lick on the face when you’ve just finished a story you’ve slaved over for several weeks.

7. Pets provide unconditional love. We may hate the story we just wrote or the publication that just rejected our essay. We may feel down on our luck and question why we put ourselves through the wringer. Pets love us anyway. As long as we feed them, play with them and keep their litter box clean, they’re happy, and they’ll gladly return the favor.

8. Pets will never share your secrets. When it’s just you and your dog or cat, you can chat with them all day and they won’t tell a soul what you’ve said. They don’t spread gossip either. While they might occasionally misbehave and talk back in their own animal way, they won’t betray your trust. They make good listeners too. So if you need an audience for your latest short story or poem, they will gladly listen – as long as they’re not napping.

Since writers often work in isolation, it’s important to surround themselves with a strong support group, even if that includes a favorite furry friend or two.

Do you have a furry companion in your life? How have they inspired you in your writing?

How to Love Your Writer Self (Even When It Isn’t Perfect)

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Check out this week’s writing prompt: Write about a time when a stranger did something nice for you.

As individuals, we play different roles – parent, child, student, employee, boss, spouse and friend. Add one more to that list – writer.

The writer self may start out small and vulnerable, like an infant or toddler. Just like a toddler who is just learning to walk, your writer self must learn to walk too. That means taking baby steps, such as writing a little bit each day, taking a class or workshop to develop skills and experimenting with different writing styles to figure out what kind of writer you want to be.

Most important, as you grow into your writer role, you learn to recognize your strengths and weaknesses as a writer. You also must learn to love your writer self, flaws and all. In her book Milk and Honey about resilience and overcoming adversity, Rupi Kauer writes, “How you love yourself is how you teach others to love you.”

At My LA Therapy blog, Tobias Foster writes, “Accepting our strengths and weaknesses and reconciling the conflicting parts in our inner world is critical to our health and happiness. You cannot achieve anything substantial in the outer world without fixing your inner world.”

In order to make an impact with your writing and create meaningful work, you must take steps to clear your inner world of negative thoughts and replace it with kinder, gentler ones. You must strive for self-kindness and self-acceptance.  “Having self-compassion builds resilience in the face of adversity, and helps people recover more quickly from trauma or romantic separation,” writes Ana Sandoui in Medical News Today. “It also helps us cope with failure and embarrassment.”

The harsh self-criticism we give ourselves, she adds, is because we’re driven by a deep need to do everything perfectly all the time, which can cause physical and mental health issues down the road.  

So what does all this mean for writers? How can writers move past these mental and emotional road blocks to become a more loving writer self? Here are a few tips for practicing self-compassion for your writer self.

* Avoid judging yourself. Or at least, don’t judge yourself so harshly. This isn’t as easy as it sounds. You may not be aware that you are judging yourself because you may become so lost in your own world that you don’t pay attention to your own thoughts. Many times, we are our own worst critics when judging our own writing. If you find yourself judging yourself too harshly, have someone else review your work. They may be more objective than you, and they may find that it’s not nearly as terrible as you think it is.

* Recognize that perfection is a myth. Realize that no one is perfect; we all have flaws we’d prefer to hide from the public. But as part of a larger community of creatives, you experience the same feelings of self-doubt and fear. That makes you more alike with your fellow creatives than you are different. When you accept that you are not perfect and everyone else is not perfect, you won’t feel so alone or as different as you fear.

* Avoid comparing yourself to others. One mistake new writers make is comparing themselves to other writers, especially to those whose work they admire. Remind yourself that you are at a different experience level than they are, and you bring a different set of experiences to the table. When you compare yourself to others, you will always lose. You will set yourself up for failure before you even begin. Know that your life experience and writing skill has value.

* Learn to practice mindfulness. Whether through meditation, yoga or journaling, it’s important to quiet your mind so you can hear yourself think. Be still and be in the moment. Turn off social media and electronic devices and turn in to yourself. You may realize that your thoughts aren’t nearly as negative as you believe them to be. When you practice mindfulness, you develop emotional equanimity – that feeling of being in balance with your inner world, and you’re less likely to identify with painful emotions and experiences that can hold you back from writing.

