Month: May 2023

Why Creative Ruts Happen, and What You Can Do About Them

~ The Regal Writer ~ Leave a comment
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I’m taking the week off from my blog to focus on other writing projects. Please enjoy the following article, which was originally published in May 2019. I’ll be back next week with fresh material.
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Falling into a creative rut can feel like the end of the world, like you’re stuck in a desert with no sign of water or food or life. When they happen, you can do one of two things: fight them to the death, or embrace them.

Ruts are not a bad thing, says author and freelance journalist Kristin Wong. They serve a useful purpose, prompting you to question your life goals and career aspirations. Ruts, she says, reminds you that you are human after all, not a machine.

Other creative types see ruts differently. Author Jane Porter suggests that it’s not a rut you are experiencing at all, but impatience. You want to see results right away. You want to see progress quickly and in the right direction, just as you sketched it out ahead of time. You want to see proof that your hard work is paying off. But, Porter says, efficiency is not the same as creativity.

Do a Google search and you’ll find hundreds of articles with suggestions for dealing with ruts. But most  of them don’t address why they happen in the first place. Wong says ruts usually happen for one of three reasons:

* Information overload. The Internet provides a lot of information, and it can be easy to get lost in it. Some of the information is legitimate; a good portion is not, and we have to discern between fact and fiction. It’s also easy to get distracted with non-essential ideas that don’t fit in with your own aspirations. When you feel lost, it’s easy to seek guidance from other people and forget that you even have a brain and a voice. You need to block out the distractions so you can hear your own voice and follow your own path. 

* Burnout. Creative professionals often work on the same project for months or even years. But after looking at the same pages all the time, you can become bored. You begin to feel stagnant, and run out of ideas of how to fix your writing or artwork. Burnout is natural when you stare at a project for too long, says Wong. To counter burnout, it’s important to take breaks – lots of them. Self-care is as much a part of the creative process as the work you do. During those breaks, learn to do nothing, even if it’s just staring out the window. Breaks give you stamina and energy so you can keep going toward your goals.

* Uncertainty about your path. Sometimes you can be so engulfed in the process of creating that you lose sight of your overall vision. It can translate as boredom on the job. When you continue to do a job out of routine, and you’re unclear what the overall vision is for that job, it can throw you into a rut.

So now that you have a better understanding why ruts happen, what can you do about them? Ask any creative person and they will tell you how they deal with them. But their ways of dealing with ruts are as different as they are. Check out this Huffington Post article about how 29 artists break out of ruts. It’s important to find what works best for you. Here are a few ideas:

1. Take a break. Most creative people will tell you that frequent breaks are necessary for clearing your head. Go for a walk, take a weekend getaway, play with your pet, or take a nap. When you return to your desk, you may notice a solution you hadn’t seen before.

2. Work with your hands. Find ways to work with your hands. Try gardening, playing in the sand, mold clay, juggle, or anything that requires you to use your hands rather than your head. Playing with something tangible like dirt, water or clay can be therapeutic.

3. Take a bath or shower. Ever have an eureka moment while showering? There’s something about immersing yourself in water that releases creative energy. In astrology, water is often associated with creativity and artistry, so any activity involving water may help “flush out” new innovative ideas.

4. Try something different. Do something you’ve never done before, says Christine Mason Miller, author of Desire to Inspire: Using Creative Passion to Transform the World in a recent Psyche Central article. Sign up for a cooking class, for example, visit a nearby town you’ve never been to before or go horseback riding if you’ve never done it. The key is to open your mind up to doing something different. If you experience something out of the usual order of things in your life, that new experience can spawn new creative ideas.

5. Make small changes. Sometimes making small changes to your environment can help you look at the world differently. Miller says whenever she falls into a creative rut, she will repaint a room, rearrange a room or buy a new piece of furniture. Bringing something new into your environment can spark creative ideas.

6. Show up and be present. Give your work all the attention it needs, even if the quality of work you produce isn’t quite what you want. At least you are still working at it.

7. Allow yourself to be bored. Author Jane Porter says our brains are too occupied with information, data, news and other stuff. Our brains are too busy, and all that busyness can kill creativity. It’s okay to be bored every so often, to do nothing, to think of nothing. Use the time to stare out the window or a picture on the wall. Become a blank slate. Think of it as part of the creative process.

