Month: November 2023

Would You Rather Read the Book or Watch the Movie Adaptation?

~ The Regal Writer ~ 1 Comment
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No, it’s not your imagination. There are numerous adaptations of books being turned into films or mini-series lately, more than other years. From Lessons in Chemistry by Bonnie Gamus premiering on Apple TV+ to true crime Killers of the Flower Moon by David Grann currently being shown in theaters,  published works are being retold for the screen. In fact, many stories we see on the big screen or via streaming services are based on top-selling books.

For a great list of books turned into films, check out this story on Stylist.

But is one storytelling experience better than the other? Is it better to read the book first or to view the film adaptation? It’s a decades-long debate with no real answer. It’s more a matter of personal preference.

Hollywood often looks to newer book releases for inspiration for films. Some of the most popular films can be traced back to its written version. One that comes to mind is Field of Dreams, based on the novel Shoeless Joe by W. P. Kinsella. Though lesser known than the film, the book is just as good, though it contains a couple of characters and a subplot that doesn’t appear on screen.

Many readers swear that books are better than the film version. I’ve read many books that were turned into films that I found lacking in substance. The books were still better. Bee Season was a decent book, but the film adaptation wasn’t nearly as compelling. While The Namesake by Jhumpa Lahiri was made into a movie, the literary novel that it was based on provided more depth.

The reverse can also be true, that film adaptations bring the written story to life and make it better, more believable. Field of Dreams is one example of that. And though I never read the original story of The Graduate by Charles Webb, it went on to become one of the best films of all time.

There are several reasons for enjoying books over the movie or mini-series:

  • Books allow the imagination to run free and paint pictures in our minds.
  • Books provide more plot details, subplots and secondary characters
  • Books provide more backstory than films might be able to do.
  • Books allow readers to experience the story at their own pace; there are no time constraints as there might be in films.
  • Books allow readers to think more deeply about what they’ve read

Conversely, films offer a few advantages of their own:

  • Films are more visually appealing; you see the action as it happens and it leaves nothing to the imagination.
  • Films provide a more streamlined experience because they focus on the major events and characters of the story, while subplots and secondary characters are often cut.
  • Viewing films can be enjoyed alone or with others. It can be a shared experience.
  • It takes less time to experience the story—two to three hours compared to several days or weeks for a novel.

There are other factors that contribute to the choice of reading the book versus watching the movie. Many people are more visual by nature, so they prefer watching films. Or perhaps they’re simply not book readers.

Can reading ruin your experience of the film? That depends on who you ask. I still enjoyed watching the Harry Potter films—all eight of them—and I will watch them over and over. The books are just as good if not more so because of the added layers of plot.

Some readers claim that seeing the film first can enhance their reading experience. The film gives them a cursory idea of the story, while the book fills in more of the details and provides more backstory. On the other hand, some film adaptations are so far removed from the original that it can ruin the original meaning.

It all comes down to personal preference. I myself prefer the book reading experience. I feel I get more out of the story that way. But really, there is no right or wrong way. Whether you read the book or watch the movie or both, you’re still enjoying the power of story no matter what form is takes.

List Making Can Make a Writer’s Life Easier

~ The Regal Writer ~ Leave a comment
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I’m a notorious list maker. I create lists for all sorts of things from basic to-do lists for work and grocery lists to the books I plan to read from my TBR shelf and events I want to attend. I’ve also kept lists for not-so-obvious things, like foods I want to try (every try dragonfruit?) and music I want to eventually download. Anyone who saw my lists would either think I’m incredibly organized or hopelessly scatterbrained!

But I’ve found over the years that lists can be a useful tool not just in your personal life but in your professional life. As writers, it’s important to keep track of all sorts of details for our work and list making is one way to keep it all organized so the information is accessible.  