* Don’t seek approval from other people. When you begin writing, it may be important to seek other people’s opinions of your work. You may wonder if you’re moving in the right direction, or if the story you’re writing is boring. While it’s important to get feedback, don’t let it influence your writing practice. Take everything than anyone says with a grain of salt. Remember to write for yourself first, then for your readers. If you write strictly for someone else’s approval, you will never be satisfied with your effort because you will always be looking at it through their eyes. Learn to trust yourself.

* Practice self-kindness. Learn to forgive yourself for any mistakes you’ve made. As I mentioned, no one is perfect. Treat yourself as you would treat a friend or a sibling – with kindness, compassion and understanding. Learn to speak tenderly with yourself, suggests mystery author Julie Glover. If you’re constantly berating yourself about your writing, then flip the script. Talk to yourself as a lover would, she says. (Glover gives a nice example of this on her Writers in the Storm blog.)

When you practice self-compassion for your writer self, you’ll forgive yourself for your mistakes and become more resilient in the face of adversity, such as a loss of a contract or a bad review.

Most important, remember that no one is perfect; all writers and creatives are flawed in some way. It’s a waste of time and energy to let self-doubt ruin your writing. In the words of poet Henry David Thoreau: “It is not worth the while to let our imperfections disturb us always.”

How Writers Can Cultivate a Strong Relationship – With Their Writing

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Check out this week’s writing prompt on my website!

February is the month for love and romance. It’s the time of year when our thoughts turn to our closest relationships, whether they be with a spouse, significant other, a friend, a child or a parent. Even if you’re not in a relationship currently, your thoughts may stray to someone you’ve loved before, or would like to love in the future.

In the publishing business, your closest relationship could be with your agent, editor, writing coach or readers. However, don’t overlook the most important relationship – the one you have with your writing.

Is there such a thing as a writer-writing relationship? Yes, if you think of your writing life as a separate entity. You can either embrace it, welcome it into your life with open arms, or reject it as some strange being who insists on getting more attention from you, more than you can possibly give to it.

If you do recognize your writing life as a separate being, how do you built a loving, kind and respectful relationship with it? Here’s one example of a writer-writing relationship, courtesy of Annie Mueller. Also check out this anatomy of a writing relationship by Samantha Stout.

I believe that a writer’s success hinges on how well they relate to their craft.  If you love what you write, your writing will love you back – or at least it should. If you give it the time and attention it deserves, your writing will reward you down the road, even surprise you when you least expect it. Just like a real relationship with a human being.

What you and your craft create together is as close to a partnership as you can find. Your writing can draw you out of yourself and bring out the best of you. It can showcase your deepest thoughts and emotions, and show how you have grown through life experience.

Likewise, your time, attention and effort will make your writing shine to editors and readers. Sure there will be rough spots when one or both of you don’t feel inspired to work with the other. There will be times when you ignore each other even. But then those periods may be followed by happy reunions when you work so seamlessly together and you wonder how you ever thought you could live without the other. You need each other, like sunshine needs the rain to keep the earth’s flowers from drying out.

As I’ve explored my own writer-writing partnership experience, I’ve noted a few rules of engagement to make sure it works. Here’s how you can create a healthy relationship with your own writing endeavor.

1. Spend quality time with one another. Try to minimize distractions. Whether you spend an hour a day or several hours a week, it’s important to use that time to learn about each other, to recognize strengths and accept the flaws. Understand each other’s desires and motivations, what makes you tick. If you don’t spend quality time together with your craft, how will your relationship to each other ever grow strong?

2. Recognize each other’s faults, and love each other despite them. Your writing has weak spots, quirky characteristics, routines and tendencies. With time and attention, the writer in you can strengthen those areas and perhaps lessen their detrimental impact. Your writing is an extension of yourself, with all its flaws and mysteries. Your writing is not perfect, but then, neither are you. So accept the flaws, improve them if you can, but otherwise, accept them for part of who you are.

3. Stay friends, even during the rough patches. You may never fully fall in love with your writing, but at least make friends with it. Develop a healthy respect for each other. Keep the lines of communication open to leave open the possibility of a reconciliation. Even as friends, you can learn and grow together.

4. Know when to make sacrifices and special accommodations for your other half. There will be times when each of you will need to make sacrifices and special accommodations for the other, just as if you were in a relationship with a human. For example, your writing may call to you at the most inappropriate times, like during your son’s soccer game or during a movie. It may demand you take notes of a new story idea. You’ll have to decide whether to give in to that demand or ignore it, which could be risky because you don’t know if that idea could evolve into a meaningful story.