8. Surround yourself with beautiful things. Visit a museum, listen to classical music or read poetry. Enjoy the sources of beauty and creativity that surround you. Seeing it in nature or seeing it in the works of other creatives can inspire you.

9. Embrace your creative rut. Realize that feeling stuck is part of the creative process. Once you understand this, you can embrace it for what it truly is – a reason to keep creating.

Creative ruts are inevitable, and a natural part of the creative process. They serve as red flags alerting you that something is out of sync. When you fall into one, don’t fret. Recognize it for what it is – a chance to recharge your creative spirit so you can produce your best work.

How Reading a Variety of Books Can Improve Your Writing

~ The Regal Writer ~ 1 Comment
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When I first began my writing journey nearly about five years ago, I was inspired by Stephen King’s book On Writing, in which he encouraged writers to read often and read a variety of book titles. Around that same time, I had started volunteering for a non-profit group that provided books to incarcerated women, and I became familiar with the books they often requested from our library (most of which were donations). So I was reading everything from true crime, prison life and re-entry to African-American and Hispanic fiction.  

Adding fuel to the fire was a blog post I came across about a reading challenge—reading books under certain categories, themes, genres or book titles—no matter how crazy those titles might be. The list included everything from reading a non-fiction book, a book about motherhood, a book turned into a movie or TV series, or a book with a color/number/person’s name in the title. You get the idea. The challenge wasn’t about how many books you could read, but the variety. It simply added another layer of fun to the activity of reading.

Put altogether, reading a variety of books became ingrained in me. So what that I rarely read the current bestseller? I learned as much by reading a classic John Steinbeck novel as anything else on the current bestseller list. I learned that every book you read can teach you something about writing.

More important, reading a variety exposed me to authors I probably would never have read (Toni Morrison, for example) and about different cultures and perspectives (Indian culture through the work of Jhumpa Lahiri, for example). It showed different uses of language and unique and interesting characters and settings (fantasy, for example).

Reading a variety has also shown me the things that don’t always work in storytelling and what does and does not appeal to readers. That knowledge is helping me craft better stories, stronger plots and more interesting characters. (At least I hope it does.}

Reading a variety can nudge you out of your comfort zone and challenge your brain to see things differently. If all you ever read is the same genre, boredom can settle in and you’ll likely see the same plot lines and the same types of characters over and over again. When that happens, it may be time to mix things up a bit. After reading a couple of historical fiction novels, switch it up by reading a memoir or a classic. You can always return to your favorite genre.

Here’s what you can learn about writing by reading outside your favorite genre:

  • Sci Fi/Fantasy – Learn about world building with its own unique population and language. This challenges you to think outside the box.
  • Mystery/thriller – Learn techniques for pacing and creating suspense.
  • Literary – Learn about character-driven plots, character motivation and story arcs.
  • Memoir – Learn about a person’s history, emotions and experiences. What makes them tick? How did they become the person they are now?
  • Non-fiction – Learn to explain technical or complex subjects. Get background information about a subject.
  • Commercial fiction or current bestseller – ask yourself why they are so popular with readers. What is their appeal? Why are people buying this book?
  • The classics – Learn about the use of language from years ago. Important if you’re writing historical fiction.
  • Plays/drama – Pay attention to dialogue. How do the characters speak and relate to one another?
  • Read Latino, African-American, Native-American, Middle Eastern, Asian-American authors – Notice how their culture influences their story telling.

The way I see it, reading is the flip side of writing. Without reading, we would never experience the fine art of storytelling. So read a lot, and read a variety. Your creative writing self will thank you for it.

Recommended Books about Mothers and Motherhood

~ The Regal Writer ~ 1 Comment
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Since the calendar turned to the month of May, I’ve found myself reading novels where mothers are the key characters and motherhood the main theme. My current read is Two Little Girls in Blue, a suspense novel by legendary author Mary Higgins Clark, a story about the kidnapping of three-year-old twins Kelly and Kathy and their telepathic connection.  

Clark’s story got me thinking about other books I’ve read that explore similar themes of motherhood. With Mother’s Day coming up this weekend, I thought I would pay special tribute to Moms with a list of books that feature mother-child relationships. All types of mothers are included on this list, including birth mothers, adopted mothers and step mothers. Most of these books I’ve read, but I’ve included a few others worth noting.