For writing purposes, lists can help you perform the following tasks:

  • Brainstorm story or plot points
  • Create characters with roughly drawn traits and possible names
  • Draft scenes for a story before you begin writing
  • Jot down blog post ideas
  • Track ideas for website content
  • Jot down article ideas to pitch to an editor
  • Track potential clients to contact for assignments
  • Track subject matter experts to interview for a story you plan to write
  • Prioritize errands and chores you want to finish in a week
  • Keep track of small tasks needed to complete a larger project.

Lists have made my life easier in many ways. Jotting down story ideas as soon as I think of them helps to get them out of my head so they don’t become a distraction and get in the way of what I need to do. Keeping lists also helps me stay focused on the most essential tasks I need to work on, and it helps me prioritize the tasks that are most important. This process works whether the list is a home to-do list or a work task list.

But there are downsides too. Looking at a lengthy list can make you feel overwhelmed. Even looking at my list of books that I want to read can feel overwhelming. I often think there’s no way I will ever finish them all, especially when I keep adding to the TBR shelf.

Fortunately, there are strategies for dealing with feelings of overwhelm.

  1. Tackle one task at a time. Rome wasn’t built in a day, so neither should you feel you have to tackle the entire list in one afternoon. One step at a time will get you where you need to go.
  2. Review your list often, if not every day. Prioritize and highlight the three most important items on the list. Then focus on completing the most important items first. If you get to the fourth or fifth task, that’s a bonus.
  3. Remember that you shouldn’t be at the mercy of your lists. The most effective list is one that serves you, not put obstacles in your path.
  4. Find a tool that works best for you, whether that’s an old school notebook or an app on your phone. PC Magazine has a nifty list of apps for creating and tracking your tasks.
  5. Keep lists separate for work and home, so your shopping list doesn’t end up with your work tasks. Review your lists and revise every day.
  6. Write down ideas and tasks as soon as you think of them so you don’t forget them.

    Remember that lists are meant as a guide for your work life, not a set of rules etched in stone. Be flexible and shift priorities as deadlines and needs change. When you get to the bottom of your list, congratulations. Imagine how good it will feel when you cross that last item off your list.

Not everyone is a big fan of lists, but give them a try. In time, you may find that they can be one of the most helpful tools you’ll ever need.

Do you use lists? What kind of lists do you use? Does it make you feel more organized or more stressed?

Tips for Creating a Compelling Opening Chapter

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I had planned to write a post about what makes a great opening chapter or first 10 pages, then I realized I had already written a post about it several years ago.. I couldn’t think of any way to improve it, so I am repeating it here. The information is especially helpful for those participating in National Novel Writing Month (NaNoWriMo).

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If you’ve ever read The Nightingale by Kristin Hannah, you probably remember this opening line:

“If I have learned anything in this long life of mine, it is this: In love, we find out who we want to be; in war, we find out who we are.”

I’d be hard pressed to find any opening more poignant than this one. From the very start, readers are taken on an emotional journey that doesn’t end until the final sentence.

Writers are tasked with the challenge to create a similar experience with their readers. The start of any  novel should accomplish several things: create the tone of the story, provide the point of view, reveal character, and show tension and conflict, among other things. Certainly, the opening line from The Nightingale accomplishes most of these objectives. Does your story do the same?

Why is the opening so critical? Because if it doesn’t grab the reader’s interest and keep it for the first few pages, the reader will likely close the book and set it aside, never getting to the end of it. Ask any published author, editor or agent what makes a strong opening, and you’ll hear a number of answers, which are summarized below. And these suggestions don’t just pertain to fiction, but to short stories, memoir and non-fiction works too. Without a compelling start, readers will dismiss your effort.

If you are participating in NaNoWriMo (National Novel Writing Month), keep the following suggestions in mind as you write the opening of your novel.

1. Skip the prologue. There is ongoing debate about the merits of a prologue. Many editors and agents feel they aren’t necessary. I tend to agree with them. I’ve rarely read a prologue that made a difference in my understanding of the plot. The one exception is Caught by Harlan Coben, which provided sufficient background on one of the main characters to make you second guess the outcome. But if you plan your story well and write the opening pages right, there shouldn’t be a need for a prologue.