5. Keep your heart engaged in the process. Whether writing soulful stories or romantic poetry, be sure your heart is truly engaged in the creative process. Share your deepest fears and your triumphant moments. That’s what will bring out the best in your writing. Without heart, your writing will appear bland and boring.

6. Take a break from each other when necessary. If you lose motivation to write, it might be time for a trial separation. The break might give you proper perspective on your writing partnership. It might give clarity about where you want to go with your current work-in-progress and how to get there. Alternately, if the relationship is beyond repair, dump the project that’s giving you problems and move on to something else.

7. Ask yourself why you love to write. If you love writing for all the right reasons, then you are bound to have a strong, healthy relationship with it. But if you’re doing it for the wrong reasons, such as seeing your name in print or writing to please someone else, the writing side of your partnership may suffer at some point and your interest it may wane. When you remember your ‘why” of writing, you’ll likely return to center and stay motivated through difficult stretches.

It may seem odd to treat your writing as a significant other, but think about where you would be without it. When you view your writing as a true partner that you love for life, you’ll treat it with the care and devotion it deserves. Both you and your writing will thrive.

Need Motivation for Your Writing Practice? Find a Writing Buddy

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Don’t forget to check out this week’s writing prompt.

Last week I wrote about participating in a writer’s group to help you get past writing blocks and keep you on track toward your goals. But writer’s groups aren’t for everyone. Sometimes you don’t want to share your work with a group of people, but instead, only one other person. That’s where a writing buddy comes into the picture.

A writing buddy is just as it sounds – a person to share in the journey with you. You may have different writing goals (publish short stories vs. polish off that novel that’s been hiding in a desk drawer), write different genres (women’s literature vs. romance), live in different parts of the country (the West Coast vs. the Midwest) and live different lifestyles (one married and one single, for example). While you may have different writing experiences, one thing you do share is a love of writing.

The concept of the buddy system is borrowed from the fitness world where two people might engage in a weight loss plan together. They may arrive with different fitness goals and use different approaches to reach those goals, but neither wants to go through the journey alone. It helps to have a buddy to experience the ups and downs of the process, and to challenge and motivate one another along the way.

Writing buddies can provide the same kind of support. They’re there to inspire and motivate you when your interest lags. They make you accountable for your progress. You know you have someone who supports your efforts, encourage you every step of the way. Writing buddies can also exchange ideas and knowledge about crafting stories. They can also serve as a beta reader for your current work-in-progress, and be your initial reviewer, editor and proofreader.

However, writing buddies are not collaborators; they’re not there to work with you on the same project. Rather, a writing buddy has their own project that they are working on, separate from yours. They are also not a mentor or coach, who provides encouragement and support, but don’t receive any support from you in return. They’re not a boss either, who might teach you a few things about the craft, but may not be working on any project at all.

For a better idea who makes a good writing buddy, check out this article from Writing-World.com. Carol Sjostrom Miller writes that over a six-month period of working with a writing buddy, she wrote more, submitted more stories for publication and sold more than she had before finding her buddy. If you’re a new writer or want to ramp up your writing production, having a writing buddy might be the solution you’re looking for.

So how do you find someone that wants to be your writing buddy, and where do you find them? For starters, it should probably be someone you already know, not a total stranger. It could be someone you’ve met at a writing workshop, at a conference or a former member of a writer’s group that’s looking for a similar arrangement.

When you already know someone, you don’t have to go through that uncomfortable “let’s get to know one another better” phase. Since you’ve already bypassed that phase, you can focus on assessing your writing goals and what you want from your writing buddy.

If you think a writing buddy is right for you, here are a few characteristics you might want them to have – and what you should be willing to share in return.    

1. They must love to write as much as you love to write. This is obvious. The key is “as much as you love to write.” Are you both at the same level of writing? Are you each writing every day, or are you each struggling to make your daily word count goals? If you already have someone in mind for this important role, assess where you both are in your writing practice. Knowing where you each are on the journey and where you want to go will make it easier to work on equitable terms.