So if you’re looking to add more to your TBR list, here are a few worth a look:

Look Again by Lisa Scottoline
What would you do if you received a postcard in the mail about missing children, and one of the children on the card looks identical to your adopted son? That is the premise of this suspenseful page turner that asks the question: What would you do if you suspected that your adopted child was kidnapped from another family?

The Last Thing He Told Me by Laura Dave
With clearly drawn characters and crisp writing, this was another book I couldn’t stop reading. Hannah is a new wife and stepmother to 16-year-old Bailey, who wants nothing to do with her. When Hannah’s husband Owen disappears, she receives a note from him with one simple message: “Protect her.” Hannah knows she must protect Bailey, even as she tries to unravel what has happened to her husband.

Leaving Time by Jodi Picoult
With the help of a psychic and a private investigator, a teenaged girl attempts to find out what happened to her mother, an elephant researcher, after a tragic accident at an animal sanctuary. Guided by her mother’s diary that documented the behavior of elephants through death and grief, the girl follows a trail of clues that lead to a very unexpected and surprising ending.

Little Fires Everywhere by Celeste Ng
The motherhood theme plays out in several different scenarios in  this moving novel by Ng. When artist and single mom Mia Warren arrives in the idyllic and carefully planned community of Shaker Heights, her disregard for the status quo upsets some area residents, particularly Elena Richardson, who is suspicious of Mia’s mysterious past. The lives of Mia and her daughter Pearl are intertwined with those of the four Richardson children. When friends of Elena want to adopt a Chinese-American infant, Mia and Elena find themselves on opposing sides of the debate. Elena becomes obsessed with ousting Mia from town with devastating results.

Lost by Joy Fielding
The first time Cindy lost her daughter Julia, her daughter was five years old. The second time was when Julia was 14 and she moved in with her father, which broke Cindy’s heart. But when Julia disappears again at age 21 after a promising audition with a Hollywood director, Cindy begins a frantic search for her. This time, the answers she finds reveals a disturbing truth about her daughter that she realized she never really knew.

Where Are The Children? by Mary Higgins Clark
One of the first novels by Clark, and probably the one that put her on the path to publishing success. Here’s another story about a mother whose two children disappear while playing in the front yard. In Clark’s signature style, the story is told from a variety of perspectives, including that of the kidnapper.

The Joy Luck Club by Amy Tan
It’s been a while since I’ve read this debut novel by Tan, which explores four mother-daughter relationships of Asian-American heritage. The story is told from alternating points of view of each mother and daughter, exploring how the attitudes and behaviors toward love and family are passed through the generations. The film was also quite good.

White Oleander by Janet Fitch
It’s been a long while since I read this book by Fitch. I also remember seeing the movie starring Michelle Pfeiffer. After her mother Ingrid is charged with murder for killing her boyfriend, 12-year-old Astrid is shuffled from foster home to foster home, each time putting her in complicated situations. As Astrid struggles to define herself, she continues a rather tenuous relationship with Ingrid in prison.

The Book of Ruth by Jane Hamilton
At times this was a difficult book to read because of the moments of violence. I give credit to Hamilton for the way she treated each of the main characters. Ruth lives at home with her mother May, who sees her daughter as a disappointment because she isn’t anything like her brilliant brother who graduated from college and works in Boston. Instead, Ruth works at a dry cleaners and falls for a Ruby, a lazy, stubborn scoundrel, who does not mix well with May. Ruby and May come to a violent clash, and only Ruth’s innate goodness and compassion allows her to have hope for her future.

What Alice Forgot by Liane Moriarity.
I love how Moriarity plays with intriguing questions and scenarios, bringing both humor and drama to her stories. In this novel, 29-year-old Alice is pregnant with her first child and is crazy in love with her husband. After falling at the gym, she wakes up in the hospital, only to learn that it is ten years later, she’s 39 with three kids, and she can’t understand why she’s in the midst of a messy divorce and why her sister won’t speak to her. As she puts the pieces of her life together, Alice figures out how to connect with her children and mend fences with her sister who has been on her own journey to become a mother.

Other books often listed with motherhood themes that are currently on my TBR list.