2. Create a protagonist that readers will care about. The opening is your opportunity to reveal your protagonist’s character. Is he/she rebellious, angry, ambitious or curious? In the above opening from The Nightingale, the character speaking is introspective and perhaps has gained wisdom from life experience. It makes me care about who she is and what else she (and it is a she, btw) might have to say.

3. Ground your reader in the story’s setting. According to the Write Practice blog, let readers see where the story takes place. Establish early on what the setting is for the story – the time period, the location, the season of the year, etc. When the reader feels grounded in the setting, they feel mentally prepared to experience the events as the characters do.

4. Create conflict and tension. Identify what the inciting incident is – that starting point to your story that changes the status quo. Where is the conflict? Is that conflict with another character, with a situation or within themselves? That conflict is needed to create tension, which helps draw readers in and keep them reading to see how the conflict is resolved.  

5. Don’t frontload with dialogue or action. According to Fuse Literary, too much action or dialogue can confuse readers. Sure, you want to start with some sort of action, but an opening chapter heavy on action and dialogue and not enough narrative or backstory can be confusing to readers who may need a point of reference to understand what is happening on the page. You need some action, of course, but balance it with some narrative so you don’t lose readers’ interest.

6. Don’t overload the opening with backstory either. According to recent Reedsy webinar, Crafting a Novel Opening, writers should focus on what the reader needs to know at that moment. There’s plenty of time to reveal backstory and world building as the story progresses, says Shaelin Bishop who led the discussion. Weave in backstory throughout the length of the manuscript, and allow details to breathe between scenes. This approach will help with the pacing too. If readers are overloaded with details up front, they may feel overwhelmed.

7. Hook the reader with an interesting twist. Start where the story gets interesting, which is usually at the point where there’s a change in the status quo. For example, the protagonist gets a letter with good news or bad news, a new person enters the protagonist’s life, or they get into an accident that alters the course of their life.  “Show what is interesting rather than focusing on the mundane. It’s okay to show less of the status quo than you think you need to,” says Shaelin Bishop with Reedsy. This approach avoids overloading your opening chapter with too many details that can bore your reader.

8. Every scene should serve several purposes. For example, one scene can establish the tone of the story, reveal something about the character and hint at future conflict. This sounds complex, but it’s necessary to keep the story moving forward and keep readers interested. Don’t waste your first sentence, or any sentence for that matter. Write every scene with a purpose in mind. If it doesn’t serve  purpose, and if a character doesn’t serve a purpose, cut them out.

To get into the habit of writing stronger openings, try these two exercises.

Exercise 1: Take 10 minutes and create as many opening sentences as you can think of. It could be for a current work in progress or any other story. Experiment with different perspectives. Here are a couple of examples of intriguing openings that made me keep reading:

“You would think it would be impossible to find anything new in the world, creatures no man has ever seen before, one-of-a-kind oddities in which nature has taken a backseat to the coursing pulse of the fantastical and the marvelous. I can tell you with certainty that such things exists ….”
The Museum of Extraordinary Things, Alice Hoffman

“My name is Serena Frome (rhymes with plume) and almost forty years ago I was sent on a secret mission for the British Security Service. I didn’t return safely. Within eighteen months of joining, I was sacked, having disgraced myself and ruined my lover, though he certainly had a hand in his own undoing.”
Sweet Tooth, Ian McEwan

Exercise 2: Select five novels from your collection that you enjoyed reading. Go back and read the first page from each one. What made you turn the page? Why did it grab your interest? Did it reveal anything about the setting, tone or character? Did it create tension and conflict? What can you learn from these first pages that you can adapt to your own work?

Follow these tips to make your opening chapter compelling enough to keep readers engaged to the very end.