2. They’re non-competitive and non-judgmental – and so are you. Check your egos at the door. Writing buddies are neither collaborative nor competitors. They’re not there to judge you harshly or tell you how silly you are to write for young adults. They’re supportive and helpful, like the volunteers who pass out cups of water on the marathon race route or cheer you on at the finish line.

3. They bring an alternate perspective to your writing, and vice versa. Because you may both have different writing backgrounds, you’ll provide alternate perspectives that the other party may not have considered. Having that different perspective means you can share practical and meaningful insights that will help you each grow as writers.

4. You learn as much from their writing process and they do from you. Because you’re each on your own writing journey and working toward individual goals, you each have something to learn from and share with the other person. Perhaps you’ve discovered a more efficient way to edit a first draft that can help your writing buddy, or they have heard of a new online magazine that publishes your genre of short story. There’s an easy give-and-take in the relationship.

5. You both provide helpful, insightful and constructive feedback. Feedback is important to help you improve, so both you and your writing buddy should know how to provide meaningful feedback, not just be a cheerleader. Criticism can be hard to take, but it’s necessary to grow as a writer. Be constructive with criticism and communicate clearly and with sensitivity. There is a way to provide helpful advice without destroying their ego.

6. You both practice positivity. It’s easy to lose faith in your project and your talent over the long haul, so it’s important to team up with a buddy who can stay focused and optimistic to help you out of the doldrums. Likewise, your own positivity should motivate your buddy to stay the course.

7. You celebrate each other’s successes. When you’ve reached milestones, gotten over writing humps or finally published that story you’ve slaved over for months, a writing buddy can share in your joy. Be sure to share in theirs, writes Barbara Beckwith at the National Writers Union.

Writing buddies aren’t a perfect solution, and some buddy relationships may go through rough spells or end altogether. Yet others can last longer than some marriages. But for greater motivation and productivity, a writing buddy may make your writing journey more worthwhile.

Seven Ways to Turn a Plain Room into a Creative Writing Workspace

Most of us are working from home these days, either slaving away on a blog or writing for an employer. We can become so absorbed in our computer screens that we forget to notice – and enjoy – the space around us. That’s why it’s important to create a space that is fun and creative and lifts your spirt. Even more important, you want a space that will inspire you to produce your best work, no matter what type of work you do.

According to Mindspace, an online magazine about flexible work spaces, poorly designed spaces can affect a person’s psychology, motivation and creative output. Mindspace recommends some basic elements to make a positive impact. Start with comfortable seating which can increase your energy level and keep you more alert and engaged.

Emphasize natural lighting if at all possible because it is better than artificial lighting. Fluorescent lights are harsh and can cause long-term eye strain. Let’s face it, natural lighting is simply more beautiful too.

Bring in natural plants which freshens indoor air quality naturally. But if you’re the type of person who forgets to water plants, artificial plants will suffice. The greenery is easy on the eyes and has a calming effect on your mood.

While having a desk, chair and computer are imperative, they’re not enough to inspire creativity and productivity. You need to add elements that not only inspire you to do your best work but also expresses your creative side.

Here’s how you can spice up your workspace and make it more fun and creative.