Beloved by Toni Morrison
Big Little Lies by Liane Moriarity
The Snow Child by Eowyn Ivey

What books about mothers and motherhood have left an impression on you? Which books would you recommend?

Tips for Compiling and Submitting Freelance Writing Clips

~ The Regal Writer ~ 1 Comment
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When you’re starting out as a freelancer (or even if you’ve been doing it for a while), at some point a potential client will request samples of your work. This is common practice, so don’t fret if you get a request like that. If anything, you should celebrate because it means they’re considering working with you and they want to see what kind of work you’ve done previously.  

But what types of clips should you send to them? How many? What do you do if you don’t have many writing clips to show? Let’s start at the beginning.

Keep track of your clips.

Whether you’re starting out as a freelancer or you’ve been freelancing for a while, you should collect your clips and keep them in one place so you can quickly access them. If the article was posted on a blog or online content hub, save a copy to your hard drive, auxiliary drive, your website or online portfolio site you might belong to like Contently. To save, select the Print option, then in the drop down menu, select Save as PDF. Then you can save it wherever you want to keep all your clips. That way you know where to find them when you need them.

Wherever you keep your clips, it might help to sort them by date, publication or subject area, such as real estate or health. Again, that’s for ease in finding them quickly when you need them.

Follow the client’s instructions.

When a client requests your clips, be sure to follow their instructions. Some clients are very specific about what they want and how they want the clips delivered to them. Some may ask for PDF or Word documents sent as an email attachment. Others may want only links. Do as they ask. It’s their way of testing you to see if you can follow their instructions.  If they ask for three sample clips, send them three sample clips. Don’t send them four, and don’t send them one. If they don’t specify how many they want, stick with two or three, which is enough to give them an idea of your writing ability.

Consider several factors when submitting clips:

  1. Send clips that are as close to the type of writing that you’d be doing for them. For example, a client looking for someone to write SEO blog posts will want to see similar types of clips from you. In that case, don’t send them research papers or marketing proposals as your samples. Your chances of getting hired improve greatly if your samples closely match the type of work they’re hiring for.
  2. Make sure the clips are fairly recent. Most editors want to see work you’ve done within the past couple of years, not what you wrote 10 years ago. Although, if that is the only clip you have in that particular genre, send that along and explain why you’re sending an older piece.
  3. Send your best work. Some writers and editors will tell you to make this the number one priority, but in my experience, your best work may not fit their genre or it may not be the most current work you’ve done. That said, if you submit three clips, designate one as your best work, even if it doesn’t fit the genre, then include two others that do fit. Make sure they’re all recently published.
  4. Pay attention to the tone and writing style. Does your writing style mesh with that of the publication? To answer that, you’ll need to review their publication carefully to become familiar with their style. If it’s a light-hearted, humor magazine and you tend to write more serious, research-based articles, your writing style probably won’t work for them. You need to match their tone.
  5. Consider the publication’s audience. If your writing experience is focused on business publications, such as magazine features, newsletters, and blog content, it may be difficult to transition to consumer-focused publications because the writing styles are different. Consumer writing is more casual, usually written at a lower grade level than a technical business publication. If you want to write for a consumer-focused publication, it’s easier to get assignments if you’ve written for consumer publications in the past.
  6. Make sure the clips are error-free. If they’ve been published, they’ve obviously gone through a copyediting and proofing phase beforehand. But if your sample is posted on a friend’s blog and hasn’t been proofed, it’s possible that a misspelled word or other grammar mistake has slipped through. Make sure your work is clean before submitting.

But what should you do if you’re starting out as a freelancer and you don’t have enough clips or the right type of clips, you might ask?

Sorry to be blunt about this, but realistically you’re probably not ready for a freelancing career. Freelancing is highly competitive, and editors want to hire only the best-qualified individuals that have experience writing about certain topics. To gain that experience, try taking a few writing classes where you can accrue samples. Or volunteer to write website articles for a non-profit group (which I did early in my career to gain experience), create your own samples or start a blog. Some editors do view a person’s blog as a legitimate writing sample so don’t overlook its potential.

When you do submit clips, it might help to keep a spreadsheet or note to yourself about which clips you sent in case the client asks questions about it later.

Keep your best published clips organized in one central place, and make sure they’re polished and error-free. When a potential client asks for clips, you’ll be ready to send them the best work you’ve done.