  1. Rearrange your furniture. Before you add any new accessories, try rearranging the furniture. Switching around furniture pieces can change the energy in the room, say home décor experts. If your space feels stale, try removing one piece and see what happens to your energy level. While you’re at it, it might be a good idea to declutter too. Many of us have one or two pieces of furniture that we really don’t need. By subtracting, you’ll actually be adding to your productivity by creating more real space. When space opens up, it allows more air to move, and more ideas to flow along with it.
  2. Repaint the room. If you feel bored or experience the winter blahs, spice things up with a splash of color to your surroundings. Sometimes all you need is a fresh coat of paint to brighten your mood. If you don’t want to paint a whole room, try doing one accent wall. For example, if the walls are white, try a bold, bright color on one wall. The sudden splash of color can awaken your senses.
  3. Add wall décor. Once you’ve repainted the room and rearranged the furniture, don’t forget to add wall décor. Add a framed print of a famous person you admire, or a soothing landscape scene or a photo with an inspirational quote. If framed prints are too boring, try other options like a colorful handmade wreathe, a woven wall hanging or cut-out words that spell out a  favorite quote. Let your imagination be your guide. The last thing you want to see are bare walls, even if the paint colors are more interesting.
  4. Add unique lighting elements. If a desk lamp is too boring, bring in special lighting with different colored light bulbs, though be careful not to work under those lights, which might cause eye strain. Use those lighting elements to spark a creative mood rather than for productivity. For more advice about proper lighting for your space, check out this article from The Spruce.
  5. Switch out accessories. Add new throw pillows on your bed or sofa which can make an immediate impact. A few small votive candles can put you in the mood to write poetry, and a potted plant can bring in some of the outdoors. If you lack storage space, add a few shelves by your desk to hold your supplies.
  6. Create an inspiration board (or mood board). Need something to spark your imagination every day? An inspiration board contains photos, artwork, and phrases that help you focus on your writing goals or a specific project. Inspiration boards aren’t for everyone and they take a lot of time and effort, but they can provide the motivation you seek to be productive. (Some people call them mood boards, though I don’t know why. The boards are meant to inspire creativity, not affect mood. But that’s my two cents.) Check out the Lit Nerds for tips on creating mood boards.
  7. Keep a fun drawer. Who doesn’t love a fun drawer? That’s where you keep small trinkets and toys, your favorite candies and handheld games. I suppose it should be called the distraction drawer instead because that’s what those items are meant to do – create distraction. The fun drawer serves as a reminder that writing is not all work and no play, and that it’s okay to take a creativity break. You never know when one of those little distractions inspires a fresh story idea.

    Writers spend a lot of time in their work spaces – plotting stories, doing research, penning that masterpiece. Why not make it the most creative, inspirational place to work? Hopefully, these suggestions will spark some ideas on how to maximize the space you have and turn it into a fun place to work and play.

Five Signs That You’re Ready to Join a Writer’s Group

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This week’s writing prompt: What date on the 2021 calendar do you have circled? Is there a special event that you are looking forward to this year? Why is this date circled?

Writing is often a solo journey, but sometimes you need to pick up a few passengers along the way. You may be at a point where you need to hear different perspectives about your work-in-progress or pick up tips from fellow writers. Perhaps you hit a wall and can’t seem to write another word. That’s when you may benefit from joining a writer’s group.

Not every writer needs or wants to join a writer’s group. They can get by with working in isolation before sharing their work with two or three close confidants. Other writers, especially beginning writers or hobbyists, relish the social interaction and feedback that groups provide.  

Wherever you are on the writer’s spectrum, there will come a time when you will want to seek support or feedback for your work. That’s where a writer’s group might be a practical move on your part. Sometimes the insights of other writers can point you in the right direction – or a different one that you had not considered.

Writer’s groups aren’t for everyone, however. There are a few dangers to groups, writes Jennie Nash in this guest post at JaneFriedman.com. You may find that the writers in the group are either more experienced or are all beginners. You will have to decide what level of writers you want to work with. Writers who are struggling with their own writing may not be the best judge of your work.

Other times, members may not know how to give constructive feedback because they either don’t want to offend you or because they simply don’t know what they should be commenting on, Nash adds. In those instances, it might help to express what you want them to look for. Generic feedback may not help you improve your writing. But a more specific request, such as whether the dialogue sounds natural, may be more helpful.

Then there is the decision to join a writer’s group. How do you know you are ready to take the plunge? Here are five signs that you might be ready to join a writer’s group.

1. You’re tired of working in isolation. When you work solo most of the time, it’s necessary to grab some social time to balance your writing schedule. This is especially important during the current pandemic where most of us are working from home. A writer’s group can provide that social outlet. Whether you decide to meet once a week or once a month, you can develop some meaningful friendships while improving your craft.

2. You want feedback on your current work-in-progress. Perhaps you’ve been plugging away on a novel that just doesn’t’ seem to be moving along at the pace you intended. Or your characters seem flat, or you’re unsure where to go next with the plot. Having other writers review and provide feedback on your work can help you figure out what you may doing wrong and what you can do to fix it. Your group members may see things that you don’t. 

3. Your productivity is lagging. You want accountability for your writing practice so you can stay productive and meet your writing goals and deadlines. Since writing is more of a marathon than a sprint, a writer’s group can provide the support you need through the long haul.

4. You’re looking for beta readers to test out story ideas. You’ve come up with one or two story ideas, but you’re uncertain whether there’s enough substance to make them work. A writer’s group can help you assess the story, whether it needs more development or whether to save a scene or two for another plot, or simply to dump the idea altogether. Again, member feedback can give you needed perspective.

5. You’ve exhausted all the traditional modes of learning your craft. Through a writer’s group, members can swap stories of personal experience, learn from one another, and exchange writing resources. It’s another form of education beyond classes and workshops.

Before signing up for a writer’s group, however, you need to assess your own writing needs. According to Brooke McIntyre in this guest post at Jane Friedman’s blog, there are several questions you need to ask yourself.

* What is your writing experience? Are you a beginner or are you more experienced. Joining a group of beginners may test the patience of a more experienced writer.

* Do you have a completed manuscript to share now? Or are you more interested in a group that will motivated you through the finish?

* Do you have a consistent practice currently? Or are you looking for motivation to start a consistent practice?

* Where do you want to go with your writing? What can a writer’s group do for you now to help you get there? What do you want from it?

* What other ways are you developing your writing progress? Have you attended workshops and classes? Have you read books, blogs and magazine articles to learn about writing? If you’ve exhausted all these avenues, then a writer’s group might be the next step.

Once you understand where you are in your writing practice, where you want to go and how to get there, you can decide if you’re truly ready to join a writer’s group.

Five Ways Your Writing Life Improves When You Say “I Am a Writer”

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For many aspiring writers, it can be difficult to say the words, “I am a writer.” Deep down, they feel they don’t deserve the title because they’re new at writing. Many newbies argue that they don’t feel justified in calling themselves a writer because they haven’t published anything.

But the truth is, it’s a key step in your writing journey. Because if you are serious about your writing, you need to call yourself a writer.

But if you write, you are a writer. It’s as simple as that. It doesn’t matter if you craft posts for your blog, pour your heart out in your journal every morning, or slug away on a novel, you are a writer. It doesn’t matter if you are published or not. As long as you are putting in the effort, you can honestly and proudly say, “I am a writer.”

The thing is, once you begin to say it (it might help to say it out loud or in front of a mirror), and say it every day, the name becomes a part of you. Even better, good things happen in your writing life.

As Jeff Goins writes (or more specifically his cat) at The Write Practice blog, “the only way to be a writer was to act like one.” For more definitions about what makes a writer, check out this post by Anne R. Allen.

But I think there’s more to it than what Goins and Allen suggest. Saying “I am a writer” alters your mindset. It’s all about belief in yourself. When you think of yourself as a writer, your behavior follows suit. You begin to form the habits that will make you successful.

Here are five ways your writing life will change when you begin to call yourself a writer.

1. You begin to take your writing more seriously than before. Maybe you already had a writing routine, but now, you’ve decided to add to your daily word count or you have a specific goal in mind, such as writing two novel chapters every week. Maybe you contemplate taking classes to learn more about technique, or you feel a need to share your work with others. Even though you may never get published, you call yourself a writer and you start acting like one.

2. You no longer want to hide behind your writing. You’re more willing to “put yourself out there.” That means reading your work aloud to a roomful of strangers, participating in critique groups or submitting your work to editors. You seek feedback from others in the hopes of improving your craft because you realize you no longer want to work in isolation. You no longer want to hide your writing from others.  

3. You’re no longer afraid of expressing yourself. To say “I am a writer” means you bravely share your ideas and opinions, and speaking your truth. The words you need to say come more naturally because they come from your heart.

4. Your confidence soars. When you say “I am a writer” with a smile on your face, people know you are proud of your calling. You stand taller, and you feel energized. You are filled with story ideas and you can’t wait to work on them. You don’t wait for inspiration to strike before you begin writing. Instead, inspiration finds you because you’ve already been writing consistently. 

5. Your writing life becomes more real. This isn’t a fantasy anymore, a dream. By saying, “I am a writer,” the writing life becomes real and worthy of your gifts. Writing isn’t just a hobby; it’s your calling. You decide to do the work you need to do to make your writing life real.   

The power behind these four magic words is belief. You must believe in yourself to write and write well. If you lack faith in your abilities or if you believe you are not worthy of this calling, you will never write anything. So it’s important to call yourself a writer to express belief in yourself. And when you believe in yourself, others will follow along on your writing journey with you.